April 17, 2014 Dropbox Notes

Easter is today. Happy Easter to all. I figured I’d start with the non sequitur and then move on. After a really good month of releases, April is also shaping up to be a great month with a number of excellent releases worthy of inclusion in your collections. Most importantly, Record Store Day was yesterday, so I’m sure that I will have a number of rarities to add to the dropbox next month. Most are one of a kind, rare, or never issued items. I snuck a few in this month’s dropbox including the Springsteen, Pixies, and Green Day for a couple of buddies who collect. I have also recovered fully from the rants of the past couple of Dropbox Notes, so these notes should be a little more positive – unless of course I am dispossessed to erupt again as some of these issues are long not expressed and finally I’m getting some release from years of frustration. Not that anything is likely to be fixed, but at least I’m putting it out there, eh?.

Feel free to browse through the dropbox. I generally put in things in a completely random way – As I listen to something and it strikes my fancy, I save it to another location to listen again. At the end of the day, when the telephones are turned off, I crank up the set asides and take time to enjoy these finds. And then, after several listens from that culled group, I select the month’s dropbox. So, the secret is out, finally. I’m spent.

Lastly, I have also dropped a couple of recent and not so recent things into the drop box by request so you’ll find Reverend Horton Heat’s latest – Rev and London Grammar’s debut in case you also missed them the first time around.

So, with that introduction here are this months Tales From The Dropbox:

Stiff Little Fingers - No Going BackLong time favorites Stiff Little Fingers return with their 10th album ( of originals – they probably have 50 compilation albums out being one of the most heavily reissued bands of all time rivaling the Who and Elvis Costello) a Pledge Music funded release entitled No Going Back. What is singularly amazing about SLF is that over a career spanning 35 years the band has not lost any of the qualities that made them exciting in the first place. If anything, Jake Burns’ songwriting is better and more thoughtful – some of the songs on this record will quickly become fan favorites and end up staples in SLF’s live show. There are very few bands that could make this claim. That is, after 35 years, SLF is putting out new music that is as good as or better than some of their earliest and most beloved work. This album has everything that you would expect in a SLF record: aggressive anthemic punk rock that is catchy as hell. From the opening riff of “Liars Club” through the terrific “When We Were Young” SLF plays with renewed energy and although Not Going Back covers some dark territory, particularly Burn’s battle with depression on “My Dark Places,” the overall record is uplifting and spirited. Definitely a band worth seeing live (as I have a number of times). So, as the band ranks among my top 3 all time favorite bands, I might be a little biased. For the unwashed try: “My Dark Places,” “Throwing It All Away,” and “Trail Of Tears.”

Howler - World of JoyMinneapolis’ Howler return with their second effort World of Joy as the follow up to their excellent 2011 debut entitled America Give Up which was also a drop box favorite. Second records are tough enough, particularly when critics loved your first, and this would be doubly difficult when the band takes a healthy stab at incorporating and updating the Jesus and Mary Chain, so when you discover that the second record is likely better than the first, well there is a little bit of shock. Not so much the Smith’s (Johnny Marr) guitar sound is present as the Reid brothers, as other critics are fond of claiming (since vocalist Jordan Gatesmith dates? Johnny Marr’s daughter, Sonny), but a magnificent sound to be sure. The shoegaze feel of the only ballad “Here’s the Itch That Creeps Through My Skull” coupled with the shimmering guitars, gives a little darker presence to a great ballad. Perfectly balanced and an all too brief 28 minutes World of Joy – is precisely that an entrée into Howler’s creepy world – of joy. Try: “Indictment,” “World of Joy,” and “Don’t Wanna.”

War On Drugs - Lost In The DreamAdam Granduciel’s band The War on Drugs on their third album Lost In The Dream is deservedly receiving quite a bit of hype. This is a brilliant record in the same vein as Kurt Vile and The Men, but with a sonically different take on the psychedelic synth-laden inflected country tinged rock of those bands. The lyrical journey is somewhat depressing essentially the tale of a man struggling to keep it all together, but I was mesmerized by the classic rock sounds throughout the record (Springsteen/Dylan comparisons are inescapable). This will likely end up on many best of the year lists, and it will also find a place on mine. Try “Red Eyes,” “Under The pressure,” and the hauntingly beautiful “Lost In The Dream.”

Whigs_cover_nobandThe world is a better place with the Afghan Whigs. I played endlessly the entire Afghan Whigs collection of great records (and they were actually records at that time). I loved every song and it would be hard to argue that Greg Dulli’s vocals on Do The Beast are as unmistakable, powerful, and captivating as they are on ever record he has put out. So, imagine my surprise to find that 16 years after their last release, 1965, the Afghan Whigs are about to release Do The Beast – another awesome addition to their catalog – a little stranger than previous because there are definitely flavors of Dulli’s other band, the Twilight Singers incorporated into this record. However, I’ve been playing Do The Beast repeatedly for about the past thirty days (along with the Stiff Little Fingers and the Horrors records). This fact that the Afghan Whigs were playing both days at Coachella was almost enough to make me want to brave going, but I am sure I’ll see them in a better venue another time. (Which I Did – in my living room on the big screen. Thanks to whomever uploaded weekend 1). This is not the original band, and so the guitar sounds are slightly different than the 1.0 version of the band – noticeably absent is guitarist Rick McCollum – but this is such a treasure of a record and like all of the previous Dulli records (including those with the Twilight Singers) the collision of love, lust, greed, and need are pervasive throughout as Dulli tries through his vocal approach to bring color and clarity to these philosophical constructs. Try “It Kills,” “Royal Cream” and “Algiers.”

Bob Mould - Workbook 25To be truthful, I was not ready for Bob Mould’s debut solo record, Workbook following the very nasty breakup of Husker Du more than 25 years ago. I doubt anyone was. If you loved Husker Du as much as I did, then when you put the needle down on track 1 – “Sunspots” you went …what the $#^%? However, with time and a little perspective, you come to find that Workbook after 25 years is a work of, well, genius. I have listened to this record well over one hundred times in the past 25 years and each time I’d discover something new to amaze. After reading Bob’s book See A Little Light: The Trail of Rage And Melody, I gained a new perspective on the place and importance of Workbook in the pantheon of Mould/Husker Du/ Sugar recordings. And here it is reissued and it shines and sounds as if it was a new release I am supposed to write about. So, what is new? Well Disc 2 collects a live show from the Cabaret Metro on May 14, 1989 during the tour and gives incite to Mould’s artistry and captures the magical qualities of an artist finding his way after the trauma of losing everything important in his life. The live version of “See A little Light,” captures this place and time perfectly as does the gem “If You’re True” which plays entrée into Mould’s rawness following the split. To be fair, I’ve not taken sides in the end of Husker Du. I think Grant Hart is a genius as well . Also included on Workbook 25 is “All Those People Know,” the B-side of the “See a Little Light Single” which was not on the original album for good reason as it sounds like a Husker Du outtake. For those of you trying this for the first time, Try” See A Little Light,” “Poison Years,” and “Compositions for the Young and Old.”

Horrors - LuminousThe reason that music is not a competition, is best exemplified by Horrors, whose latest and 4th album, Luminous, is the follow up to 2011’s masterpiece Skying. To be released May 5, Luminous captures a brighter sounding Horrors with the album firmly including elements of 90’s shoegazers Stone Roses and Happy Mondays, and containing overall much less lyrically dark offering than past releases. I understand that a more positive more electronic organic effort was what the band was looking for, and they have accomplished those goals but what is staggering is the brilliance of the dynamic guitars and dance (for England) friendly songs all of which are going to be killer when played out in a live setting. If they can play the Arctic Monkeys in the U.S. on commercial radio then there is absolutely no reason why they couldn’t find space for all 7:33 of “I see You.” If you loved Skying, then Luminous will not disappoint. England’s got the band covered, but America should really dig this record. Try “I See You,” “Sleepwalk, and “First Day Of Spring.”

