Dropbox Notes February 8, 2016

For those of you whom have patiently waited for a new list – well here it is! The first list of 2016! As you can see, the list includes a number of things from the podcast, plus a few extras that haven’t made it yet. I have also included a couple of reissues that every collection needs. As always, this list represents my opinion of the best new(ish) releases that are worth the time and trouble (and money) to locate and download or more preferable purchase the vinyl.

So, for your enjoyment…. Here is the list:

  1. Besnard Lakes – A Coliseum Complex Museum [2016]
  2. DIIV – Is the Is Are [2016]
  3. What’s Eating Gilbert – That New Sound You’re Looking For [2015]
  4. The I Don’t Cares – Wild Stab [2016]
  5. Savages – Adore Life [2016]
  6. Jungle Giants – Speakerzoid [2015]
  7. Daughter – Not to Disappear [2016]
  8. Grizfolk – Waking Up The Giants [2016]
  9. Hinds – Leave Me Alone [2016]
  10. Sea Pinks – Soft Days [2016]
  11. Sunflower Bean – Human Ceremony [2016]
  12. Two Inch Astronaut – Personal Life [2016]
  13. Basement – Promise Everything [2016]
  14. Cheerleader – The Sunshine Of Your Youth [2015]
  15. Banners – Banners [2016]
  16. Danko Jones – Live At Wacken [2016]
  17. Dynamite Pussy Club – Shakedown
  18. Jezabels – Synthia [2016]
  19. Her – Tape #1 EP [2016]
  20. Ty Segall – Emotional Mugger [2016]
  21. Night Beats – Who Sold My Generation [2016]
  22. Last Shadow Puppets – Bad Habits [2016]
  23. Fat White Family – Songs For Our Mothers [2016]
  24. Dollyrots – Mama’s Gonna Knock You Out [2016]
  25. Teen – Little Doods [2015]
  26. Waters – Follow the Beam of Light [2016]
  27. Wild Nothing – Life of Pause [2016]
  28. The Cult – Hidden City [2016]
  29. Bloc Party – Hymns [Deluxe Edition] [2016]
  30. Eliza & The Delusionals – The Time Spent On The Inside EP [2016]
  31. Suede – Night Thoughts [2016]
  32. Mystery Jets – Curve Of The Earth [2016]
  33. Working for a Nuclear Free City – What Do People Do All Day [2016]
  34. Coffee Or Not – Everything Is Falling Down [2016]
  35. Battleme – Habitual Love Songs [2016]
  36. Harriet – American Appetite [2016]
  37. Cold Engines – Better Off Dead [2016]
  38. Spring Break – Beer Me [2015]
  39. David Bowie – Blackstar [2016]
  40. Death By Pleasure – No Stall Geek [2015]
  41. Milk Teeth – Vile Child [2016]
  42. Shearwater – Jet Plane and Oxbow [2016]
  43. St. Lucia – Matter [2016]
  44. Half Japanese – Perfect [2016]
  45. Chairlift – Moth [2016]
  46. Milk ‘N’ Cookies – Milk ‘N’ Cookies [Special Edition] [2016]
  47. Lush – Chorus (LUSH BOX 1) (Limited Edition) [5CD][2015]
  48. Jam – Fire and Skill [2015]
  49. Replacements – The Complete Studio Albums 1981-1990 (BOXSET) [8CD] [2015]
  50. Long Ryders – Final Wild Songs [2016]

Quite a bit to sample, so enjoy!

KFR

June 10, 2014 Dropbox Notes

A little late but better than nothing, I say. (I’d likely say it even if it wasn’t okay because it is almost always better to ask for forgiveness than permission). With that as a preface, here are last month’s dropbox notes:

Music is starting to hit its annual stride with some biggish ( at least in my world) names releasing albums this month. Highlights include new albums by the Buzzcocks, The Black Keys, and Augustana as well as new releases from prior Tales From The Dropbox favorites which you should recognize if you’ve been following along including new/old Danko Jones, Cheap Girls, and a record store day offering from Surfer Blood. If you were laying money on whether I would include the new Coldplay album – not on your life. The album is an uninteresting and unlistenable dirge which appears to be directed to Gwenth…Magic…my a#$%.]