La Dispute - Rooms Of The HouseLo-fi is always a difficult genre for most people to get into because we are all so used to playing lush full sounding mostly over-produced elector-pop. However, when done right, Lo-fi combined with hardcore is absolutely the most compelling sound to listen to. Where Husker Du on Zen Arcade and the Minutemen on Double Nickels On a Dime both hinted at the possibility of this unique sound, La Dispute on their third album Rooms Of The House, achieve the brilliant balance and in so doing emerge with a breathtaking look at hardcore that won’t scare off the listener who like pop. The reason is likely that on this third record, Jordan Dreyer, the bands songwriter and vocalist finally has figured out that songs have a unique structure outside of poetry which on previous outings sounded exactly like that – poetry with a musical background. Now, the poetic edge is still present but the music is of equal presence and importance. It is this cohesiveness that makes this such a great listening experience and why, this record belongs in your collection. While Rooms Of the House may never reach the prominence or importance of Zen Arcade or Double Nickels in the punk/hardcore mythology, I think it will be a record that you’ll dig out 10 years from now to tell a friend – I remember this, it was so ^$%$ cool! Try “First Reactions After Falling Through the Ice,” Scenes from Highways 1981-2009,” and “The Child We Lost 1963.”

Mac DeMarco - Salad DaysMontreal’s Mac DeMarco’s second solo release Salad Days is upgraded by his move to Brooklyn, the current home of indie music. The style is not different than the very good debut – a mix of 70’s influenced soft rock and catchy melodies, filled with slightly off kilter lyrics. The acoustic guitar shines, but it is Mac’s personality, somewhat Beck like in intonation that carries the day for these songs. I’m somewhat reminded of Jonathan Richman but not the nasally voice that is Jonathan’s alone, but rather the presence on each of these songs. It’s fair to say that DeMarco is a non-slacker for the slacker world producing carefully crafted mini-masterpieces that seem to be almost lackadaisical throw offs. Try “Let Her Go,” “Salad Days,” and the left field mostly electronic “Chamber of Reflection.”

Paper Lions - AcquaintancesMore Canadians, this time from Prince Edward island, Paper Lions album My Friends was one of my favorites from the past year ending up at Number 8 overall, and their latest EP, entitled Acquaintances is really a stop gap before their next full length, features another great indie pop song in “Do You Wanna” and a couple of remixes of “My Friend.” Wow, I’ll bet they are playing the crap out of “Do You Wanna” in Canada. Here….crickets. Try them all. Can’t wait for the nest record. Try them all.

Pup- PupMore freaking Canadians in the drop box. And they are awesome! Upping the nerd-core game I discussed last month, Pup are according to Pup “[w]e’re called PUP. We’re 4 dudes from Toronto. We play loud music. You’ll like it. Or maybe you won’t. Listen and love it / hate it / whatever.” Really they are Weezer for a new generation and it is blistering amalgam of noise, punk, pop, and hardcore all battling for sonic territory and it all works. Not a duff song on the record. Canadians do it better. “Meet me at the Reservoir”… I am singing along…. alone in an office building…wait someone’s coming…oh what the hell…they are singing along too! Perhaps they will play somewhere near me I’m thinking. They played New York recently. Hopefully this will catch on big. Not radio friendly. College Friendly though. Maybe they will play my house. Sure would freak out my San Marino neighbors. Try” Reservoir,” “Yukon,” and “Lionheart.”

American Authors - Oh, What A LifeHow long does it take to make a hit record? For Brooklyn, New York’s American Author’s who’s self-released self-titled EP was released on August 27, 2013, apparently almost a year. When I put the EP in the drop box last year (See September 29, 2013 Dropbox Notes) I thought the song “Best Day Of My Life” was a hit – writing then ‘[y]ou will like American Authors if you like sugary commercial alternative music that is very well written. Hopefully future releases will demonstrate some willingness by American Authors to try to expand the formula a bit. Still, it is difficult to not like the band or their music as each song on American Authors is built for maximum alt rock catchiness.” A year laterthe same holds true on the full length Oh, What A Life. “Best Day Of My Life” is a commercial radio hit single, and the rest of the album is completely filled with similar hook-laden catchy alternative rock, that is a little overproduced on album, but likely sounds amazing live. As you know, if its here, I like it. Apart from the two hits, also try “Think About It,” “Luck,” and “Heart of Stone.”

Elbow - Take Off and Landing of EverythingYou either are going to like the latest album from Elbow, the bands 6th called Take Off and Landing of Everything or you are not. There is really no middle ground with this band. And the band is not really that interested in altering significantly the formula from record to record, there are minor tweaks along the way, but the formula remains the same – Guy Garvey’s distinctive baritone melodically singing his tales of his own life – apparently one filled with loss, isolation, and confronting his own middle age. And for me it is great. While much will likely be made of the resemblances to Peter Gabriel with the art rock leanings and lush sound and recording this record in Real World Studios probably doesn’t help dissuade the detractors, but Take Off and Landing of Everything stands alone from the comparison and ambles boldly with some excellent songwriting and measured playing, all of which combine to produce an interesting and pleasurable listening experience. In short, it is not boring. And believe me, Elbow has produced some boring music on past releases. And that is why you are either going to love this album or hate it. If its not your style, then its going to be a tough slog. However, on a Sunday afternoon, and it’s raining outside ( I’m creating an allusion here – it doesn’t rain much in Los Angeles), then Take Off and Landing of Everything will be a perfect record. Try “Fly Boy Blue / Lunette,” “My Sad Captains,” and “The Take Off and Landing of Everything.”

Foster The People - SupermodelSurprises happen on rare occasions for me. And Foster The People’s latest, Supermodel, is one of those surprises. It’s not what you think – both Supermodel and me. I am excited when a band makes a great record, and I don’t care if it is popular on radio. I am not one of those individuals who stops liking a band just because they are popular. The goal of this blog is to hopefully contribute to the popularity of the music I describe. So, when Foster the People released this new record, the overriding question was is it going to be “Pumped Up Kicks” Volume 2 from the Torches LP. The answer refreshingly is no. Supermodel is a complicated assemblage of indie dance rock with world elements infused throughout. So, it is a surprise when the album resonates – it is a much more refined offering. Lead Single “Coming Of Age,” is undeniably good – at least until local radio kills all that is good about it, by playing it every two hours for %$^ days. However, like the first record, Supermodel is filled with great songs so you are likely to hear several over the next three years ( which is about how long some radio stations play a “hit song” pummeling the listener to until they can’t take anymore). So, try “A Beginner’s Guide To Destroying The Moon,” “Coming Of Age,” and Are You What You Want To Be?”

I feel a rant coming on….. I warned you at the beginning I might be disposed to a rant. Well its too late…Here it is….

Aside: I know I’ve hinted at this property of radio stations in the past. I love radio when it is good, and in Los Angeles it has now achieved a level that is truly terrible. It is like watching the CW television network – play similar sounding music with a commercial every three minutes and then make sure there are endless repeats. It has to stop. Please people, turn off your radios. Stop listening, and then maybe they will respond to their audience who doesn’t actually buy any of the stuff they advertise and can’t actually like any of the stuff they are playing. The biggest radio joke in Los Angeles is without a doubt KROQ. Who have now figured out that Coachella may be something great – and are now playing catchup broadcasting from somewhere near Indio. KROQ’s new catch slogan in response to Alt 98.7’s slogan (Music Discoveries First)  is “Alternative First.” And that my friends, is the joke. Alternative to what? Growing up in the college radio days of the 80’sand early 90’s when the term Alternative music was referenced as a genre, it had some meaning – it was alternative to metal and punk and featured shimmering guitars i.e. it was early R.E.M. and the bands coming out of the Athens and North Carolina scenes. From there it was co-opted to not scare off older readers and listeners and was affixed to Nirvana when “grunge” became a dirty word. Now, exactly what would pass for Alternative music on KROQ? I have no freaking idea but it certainly isn’t the massive amount of electro pop and fake folk or Chris Martin’s whining on the frankly boring “Magic” single. Really, I do love radio and for the most part having listened to KROQ for almost thirty years, I have learned that I absolutely abhor Kevin & Bean (and Ralph you too) who have single handedly destroyed anything intelligent to be offered by the station. And to be fair, I believe that they all have more in them and the potential to change, but likely all of their spirit has been destroyed, by the soul sucking need to drive advertising and keep revenues flowing. There must be a better model. Hell, I even miss Jim “Poorman” Trenton now so you can see how low my bar can go. So, if anyone reading this with any power to influence programming/hiring decisions (alt 98.7 – please turn off the annoying Kennedy’s microphone), then start fresh and build something that actually is intelligent, interesting, and fun. Local radio has none of these elements right now. Sad. Now that I’ve finished my rant, I’ll move on. Maybe rants are not the way to achieve change, but at least I’ve made an effort. KROQ – post a comment and I’ll hook you up with something new to play.
Such as…..

Fucked Up - Year Of The DragonToronto’s Fucked Up are a singular entity in the annals of punk rock. Who else could release such a remarkable sonic effort such as Year of The Dragon with the 18 minute long title track leaving you emotionally wrung out? Only Fucked Up. As hardcore as a genre has made its way towards the deeper, blacker, and less vocally appealing end of the spectrum, Fucked Up plays it right down the middle and finds the pocket of the genre. Capturing 70’s metal acts penchants for lengthy guitar driven workouts which resulted in the prog movement, creating the environment for punk in its wake, Fucked Up retain the punk aspects while experimenting with the progressive hardcore sounds and the sounds are Killer ( Yes, with a capital K). While this is an EP in anticipation of their next full length Glass Boys due out June 3, it doesn’t feel like a stop gap. This EP is the 6th in their zodiac series and features two cover songs from the early the Toronto punk scene ( in the late 70’s), namely “I Wanna Be a Yank” by Cardboard Brains and “Disorder” by the Ugly. Try them all.

Gaslight 45 RPM Club Annual Single 2014Last month dropbox listeners enjoyed the Gaslight Anthem’s B-Side Collection, and this month for your listening pleasure is the latest from the Gaslight Anthem’s 45 RPM Club featuring two songs “Anywhere I Lay My Head” (Tom Waits cover) and “This Is Where We Part” (Twopointeight cover). It’s the Gaslight Anthem – you know what to expect by now. Try them both.

Spain - Sargent PlaceIt took a little work, and a number of listens before I actually got the latest record from Spain entitled Sargent Place. Since 1995 Spain have been putting out quality releases, but in all honesty, I’ve never really connected. Perhaps it’s the pacing, as these records, much like slow-core originators Low, are sparse affairs with a pacing in places that is not even close to 4/4 time. If you like jazz inflected Americana then this is a great album. For me, it was listening to the 2nd track, “The Fighter” that I finally connected with both Josh Haden’s vocals and the bands casual pacing. From there I was hooked, because as the pacing picks up, particularly on “Sunday Morning” the feeling is electric. I think it took some time to feel the record as opposed with the immediacy of most releases, this blindsided me a little bit, because what makes this work are the jazz edges creating a unique sonic experience. “Sunday Morning” is a hit. Try “Sunday Morning”, “The Fighter, and “You and I.”

Pixies - Indie CindyIt must be difficult being the Pixies. Releasing their first record and only their 5th in total with their last record being released in 1991 (Trompe Le Monde), the band has experienced some critical backlash for its recent collections of EPs which are collected and were released on April 19th ( Record Store Day) as a collection entitled Indie Cindy. Sure, as bands age, there is a tendency to create different sounding music, and heaven knows, Frank Black has been around a number of wagons. The problem for the Pixies, apart from their personal inter-band squabbles and personal dysfunction, is that everything, and I mean everything, is going to be compared to their past releases, in particular the brilliant Doolittle which arguably ranks as one of the greatest records of all time. So, the real question is whether the record sounds like the Pixies? And in short, it does. It’s a little uneven as it was imagined first as a series of thee EPs, but overall, there are some great moments on this record, and contrary to the assertion made by at least a few so called critics that this is not the Pixies without Kim Deal, the truth is that the Pixies sound is still emanating from these tracks and the songs are without a doubt the Pixies. Try “What Goes Boom,” “Ring The Bell,” and “Jaime Bravo.”

Hold Steady - Teeth DreamsCraig Finn must be wondering what the &%$67 is going on and what he and his band The Hold Steady have to do to actually please a critic. On Teeth Dreams, the Hold Steady’s 6th album, Finn and band actually hold steady (see – puns are convenient sometimes) and create an album of solid Hold Steady songs that will fit nicely into their growing collection of amazing song stories that refocuses the band – a band that kind of lost the script on 2010’s Heaven which smoothed out the edges and was frankly overproduced to the point where I am unable to actually enjoy the record. Sure, there is a Springsteen vibe on all Hold Steady records, but that vibe is created by the cast of characters that populate the songs. In short, it is not a dance record. Rather, it is tougher, tighter, and the rawness has a spark that captured my attention throughout. And that is what makes Hold Steady records great – it is a journey through Americana influenced indie rock with a few pub rock edges ( I am thinking Brinsley Schwartz and early Nick Lowe here with hints of the Singles soundtrack) with stories that touch a nerve. Try “Spinners,” “Walk A While,” and “Records And Tapes.”

Menzingers - Rented WorldPrevious dropbox favorites the Menzingers return with their latest on April 22 entitled Rented World. From Scranton PA, the band like Boston’s Dropkick Murphy’s, incorporates the punk sounds from the city, and on Rented World, their 4th and is kind of a crossover in sound from their last release, 2011’s On The Impossible Past, which was definitely a smoother more traditional pop influenced punk record, whereas this record in places is a return to roots effort, cramming more aggressive sounds into tightly played punk rock with sing-along melodies. I love this record. Played the thing in my office at full blast as I am apt to do on weekends when no one is around. I’d venture to say that with bands like the Menzingers around, punk rock is safe for a while. Try “I Don’t Wanna Be An Asshole Anymore,” “In Remission,” and “Hearts Unknown.”

That’s all for now folks. As always, have a great month of music, and here is the list:

  1. Stiff Little Fingers – No Going Back [2014]
  2. War On Drugs – Lost in the Dream [2014]
  3. Afghan Whigs – Do to the Beast [2014]
  4. Bob Mould – Workbook 25 [2CD][2014]
  5. Horrors – Luminous [2014]
  6. La Dispute – Rooms of the House [2014]
  7. Mac DeMarco – Salad Days [2014]
  8. Paper Lions – Acquaintances EP [2014]
  9. Pup – Pup [2014]
  10. American Authors – Oh, What a Life [2014]
  11. Elbow – The Take Off and Landing of Everything [2014]
  12. Foster The People – Supermodel (Deluxe Edition) [2014]
  13. Fucked Up – Year of the Dragon [2014]
  14. Gaslight Anthem – 2014 45 Record Club [7”] [2014]
  15. Spain – Sargent Place [2014]
  16. Pixies – Indie Cindy [2014]
  17. Hold Steady – Teeth Dreams [2014]
  18. Menzingers – Rented World [2014]
  19. Amen Dunes – Love [2014]
  20. Cloud Nothings – Here and Nowhere Else [2014]
  21. Farewell Flight – I Was A Ghost [2014]
  22. Habibi – Habibi [2014]
  23. Walking Shapes – Taka Come On [2014]
  24. Swans – To Be Kind [2014]
  25. My Sad Captains – Best Of Times [2014]
  26. Future Islands – Singles [2014]
  27. Desert Noises – 27 Ways [2014]
  28. Dexters – Shimmer Gold [2014]
  29. Mr Little Jeans – Pocketknife [2014]
  30. Reptile Youth – Rivers That Run For A Sea That Is Gone [2014]
  31. Soft White Sixties – Get Right [2014]
  32. Speedy Ortiz – Real Hair [2014]
  33. Dirty Guvnahs – Hearts On Fire [2014]
  34. Elder Brother – Heavy Head [2014]
  35. Howler – World of Joy [2014]
  36. Mounties – Thrash Rock Legacy [2014]
  37. Withered Hand – New Gods [2014]
  38. Sweet Apple – The Golden Age of Glitter [2014]
  39. Strypes – 4 Track Mind EP [2014]
  40. Sultan Bathery – Sultan Bathery [2014]
  41. Coathangers – Suck My Shirt [2014]
  42. Neon Trees – Pop Psychology [2014]
  43. Stagecoach – Say Hi To The Band [2013]
  44. Tame Impala – Live Versions [2014]
  45. Thee Oh Sees – Drop [2014]
  46. Baseballs – Game Day [Deluxe Edition] [2014]
  47. Green Day – Demolicious [2014]
  48. Band of Skulls – Himalayan [2014]
  49. Slint – Spiderland (Deluxe Edition)[2CD] [2014]
  50. Secret Colours – Positive Distractions [2014]

January 11, 2014 Dropbox Notes

Welcome to another year of Dropbox Notes ! This month’s offerings are the best of last year, i.e. my favorite records from 2013.

In the past, I have posted my best albums of [insert year] list with little regard to the order on that list. That is, I just posted my favorite records of the previous year in an approximation of what I liked the best. This year, I struggled to try to get through at least the first 30 albums in order of how good I thought they were; how much I enjoyed listening to them, and how likely I would go back and play them after not listening to them for a year.

That qualifier – whether you would go back and listen to a record after a year of not playing the album – appears (at least to me) to be the real test of a list like this. In the past, most of the other lists I have reviewed (you can find some at rocklist.net) from some of my favorite magazines have not contemplated the long term impact of the records they claim are the best and greatest of the year. Some magazines do a better job of this (and I am confident it is completely unintentional) than others.