Buzzcocks - The WayMight as well start this months capsules with the legendary Buzzcocks whose first album in eight years is a rip snorting good time and is unmistakably, in every way, the Buzzcocks. An original punk rock imprimatur, the Buzzcocks for more than three decades have consistently produced exceptional records brimming with their unique blend of catchy melodic punk rock. In this regard, The Way is no different than past Buzzcock releases in that the band accurately reproduces their classic sound consisting of buzz saw guitar and thundering drums all highlighted by Pete Shelley’s distinctive vocals and catchy melodies. The Way makes for a pretty exciting punk rock trip in a world full of indie dance music. For those of you thinking – “Will I hear this exceptional and uniformly excellent record somewhere on the radio? Your answer as always, is no (which is what the dropbox is for). I don’t expect I’ll hear this album played in public in the U.S. of A., but not too worry – no one has to know that you have one the coolest records released this year. No picks here because I am shamelessly biased. Try them all.

Cheap Girls - Famous GravesI didn’t skip over Cheap Girls who are No. 1 on this month’s dropbox list. It was just that I could not contain my Buzzcocks lust ( Check out the Buzzcocks singing “Just Lust“). So, Cheap Girls’ 4th long player, Famous Graves is about to hit the stores and it is a dandy. You know why you like Cheap Girls? (No, that’s not the reason…I know what you are thinking…stop it). It’s because they have incorporated that Replacement’s melodies with Dinosaur Jr’s guitar sound into their Overwhelming Colorfast styled pop punk tunes and that “sound,” even on darker topics, still makes you happy. Cheap Girls haven’t changed their style over the course of four records and so, for those of you looking for something different will be disappointed. I am not. This is a great record from start to finish and easily will make my play often list. Try “Knock Me Over,” “Pure Hate,” and Splintered.”

Stay classy, San Diego – in the form of Little Hurricane a duo comprised of singer/guitarist Tone Catalano and drummer/vocalist C.C. Spina who on their sophomore record, Gold Fever, have captured a significantly different spin on blues based rock setting them apart from musical cousins like the White Stripes or the Black Keys (who are also in this month’s dropbox). The songs on Gold Fever are warm textured and bright sounding acoustic flavored rockers with a vintage guitar sound that highlights the dynamic aspects of this collection of songs. C.C.’s backing vocals give the necessary “flavor” that only a female can bring to these melodic songs, and distinguish them from the Black Keys who they will likely be compared. Little Hurricane are not copyists – they have their unique take on a classic sound, and it is thoroughly enjoyable (Loved the horns on “Boiling Water”) on what is a consistently great record. Try “Boiling Water,” “Breathe,” and “Sheep In Wolves Clothes.”

VA - Punk 45 Kill the Hippies! Kill Yourself! The American Nation Destroys Its YoungI’ve put the two compilations in this month’s dropbox together because they belong together. They are different takes on the same subject from opposite sides of the Pacific Ocean: Last year’s U.S take on Killed By Death punk – Punk 45 Kill the Hippies! Kill Yourself! The American Nation Destroys Its Young and this years companion album representing the British take on punk – Punk 45, Vol. 2 Underground Punk and Post Punk in the UK, 1977-1981. For those of you not familiar with Killed by Death aka KBD, it was a bootleg compilation series produced by several bootleggers whom, at various times, compiled rare and out of print punk singles into compilation albums, generally with a theme. These records, all going on eBay for hundreds of dollars are mostly private label affairs and therefore are regional favorites and existed for moments of time in the punk pantheon. For those of you collect punk 45’s many of these are the holy grail of collectability. More importantly, they truly are worth the listen. If not for these types of compilations (bootlegs or “official bootlegs”), the tunes these compilations contain would be lost. were terrific not only in their time, but today. Come on…admit it…you wondered what that Pagan’s single sounded like, right? Well, I could probably go on for days about many of these songs, a number of which I actually own, but here are some highlights from both records (Don’t worry – both records are awesome, but you need some direction):

Kill The Hippies looks at the nascent U.S. punk scene and although several of these songs were widely available (Pere Ubu and Johnny Thunders) the true gems are the The Hollywood Squares – “Hillside Strangler,” The Pagans – “Not Now, Now Way,” and The Controllers performing “Neutron Bomb.”