For example, looking back just 5 years to 2008, compare these two top 20 lists from Q Magazine and Spin:

Q Magazine 2008 Top 20

1. Kings of Leon – Only By The Night
2. Fleet Foxes – Fleet Foxes
3. Coldplay – Viva la Vida
4. Vampire Weekend – Vampire Weekend
5. Glasvegas – Glasvegas
6. Duffy – Rockferry
7. TV On the Radio – Dear, Science
8. Elbow – Seldom Seen Kid
9. Raconteurs – Consolers of the Lonely
10. Nick Cave & the Bad Seeds – Dig!!! Lazarus, Dig!!!
11. Sigur Rós – Með Suð í Eyrum Við Spilum Endalaust
12. Keane – Perfect Symmetry
13. MGMT – Oracular Spectacular
14. Kaiser Chiefs – Off With Their Heads
15. Lil Wayne – Tha Carter III
16. Hot Chip – Made In the Dark
17. Adele – 19
18. British Sea Power – Do You Like Rock Music?
19. Goldfrapp – Seventh Tree
20. Gaslight Anthem – ‘59 Sound

Spin 2008 Top 20

  1. TV On the Radio – Dear Science
  2. Lil Wayne – Tha Carter III
  3. Portishead – Third
  4. Fucked Up – Chemistry of Common Life
  5. Fleet Foxes – Fleet Foxes
  6. Santogold – Santogold
  7. Deerhunter – Microcastle
  8. Hot Chip – Made In the Dark
  9. Coldplay – Viva la Vida
  10. MGMT – Oracular Spectacular
  11. Elbow – Seldom Seen Kid
  12. Erykah Badu – New Amerykah Pt 1: 4th World War
  13. No Age – Nouns
  14. Vampire Weekend – Vampire Weekend
  15. Beck – Modern Guilt
  16. My Morning Jacket – Evil Urges
  17. Roots – Rising Down
  18. Nick Cave & the Bad Seeds – Dig!!! Lazarus, Dig!!!
  19. Okkervil River – Stand Ins
  20. Gnarls Barkley – Odd Couple

There is a little overlap on these two lists but on average from the Q Magazine list, I would listen to 5/20 (25%) and from the Spin list I would listen to 4/20 (20%). Can you guess which records I’d probably revisit?

With this personal observation i.e. that there are very few records that I would continue to play after a gap of a year, this list is prepared with that objective also in mind – looking forward 1 year from now.

And perhaps that is the goal of this “Best of 2013” list – to check back in a year and see how many of the 100 listed here you would go back and listen to in 2015.

With that said, here is my list of the BEST OF 2013 (all capitals because I am shouting):

Tales From The Dropbox Best Albums of 2013

  1. Savages – Silence Yourself
  2. FIDLAR – FIDLAR
  3. Pacific Air – Stop Talking
  4. Guards – In Guards We Trust
  5. The Men – New Moon
  6. Arctic Monkeys – A.M.
  7. Kurt Vile – Wakin’ on a Pretty Daze
  8. Paper Lions – My Friends
  9. Parquet Courts – Light Up Gold
  10. Palma Violets – 180
  11. Fuzz – Fuzz
  12. The National – Trouble Will Find Me
  13. Paper Aeroplanes – Little Letters
  14. Chvrches – The Bones of What You Believe
  15. Speedy Ortiz – Major Arcana
  16. Pure Love – Anthems
  17. California X – California X
  18. Foals – Holy Fire
  19. Future Of The Left – How To Stop Your Brain In An Accident
  20. Arcade Fire – Reflektor
  21. Mikal Cronin – MCII
  22. Vampire Weekend – Modern Vampires of The City
  23. Starflyer 59 – IAMACEO
  24. Miles Kane – Don’t Forget Who You Are
  25. Lydia – Devil
  26. London Grammar – If You Wait
  27. Royal Bangs – Brass
  28. Upset – She’s Gone
  29. Waaves – Afraid of Heights
  30. Deerhunter – Monomania
  31. The Julie Ruin – Run Fast
  32. Jagwar Ma – Howlin’
  33. Haim – Days are Gone
  34. Bad Sports – Bras
  35. Bastille – Bad Blood
  36. My Bloody Valentine – m b v
  37. Deap Valley – Sistrionics
  38. So So Glos – Blowout
  39. Wooden Shjips – Back To Land
  40. Drenge – Drenge
  41. Hookworms – Pearl Mystic
  42. These New Puritans – Field Of Reeds
  43. The Knife – Shaking The Habitual
  44. Julia Holter – Loud City Song
  45. Waxahatchee – Cerulean Salt
  46. Iceage – You’re Nothing
  47. Yo La Tengo – Fade
  48. Superchunk – I Hate Music
  49. Volcano Choir – Repave
  50. Phoenix – Bankrupt!
  51. Purling Hiss – Water on Mars
  52. Roshambo – Lonesome Men From The Woods
  53. Pissed Jeans – Honeys
  54. Queens of The Stoneage – Like Clockwork
  55. Phosphorescent – Muchacho
  56. Local Natives – Hummingbird
  57. Factory Floor – Factory Floor
  58. Foxygen – We Are The 21st Century Ambassadors of Peace & Magic
  59. Riots  – Time For Truth
  60. Wonder Years – The Greatest Generation
  61. Fall Out Boy – Save Rock And Roll
  62. Forest Swords – Engravings
  63. James Blake – Overgrown
  64. Thee Oh Sees – Floating Coffin
  65. Mutual Benefit – Loves Crushing Diamond
  66. Strypes – Snapshot
  67. Acres of Lions – Home(s)
  68. Daughter – If You Leave
  69. Grouper – The Man Who Died in His Boat
  70. Ballet – I Blame Society
  71. Tegan and Sara – Hearthrob
  72. Peace – In Love [Deluxe Edition
  73. Taymir – Phosphene
  74. Chastity Belt – Ne Regerts
  75. Auto Defiance – Running on The Edge
  76. Jimmy Eat World – Damage
  77. Courtney Barnett – The Double EP – A Sea Of Split Peas
  78. Dirtbombs – Consistency Is The Enemy
  79. Fitz & The Tantrums – More Than Just A Dream
  80. Hungary Kids of Hungary – You’re A Shadow
  81. Imperial State Electric – Reptile Brain Music
  82. Iron Chic – The Constant One
  83. Sky Ferreira – Night Time, My Time
  84. Matt Pond – The Lives Inside The Lines In Your Hand
  85. Jake Bugg – Shangri La
  86. Murder By Death – As You Wish Kickstarter Covers
  87. Cage the Elephant – Melophobia
  88. Teen Agers – I Hate It
  89. Beware of Darkness – Orthodox
  90. Super Happy Fun Club – All Funned Up
  91. Middle Class Rut – Pick Up Your Head
  92. Banquets – Banquets
  93. Cults – Static
  94. RVIVR – The Beauty Between
  95. Exxonvaldes – Lights
  96. Mama Kin – The Magician’s Daughter
  97. Swearin’ – Surfing Strange
  98. Dead Sons – The Hollers And The Hymns
  99. Growlers – Not. Psych!
  100. Guster – Live With The Redacted Symphony

I’ll add the covers if I get a chance, but otherwise enjoy the list. Part 1 of the list ( 1-50) dropped today. I’ll drop part 2 (51-100) around February 1, so a slightly shorter turnaround this month/

Let me know if you think I’ve missed something, or your thoughts on the list. If you have a list you’d like to share – post a comment or send me the list and I’ll post it.

Until later alligator! I wish you all a terrific and happy 2014. Peace out.

September 7, 2013 Dropbox Notes

September is going to be a great month for music. Traditionally, this is the time of year where a number of new releases hit the market because like it or not, Christmas is the time for giving and giving starts early. To that end, you have a couple of things that are not scheduled to hit the marketplace until later this month.

As an added note, I’ve been thinking for a while about the state of indie music (to be fair I’ve not really spent much time thinking about the state of affairs given that there are many more important events and issues to occupy my time) and hopefully, my inclusion of a playlist of recent singles ( for lack of a better term – these should be singles, but there is no commercial distribution/ review etc.) that should find a place in your own playlist and eventually, if there is any good in the world, actually end up on the radio so that some of these bands actually achieve some commercial success that will be more valuable in the long run than my meager version of critical acclaim. Given the fast pace of new music and the flood of new releases hitting the market in a number of countries, there is definitely a lag before a great song finds enough support that it ends up on radio. As what passes for indie/alternative radio now is decidedly dance/pop or new folk, programmers should take note – there is a broad palate of music that passes for indie/alternative now and not all of it fits neatly into the mass marketed force fed genres marketed by the radio stations.

So with that somewhat length introduction, there really are a number of spectacular new releases, some of which are already on radio and others which will never find a place in that world but hopefully will find a place in your heart.

Arctic Monkeys - AMArctic Monkeys new release AM was recorded in California and the subject of extensive coverage and hype in this week’s NME. Scheduled for release next week in the UK and the U.S, AM is the 5th full length and was recorded in Los Angeles and Joshua Tree and if you believe the hype, this is “the greatest record of their career.” I’m not sure I would go that far, but there is a definite twist in direction. The psychedelic flourishes are still present, but there is a smoothness to both the lyrics and the “beats” which make this closer to a crossover pop record than a traditional rock record. The playing is very tight and the hip hop influence, although present, are filtered through the Monkeys, rock sensibilities. Josh Homme makes an appearance on a couple of tracks, which will sell a few copies, but the tone of this record is not frenetic, rather it is a late night driving around the city record with your buddies at 3 A.M after hitting the clubs. Perhaps, the best example of this is on the track “Why’d You Only Call Me When You’re High?” There is a flow to this record unlike anything the Arctic Monkeys have done before and undoubtedly this will end up on a number of year end best of lists. Try” Do I Wanna Know,” “R U Mine?” and “I Want It All.”

Ty Segall - SleeperProlific would be an understatement to describe Ty Segal. In the past 5 years he has released solo records while playing and releasing albums in a number of other “bands” usually with Mikal Cronin. On Sleeper, Segal’s latest release, the garage elements are still present, but this is a much more introspective offering. And also much more focused. Often accused of just bashing away on his guitar, the songs here are as if Ty was channeling Oasis. Written following the death of his father, the songs presented here capture the reflection of Segal himself in his father’s life and present a compelling study of loss, loneliness, and Ty’s own relationship with other people in his life. Sung with the same earnestness present in all of his records, the directness of the lyrics make for captivating listening. These are still garage pop nuggets – think Neil Young’s “Harvest” as sung by Noel Gallagher and you perhaps have the correct context for this record. Try “The Keepers”, “The Man Man” and “She Don’t Care.”

1975 - The 1975 [Deluxe Edition]The long awaited record by Manchester based four-piece The 1975, entitled simply The 1975 fully realizes the components present on the earlier EPs a number of which I have covered previously. It is rare that the actual product matches the hype, but The 1975 have matched those expectations on their debut. The dropbox has the full on steroid deluxe version, with essentially all of the songs from the previous EPs. Some of the songs on the actual LP should be familiar as “The City” appeared on IV as did the title track “The 1975.” They have prior to this released 4 EPs:  Facedown, Sex, Music for Cars and IV. For those of you just catching up, The 1975 are a melodic and atmospheric synth pop band with an ear for the hook. A little bit like Owl City, they traverse a less sugary aspect of this particular genre. Varied, interesting, and intimately likeable, the album should find a home in most collections. Try “Sex”, “Girls” (Live at Dot to Dot Festival Manchester 24.05.2013)  and “Robbers”(Live at Radio 1’s Big Weekend July 10, 2013). 

Three O'Clock - The Hidden World RevealedNever thought I’d see another Three O’clock record – ever. Original purveyors of the Los Angeles based paisley underground of the early 1980’s (with The Dream Syndicate, Green on Red, and the Rain Parade), the Three O’clock were somewhat classicists within that scene playing psychedelic rock of the late 1960’s as if it was being experienced for the first time in the 80’s. Flash way forward to 2013, and the Three O’clock are back and actually touring having played Coachella earlier this year and performing live on Conan O’Brian. Starting out as The Salvation Army in 1981 (only to be sued over the use of the name). What is remarkable is that following the bands breakup in 1988 all of the original members played in other amazing bands, several of which I’ve offered in the dropbox over the past couple of years:

  • Michael Quercio briefly joined Game Theory in 1990. Thereafter, he founded Permanent Green Light, who released two albums, and, later, The Jupiter Affect.
  • Louis Gutierrez played with Louis and Clark (I loved this record!) and then became a principal member of Mary’s Danish.
  • Jason Falkner joined Jellyfish (who were the prototype alternative/college rock band of the early 1990’s), then The Grays, before launching a successful solo record career in the mid-1990s.
  • Troy Howell started the group The Eyes of Mind, who recorded on Bomp Records. He also played with Cee Farrow and the band OOSoul (double oh soul).

The Hidden World Revealed is a compilation of some of their greatest hits as well as a number of unreleased and never before heard rarities and demos. My favorite is the dB’s sounding “Around The World” but I think you’ll discover why the Three O’clock deserved the success they briefly garnered in the later 1980’s incorporating the doors sounding organ into garage riffs. Try also “Jet Fighter” ( Great original Video from the early 1980’s – Check out the new wave dancing!) , “I Go Wild (Alternate Version)” and “Seeing Is Believing.”( Take A look: Three O’clock Live In-Store at Freakbeat Records Sherman Oaks 06.23.13)

Note: I saw them play with the Rain Parade sometime in 1984 at, I think, the Commodore Ballroom in Vancouver. As I recall it was a great show. At the time, cowpunk was huge in Vancouver and this was in the minds of some – close.

Rise Against - Long Forgotten Songs B-Sides and Covers 2000-2013I’ve already proclaimed my passion for Rise Against previously. So I’ll cut to the chase. How is it that this band’s B-Sides are better than many albums put out by other bands? Is it the passion? While the band considered these songs to not be worthy of inclusion on the main releases, the songs on this collection entitled Long Forgotten Songs comprise a number of interesting B-sides and covers compiled over the length of the bands career. You’ve got to appreciate consistency as the quality of these songs is excellent over the period. The most interesting thing about this collection however is that it is remarkably cohesive. There are several excellent cover songs covering a wide range of “popular artists” including Bruce (Springsteen of course!) (“The Ghost Of Tom Joad”), Face to Face (“Blind”), Bob Dylan (“Ballad of Hollis Brown”), Malvina Reynolds (“Little Boxes”), Minor Threat (“Minor Threat”), Black Flag (“Nervous Breakdown”), Lifetime (“The Boy’s No Good”), Journey (“Any Way You Want It”), Nirvana (“Sliver”), and a version of Danny Elman’s song from Tim Burton’s The Nightmare Before Christmas movie, “Making Christmas.” Try” Death Blossoms”, “Generation Lost” and “Sliver”. Need further evidence of the awesome power of Rise Against? Try: Live at Rock Am Ring 2010 (Full Show) – Simply amazing!

Durango Riot - Backwards Over MidnightGoing backwards in time….all the way back to 2012, I came upon a record I missed the first time around. It happens. Swedish rockers Durango Riot (from Karlskoga, Sweden) hit the sweet spot with their punk n’ roll influenced album Backwards Over Midnight. This was actually recorded here in Pasadena CA much to my surprise (and probably theirs).  This album, like last year’s album by You and Me At Six, is really a melodic rock record with catchy melodies all sung by a gruff voiced swede over a spaghetti western movie. Take my word for it, this is a fun rock record worthy of your time. There is a little Parkway drive influence present here (which is a good thing) so, if this is in your style zone – pick it up. Try “Shiny Season”, “Everybody´s Got to Go” and “Backwards Over Midnight. (Live in Nürnberg, Löwensaal 09.10.12).

Franz Ferdinand - Right Thoughts, Right Words, Right ActionFranz Ferdinand are back and fresh. You might recall listening to this band a long time ago (remember “Take Me Out”?), but with their new record, entitled Right Thoughts, Right Words, Right Action, Franz Ferdinand will be omnipresent again in popular radio. Already down here the new and remarkably catchy “Right Action” (from which the title to the album is lifted) single) is huge and likely to be overplayed. However, before it does, take a trip through this release which essentially is a return to form for the band. This is catchy dance rock for the most part, but there are some left turns along the way that keep the album interesting. Remarkably, for me, the single is not the best track on this record. It is the pop scorcher “Fresh Strawberries” that makes the playlist. So, do some exploring and your efforts will be well rewarded. Try” Fresh Strawberries” (live at “Lots of Poor Losers” aka  Lollapalooza Brazil March 30, 2013), “Goodbye Lovers and Friends” and “Right Action).”

Julia Holter - Loud City SongEver heard of experimental chamber pop? Well that is precisely the genre that Julia Holter occupies on her magnificent third album Loud City Song. The Cal Arts grad lives in Los Angeles, and on the local scene is hailed as a masterwork largely because of the quality ensemble present on this record and the charm that evokes memories of the late 50’s. This album, apparently based on the MGM film Gigi, evokes a completely different mood from traditional indie pop scene and although the source material is dated (Holter has said that the album is her own loose interpretation of Gigi— both the musical and the original 1944 novella by the French writer Colette – the plot in a nutshell is “A Parisian girl is raised to be a kept woman but dreams of love and marriage.”).  Fascinating and compelling, the centerpiece of this record are the two songs “Maxim’s I” and “Maxim’s II” which is the night club from the movie and the jazz influences are palpable. Try “Maxim’s II”, the beautiful rendition of Barbara Lewis’’ “Hello Stranger” (live at Cecil Sharp House, London August 20th, 2013 ) and “This Is a True Heart” (live at Cecil Sharp House, London August 20th, 2013) . A diamond of a record and a unique record for its time.

Babyshambles - Sequel to the PrequelAh…the Libertines undoubtedly were one of the greatest bands to come from Britain. Really, I know…you probably have never heard of them. Look em’ up. They were paparazzi favorites as the drug addicted lead singer and head Libertine (Pete Doherty) dated Kate Moss. Out of the ashes of the Libertines, Doherty formed Babyshambles, and since forming in 2003, Sequel To The Prequel represents only the third full length offering from the band. But what an offering. Compared to the first two albums Down in Albion (2005) and Shotter’s Nation (2007), Sequel To the Prequel is inspired and contains the spark that makes the Libertines records great. Most importantly, be prepared – Babyshambles is prototypically British and this is a very English sounding record. So, try to ignore what will be an avalanche of very bad press – Babyshambles are a train wreck at the best of times and as they are habitually late (e.g. 90 minutes late for their showcase for this record coupled with Doherty’s mostly unstable personality, the press are brutal waiting for spectacular failure. However, the results on this record present little indication of the self-created and manufactured road blocks to success of the past, and the end result is brilliance. Try “Seven Shades of Nothing” (Bar Fontania, Paris, March 22, 2013) “The Very Last Boy Alive,” And “Nothing Comes to Nothing.”

King Tuff - Was DeadKing Tuff traverses the same musical territory as Ty Segal but not nearly as prolific. Signed to Sub Pop after his debut Was Dead found underground success, King Tuff actually made Billboard reaching No. 21 on the Heatseekers Chart and No. 2 on CMJ’s college chart with the self-titled King Tuff. So, what makes Was Dead so special? So few were pressed that it has quickly become a high priced collectible. So, who is King Tuff? Kyle Thomas. He’s been using that name on-and-off for a long time, but pre-2007, he was Kyle, one-eighth of the freak folk band Feathers, makers of gentle, Eastern-tinged acoustic tracks. With Dinosaur Jr.’s J Mascis, he was in the stoner rock band, Witch. King Tuff is his outlet for the garage pop offerings he was writing during the period 2003-2006 that didn’t quite fit with his other projects. Was Dead is not as cohesive as the critically acclaimed King Tuff record, but who cares. Jammed with solid garage pop reflective of Alex Chilton’s early work and wearing his Detroit influences on his sleeve, the results are charismatic and catchy – exactly like a garage rock record should sound. The Big Star influences ripple throughout the record, particularly on tracks like “Connection” and “A Pretty Dress.” Try “Dancing On You,” (Live at The Glasshouse April 17, 2013 includes “Bad Thing”) “Freak When I’m Dead” (Live at Music Feeds Studio) and “Ruthie Ruthie.”

Superchunk - I Hate MusicSuperchunk were always the forerunners of indie music as we know it today. If you were around in the early 90’s they represented the torchbearers for independent music, like Fugazi, who were producing consistently cool music with little or no money and without the assistance of a major label. On I Hate Music, Superchunk returns with renewed energy rarely found in bands who have been around as long as they have. Formed in Chapel Hill NC in 1989, Superchunk was synonymous with that scene and despite having found indie cred, they were unable to break through commercially.  Like previously albums this is well written indie rock that will make you smile. And this is what is disturbing. How can a band make such an upbeat downer record? Dedicated to a friend of the band who died last year, the album explores themes of loss e.g. innocence, friends, youth, isolation etc. On balance I think the results show a band coming to grips of where they are now – a little older, a little wiser, and experiencing their own transitions, all with a sort of class.  Try “Overflows,” “FOH” and “Me & You & Jackie Mittoo.”

Paper Lions - My FriendsFormerly known as the Chucky Danger Band, Canadian indie rockers Paper Lions, should be Sirius XM stars. And for the life of me I cannot figure out why they are not huge in America. Perhaps it is they are from Belfast, Prince Edward Island. Now located in Charlottetown, PEI the band crowd funded this latest offering, My Friends, their 4th long player the follow up to the Trophies EP and the results are power pop perfection. If you like this genre, then you will love this record. There are some Weezer flourishes here and there as well as some Fountains of Wayne (e.g. Little Liar”) melodies, but the record with its Beach Boy harmonies stands out for the excellent songwriting and production. My Friends in a less than perfect world should be huge in the U.S. Try “Little Liar,” which is also on this months playlist (Check the video out – hear some real Canadian accents. This is a semi-acoustic version from the Here On Out Sessions), “San Simeon” and “My Friend.”Live from Dias Iron Works Welding Shop in Liberty Village August 26, 2013).

White Lies - Big TVLondon trio White Lies has a secret weapon – a tenor Harry McVeigh who can bring a stunning quality to White Lies songs. Accused of being too generic in the past, Big TV, the band’s third full length takes great steps to shed that criticism, but it will still fail to excite professional critics. And perhaps that is the point. It is hard to garner any acclaim when the sound of the band is derived from more noteworthy acts such as Interpol and Joy Division where the centerpiece is the vocals over an atmospheric beat. However, this album is filled with better songwriting than the two prior efforts which were cringe producing, and the complexity of the songs is vastly approved. It took me a few listens to find the groove so as to truly enjoy the songs. This deluxe edition offers demos and this is where you discover the power of McVeigh’s vocals, particularly on the demo ofThere Goes Our Love Again.” So, rather than fall victim to temptation to merely conclude that this is a generic offering by a pleasant sounding band, mix it up. Try” There Goes Our Love Again (Demo)”, “Tricky to Love” and “Change.” Here they are live at BBC Radio 1′ in Swindon from last year: White Lies BBC Radio 1s.

Emily's Army - Lost At SeventeenTorch bearers for a new generation of pop punk, Oakland’s Emily’s Army combine elements of their forebearers including the Ramones, Green Day, Blink-182, and Lookout! Records to update the sound, and keep it fun. When I say forebearers, I am using the term in its literal meaning as Emily’s Army is comprised of brothers Cole and Max Becker (vocal, guitar and bass, respectively), guitarist Travis Neumann, and drummer Joey Armstrong (son of Green Day‘s Billie Joe Armstrong, who also produced the LP). So, with that, you get a collection of pop punk songs to play at the summer barbecue, not too serious, dance worthy, and after a few spins you catch yourself singing along. Will this record end up in your collection forever. Likely not. But for a moment in time, its perfect. Try “Kids Just Wanna Dance”, “War” and “Lost at 17.” (I am amazed at the proficiency of these kids – yes kids – still in high school!)

Sad Day for Puppets - Come CloserAnother group of Swedes making headway in the dropbox, Sad Day For Puppets on Come Closer, the bands third long player, wear their 90’s alt-rock influences on their sleeves and it is all good. Vocalist Anna Ekland’s sweet melodies carry these tunes which in many ways harken back to the golden age of the alt-90’s with song structures like the Lemonheads’ Shame About Ray, but in all reality, I could care less about the lyrics because, like Janet Devlin and Die Antwoord’s Yolandi Vissar, Anna Ekland’s vocals are beautiful, spellbinding, and the melodies as if written by the Beach Boys. I dare you not to like this record. Theoretically the band describes their music as vocals over noise, but on first listen you will get the bands deceptive direction – simple melodic rock with stunning vocals. Try “Senseless”, “Human Heart” and “Shiver & Shake.” To bad there is so little video available, but maybe in some parts of Sweden You Tube doesn’t exist. Truly  a shame.Here there are in 2009 playing “When You Tell Me That You Love Meat a Sonic Cathedral night at The Borderline on November 16, 2009.

Tommy Keene - Excitement At Your FeetWhile I enjoy cover songs, it is the rare band that does a good job on an entire record full of them. A stellar example of this is Rod Stewart who has on several occasions served up steaming piles of terrible cover albums which actually !@$@ sold a ton of records. Sad, really. So, while a little skeptical when one of my long time favorites Tommy Keene announced a couple of months ago that he was going to release a record of covers. I’ve seen Tommy live on a couple of occasions and the covers played live sound like he wrote them for the artist who made them popular. So, on Excitement At Your Feet, scheduled to be released later this month, Tommy plays the most unusual set of covers and each case the song takes on new meaning and renewed life, that is if you could even identify the original. The record mines cult gems and even well-known artist’s such as the Rolling Stones the songs are deep cuts in the catalog. So, give it a spin and be surprised. Try “The Puppet (Echo & the Bunnymen)” “Ride On Baby (Rolling Stones)” and “Out of the Blue (Roxy Music).” Here’s a bonus: Tommy playing “Kill Yer Sons (Lou Reed) live at Hemlock Tavern in San Francisco.

Dangerous Summer - Golden RecordEllicott City, Maryland’s Dangerous Summer are back with their fourth album, entitled Golden Record this month and continue the promise of their last record, 2011’s War Paint. It seems that Hopeless Records is one of the very few punk rock labels still left alive and kicking in the wake of the recent label catastrophes of the past few years. I’m not sure this record will develop a huge following, but it is in the dropbox because my great hope is that this type of punk rock, like Rise Against, continues to thrive because I will lose my mind if all that is left is KROQ and the mindless dance pop that characterizes the playlist. Really, it is too easy to criticize the playlist so, I in an effort to present an unbiased viewpoint have provide the link here for this week’s list: KROQ Playlist.

You will see Imagine Dragons, Lorde (just !@#$ terrible), the endlessly played “Mountain Song” and the Red Hot Chili Peppers which have now reached a point of saturation that I actively switch the radio off when I hear any of their music. Really, KROQ has pummeled me into submission. And they are actually proud of what they play. I used to love that station, now it is generic and unlistenable and they overplay everything. Brutal. Sorry…I’m back now. I snapped.

Back to Dangerous Summer. Like most of this month’s releases there is a wide variety of music. The Dangerous Summer represents only a small portion of the spectrum but it is important. This is emo in its original form and still relevant although many will be dismissive. This record is well written and Al Perdomo is a master at capturing the feeling behind these songs. So, give it a chance, change it up, and freshen your musical palate. Try” Catholic Girls” (Acoustic Version) “Honesty” (Acoustic Version) and “We Will Wait In The Fog.”

Almost - Fear Inside Our BonesIn a similar vein, The Almost with their new record Fear Inside Our Bones continues to traverse a more traditional punk rock road. And perhaps that is the difficulty with new punk records. People have become so used to listening to pop music, whether it is fed on radio or more likely by the proliferation of Cinderella music shows (American Idol, X Factor, being the two largest and most popular miscreants) that perhaps we forget that music is meant to move people in a variety of ways, and language is a part of that process. Formed by former Underoath singer/drummer Aaron Gillespie in 2005, as a more melodic outlet for songs that did not fit Underoath’s hardcore ethos, on Fear Inside Our Bones, the band has found its true identity and have produced an album of melodic punk rock thoughtful and inspiring, but without the hardcore elements present on the first two releases. And the result is a thoroughly entertaining rock record. You should check out the great cover of Andrew Gold’s 1977 AM Radio smash hit “Lonely Boy.” The hard edges are still present but this is how modern rock should sound – no indie dance pop here. Play loud. Try “Ghost,” (Live at the Balcony in Westchester) “So What” and the Nirvana influenced “Come On.”

11298_fullsizeAs we are currently in a discourse about punk rock, it should come as no surprise that you would find Philadelphia based Restorations new album entitled LP2 in the dropbox. Upon first listen it sounds like Rise Against mentioned earlier, but this is largely because Restoration’s vocalist Jon Loudon sounds distinctly similar to Rise Against’s Tim McIlrath, and if you listened to opener “D” you would think they are the same band. However, there is much more going on here musically as the band incorporates a number of genre shifting elements into the complex songs from metal, pop, street punk, 90’s alternative rock to weave into a unified whole that is a definite foot tapper. Try “The Plan”, “D” and “Quit.”

Trouble and Daughter - Alcohol and NicotineChanging pace significantly, Toronto’s Trouble & Daughter are my new pop obsession. Really. You would never guess that something this warm and sunny would come from the north. This has the same vibe as much of the new Australian pop scene with its bright sparkly boy-girl vocals and simple catchy melodies which are instantly likeable. The trio of James Mascola (vocals), Jenni Pleau (vocals), and John Doherty (guitar, vocals) creates alt-county flavored folk rock that will capture your heart. The only negative is the fact that Alcohol & Nicotine is too short as it is only an EP. Hopefully a full length will soon follow. Anyway, try: “The West Coast,” (live from The Rivoli in Toronto, Ontario November 2012) and another version of The West Coast from the Condo Sessions, “If You Want It All” and “ Rooftops.” (Live on a rooftop, of course.)

Drenge - DrengeNew to the garage rock duo genre (White Stripes, Black Keyes) British duo Drenge, on their self-titled debut, don’t just bash it out. As we approach the mid 2000-teens, if anyone is paying attention, there is a new garage rock revival in full blossom. The difference between Drenge and other new-garage revivalists is that Drenge sounds like Gene Vincent and the others sound like the Seeds. This is not a bad thing, only different. British garage rock has a decidedly different flavor than the U.S. version and it is precisely those differences that make Drenge such an interesting record.  At this point in our relationship you all know that I love this genre of music – from both sides of the pond. Check out Ty Segal, Mikal Cronin, King Tuff and below, King Khan & the Shrines and the Dirtbombs.

What is enjoyable about all of these garage bands is their divergent and unique takes on a genre that is almost 60 years old. There must be something deep inside man or woman that creates empathy for this sound so that after all of this time and a few generations that this music still resonates. Its hypnotic and sexy, and as performed by Drenge, the music tinged with psychedelic flourishes. Brothers Rory and Eoin Loveless pummel you with their version of this genre and its catchy as hell and enjoyable. There is something here that reminds me of Jeffrey Lee Pierce and the Gun Club circa Miami and of course, I have a like-on. Try “Backwaters,” I Want To Break You In Half” and “Nothing.” (Live at Edinburgh Electric Circus, August 26, 2013).

King Khan & the Shrines - Idle No MoreContinuing the garage rock explosion, King Khan & The Shrines, after 6 years, release their latest Idle No More and the results are very positive. Continuing his updated Little Richard act, Arish Khan, the leader of the Shrines at times containing up to nine members, play a much more traditional version of the garage pop and roll and to good effect. Now based in Berlin Germany having moved there because this type of 60’s beat influenced garage rock has a larger following, King Khan’s greatest contributions are consistent adherence to garage rock’s fundamental principles while mixing in a health dash of 60’s soul music. Lyrically the album traverses the transitions that Arish has faced over the past several years with the passing of his friend Jay Reatard (“So Wild”), a tribute to his wife for putting up with his shxx (Pray for Lil), and his own descent into madness (“Of Madness I Dream”). Try “Of Madness I Dream”, “Darkness” and “I Got Made.”

Dirtbombs - Ooey Gooey Chewy Ka-blooey!Finishing up the trio of new garage releases, Detroit’s Dirtbombs return with their tribute to 70’s bubblegum pop tribute, in the form of Ooey Gooey Chewy Ka-blooey! Mixing punk and soul into their garage mix machine, on their 6th album, Ooey Gooey Chewy Ka-blooey! the Dirtbombs, in their fifteenth year, take a new tack by harkening back to the early 70’s bubblegum era and laying its own mark on this traditional sound. Recall the Osmonds, Monkeys, Davey Jones, Archies, 1910 Fruitgum Company? No? Well then this will be a new sound for many, but it ruled the AM radio dial two generations ago. Just listen to “We Come in the Sunshine” As writer, front man, vocalist Mick Collins explained the album, which took more than two years to make:

The “concept” is that this is a Bubblegum album: the Dirtbombs as done by Don Kirshner and Kasenetz & Katz. I wasn’t trying to make a period piece; I was more seeing if I could pick up where bubblegum left off around 1975. I had the benefit of 40 years of hindsight, so I could pick and choose the bits I thought would work.

This is a fun record and those who were actually around at the time will recognize several songs have elements of the original hits that spawned these 10 originals. Try” Hey! A Cookie” “We Come in the Sunshine” and “It’s Gonna Be Alright.”

Suburbs - Si SauvageThe Suburbs were part of the original Minneapolis scene that spawned Husker Du and The Replacements, but their journey was markedly different. Not truly punk rockers, they were part of the emerging alt-rock scene and in the early 80’s it looked like they were going to break through into the mainstream – but they didn’t. So in 1987 they broke up. Done.

So imagine my surprise to find a new record after 27 years. (Recall that this could be a trend – recall Magazine last year recording an album after 30 years of being broken up?). Si Sauvagefeatures founding members Chan Poling, Hugo Klaers, and Blaine John “Beej” Chaney, plus new band mates Steve Brantseg and Steve Price and special guest vocalists like Janey Winterbauer and Aby Wolf. Original guitarist Bruce C. Allen passed away in 2009.

So, what does a band sound like making a new record after so long? Well, given that they have in the past 27 years played a couple of shows a year in very small venues, remarkable tight and alive. There is more of a bluesy feel to the record which is essentially a straight rock record. I love the horns on the record which provides energy to a number of the songs which actually jumps with energy. Try “Reset the Party”, “Turn the Radio On”, and “Si Sauvage.” Here they are on MTV in 1984 with “Love is The Law.” (More 80’s new wave dancing!)

Uncle Ho - The Manufacture of MadnessGerman three-piece Uncle Ho have been around since 1994 but albums are few and far between. Since it’s not often the dropbox finds a release from Germany, perhaps it will help explain the rarity – German bands usually sing in German. Hence, I’m usually not too interested.

What was interesting in The Manufacture of Madness was the way the album harkens back to the period in the late seventies affectionately known as the NWOBHM (New Wave of British Metal) that spawned Def Leppard, Motorhead, Girlschool, Iron Maiden, Tygers of Pantang, Saxon, etc. This was compared to the old wave of British Heavy Metal featuring Led Zeppelin, Black Sabbath, and Deep Purple. “You Are Mine” could have been lifted off the first Def Leppard record. If you recall the birth of the genre, the goal was to keep it sharp, quick and still be heavy, all of which is accomplished by Uncle Ho on this record.

There is definitely more than a little INXS feeling and vibe on this album. This is a late night party record. For those of you whom still have hair – headbangin’ is appropriate. Try” I Wanna Do it Again”, “ “You Are Mine”, and “Talk! Talk! Talk! Talk! Talk!”

Ballet  - I Blame SocietyFrom the opening of “Alright” you will know that there is something different going on with New York Trio Ballet’s record I Blame Society. There are touches of power pop ala Fountains of Wayne, with a dash of Magnetic Fields, and my favorites from the early 90’s Los Angeles’ Sugarplastic, throughout the record. If you like those touchstones, you will like this record. Some will note the Jesus and Mary Chain as another touchstone, but what makes this different is that the band makes it all seem fun without being simply derivative.

The synth-pop is lovely and the only real regret is that the auto-tune vocals are a little cold. I could only imagine if Greg Goldberg, Craig Willse and Marina Miranda had the confidence to sing in a natural tone. However, on I Blame Society, the band’s third album the rest of the album is pure pop perfection. Try” Alright”, “Feelings” (which sounds like an outtake from a John Hughes movie performed live with special guest Allo Darlin’s Elizabeth Morris live at The Lexington, London on August 1st, 2013),and “All the Way” (which could be an outtake from the Jesus and Mary Chain).

Chastity Belt - No RegertsOn No Regerts (misspelling intentional), the debut from Seattle pop-punk band Chastity Belt carry on a long held Seattle tradition of providing exceptionally smart indie rock dealing with complex subjects in this case how the focus of one’s sexual desire becomes inappropriately important in one’s life and the situations that influence and shape that focus. Formed in college and self-taught musicians, the band, like Savages, from earlier this year, have released a markedly focused and competent record that will also likely end up on several year-end best of lists. Lead vocalist Julia Shapiro asks the questions that kids who are transitioning from college often ask – “are we having fun, yet? and the answer is likely not yet but we are trying. Try “Black Sail” (Live on KEXP Seattle, December 29, 2012),  “Healthy Punk” ( “I drink when I want to get drunk”) (Columbia City Theater, Seattle, WA, 21 February 2013)
and the happy sounding “Evil”.

Cheatahs - Extended PlaysThe Cheatahs’ Extended Plays is precisely that – two EPs pasted together to form a full length release and doesn’t suffer for the effort. The Cheatahs achieve an update of the early 90’s shoegaze genre and if you recall Ride, Swervedriver and My Bloody Valentine, then you are probably properly oriented to the direction of Extended Plays. The London based band consisting of a Canadian, German, American and one Brit, do a really good job of resurrecting what made that scene so popular in the first place by staying true to the form and emphasizing the control of distortion and feedback while retaining the vocal nuances of those earlier bands trademark sounds. Sure, there are some lyrical weakness, but so what. The idea of the shoegaze scene was to float – shoegaze bands didn’t look at the audience anyway, they felt them. And this album will make you feel good. Try: “Coared”, “The Swan” and “Fountain Park.”

I have covered a fairly large number of bands this month, but time prevents me from getting to them all. Don’t miss the two EPs from London Grammar (whose full length will be in the dropbox next month), Okkervil River, Islands and the new Dodo’s record. And if you have read this far, the best pop rock record of the month by far is by Pacific Air, which I’ve played the virtual cover off. I’ll post the playlist in a few days!

Have a great month and let’s be safe out there.

Here is this month’s list:

 

  1. Franz Ferdinand – Right Thoughts, Right Words, Right Action [2013]
  2. Ty Segall – Sleeper [2013]
  3. Uncle Ho – The Manufacture of Madness [2013]
  4. Trouble and Daughter – Alcohol and Nicotine [2013]
  5. Ballet – I Blame Society [2013]
  6. Chastity Belt – No Regerts [2013]
  7. Cheatahs – Extended Plays [2013]
  8. Pacific Air – Stop Talking [2013]
  9. Dirtbombs – Ooey Gooey Chewy Ka-blooey! [2013]
  10. London Grammar – Metal And Dust [2013]
  11. London Grammar – Wasting My Young Years [‘2013]
  12. 1975 – The 1975 [Deluxe Edition] [2013]
  13. Three O’Clock – The Hidden World Revealed [2013]
  14. Okkervil River – The Silver Gymnasium [2013]
  15. Tommy Keene – Excitement at Your Feet [2013]
  16. Suburbs – Si Sauvage [2013]
  17. Arctic Monkeys – AM [2013]
  18. Babyshambles – Sequel to the Prequel [Deluxe Edition] [2013]
  19. Polyphonic Spree – Yes It’s True [2013]
  20. Rise Against – Long Forgotten Songs B-Sides and Covers 2000-2013 [2013]
  21. Bed Wettin Bad Boys – Ready For Boredom [2013]
  22. Drenge – Drenge [2013]
  23. Grooms – Infinity Caller [2013]
  24. Growl – What Would Christ Do [2013]
  25. Ida Maria – Love Conquers All [2013]
  26. Islands – Ski Mask [2013]
  27. Julia Holter – Loud City Song [2013]
  28. King Krule – 6 Feet Beneath the Moon [2013]
  29. King Tuff – Was Dead [2013]
  30. Liar’s Club – Come and Go [2013]
  31. Never Shout Never – Sunflower [2013]
  32. O’Brother – Disillusion [2013]
  33. Potty Mouth – Hell Bent [2013]
  34. Restorations – LP2 [2013]
  35. Superchunk – I Hate Music [2013]
  36. Paper Lions – My Friends [2013]
  37. USA!USA!USA! – What’s Your Name [2013]
  38. White Lies – Big TV [Deluxe Edition] [2013]
  39. Mallard – Finding Meaning in Deference [2013]
  40. Surprises – Goes Without Saying [2013]
  41. Sweet Talk – Pickup Lines [2013]
  42. Emily’s Army – Lost At Seventeen [2013]
  43. Durango Riot – Backwards Over Midnight [2012]
  44. Almost – Fear Inside Our Bones [2013]
  45. King Khan & the Shrines – Idle No More [2013]
  46. Old Major – In Dog Years [2013]
  47. Sad Day for Puppets – Come Closer [2013]
  48. Dangerous Summer – Golden Record [2013]
  49. Ski Lodge – Big Heart [2013]
  50. Dodos – Carrier [2013]