VA - Punk 45, Vol. 2 Underground Punk and Post Punk in the UK, 1977-1981On the U.K side of things, Vol. 2 follows similar pattern, with some widely known “rarities” (Television Personalities, Swell Maps and Mekons) and some lesser known highlights. For me, the most interesting was the Killjoys (featuring a pre-Dexy’s Midnight Runners Kevin Rowland) performing “Johnny Doesn’t Want to Go to Heaven,” The Lines – “White Night” and The Rings – “I Want To Be Free.”
In either event, both albums are prime examples of the diversity of early punk rock which makes the task of defining the sound of “punk rock” so difficult. The albums also reveal the impact of geography on the development of a particular punk rock sound and style.

Aside: The greatest mystery in punk rock – a media created genre – is what exactly the “sound” that is representative of punk rock. In the 70’s in Canada, punk rock was defined by the U.K. not the U.S. That is, while almost everyone will acknowledge the tremendous influence of the New York Dolls (who were sleaze/glam rock), the Ramones (who were a sped up 50’s rock n’ roll band), the Velvet Underground (whom were art rockers) and The Stooges (whom few had ever heard and had incorporated late 60’s garage into their Detroit sound) transported the energy of the sound to the U.K) the true punk rock “sound” likely defies categorization. If the Sex Pistols are “it” then they are the sum of their influences – a little Alice Cooper, a little Modern Lovers and by way of extension, the Velvet Underground, some, New York Dolls, and some Ramones all filtered through the lens of the British media. And while punk lasted at best 18 months (ask Johnny Rotten or Thunders, neither of whom survived the death of punk rock – Rotten who dumped the name and Thunders who ended his life) the ripples created by that brief moment in time have lasted almost 40 years. Perhaps not in the same form, but clearly incorporating those elements in new and powerful ways. And while it is unlikely that we will ever see the collision of events – politically, culturally, economically, that will recreate the cauldron that birthed punk again, it is great to see records like these 2 collections of KBD punk as perhaps they will inspire a new generation of do-it-yourself individuals to go forth and create a scene, for themselves, and that is good.

Old 97s - Most Messed UpThe Old 97’s on Most Messed Up also carry the spirit of the KBD movement but having taken a countrified turn in their punk rock early on, the punk influences have at times been tamped down on their latest releases in favor of a more tradtitional country sound. However, as the Most Messed Up collection reveals, at least ofr the Old 97’s, there was no going back to pure punk once the decision was made to explore what would become a unique subgenre in traditional rock now known as alt-country. While the first couple of Old 97’s records leaned a little more to the punk side of the equation – both lyrically and sound, the songs on Most Messed Up find the perfect balance – ragged up tempo rollicking ragers with some country flourishes that highlight the special nature of the Old 97’s sound. As their reissues from last year demonstrated, the Old 97’s blend of country and punk rock occupied a unique space in the rock world populated by a few other mid 90’s No Depression pioneers such as Whiskeytown and Uncle Tupelo. Formed in Dallas Texas, singer Rhett Miller has also recorded four solo records, and it is unfathomable to me why this band has never reached popular success – the songs on Most Messed Up are the perfect blend of the energy of their punk rock roots and a natural outgrowth of their country upbringing – producing a sound not unlike the Replacements. Rhett Miller is an engaging singer – and the lyrics on this record are wry, witty, and diverse and somewhat autobiographical of the band. Beginning with opener “Longer Than You’ve Been Alive” where Rhett proclaims that “I’ m not crazy about songs that are self-referential” the Old 97’s blast through this all too short collection of ravers. Try “Give It Time,” ”Guadalajara” (Sounds like early Elvis Costello, right?), and “Intervention.”

Augustana - Life Imitating LifeI am a huge FAN of Augustana, so there is little doubt that their latest, Life Imitating Life, would end up in the dropbox. There is something so connecting about Augustana’s music – from the big guitar piano infused indie pop to the sing-a-long choruses created by Dan Layus’ distinctive voice, the tunes on Life Imitating Life creates multiple enjoyable moments. The production on the record and Augustana‘s distinct sound are, for me, hit right in the sweet spot of the One Tree Hill genre (I know it’s not a genre – but it should be) Although this is Augustana’s 5th album, Layus remains the sole remaining member of the band with the other two original members having left 2011. So, where does this leave Layus on Life Imitating Life? Remarkably consistent with past efforts. While not every song on Life Imitating Life is a winner, there are several songs here that capture the magic that made the earlier albums such charmers. I will say though, it is going to be difficult to follow up a song like “Fire” which was amongst the best pop songs possibly written. Still, there are some songs here that will end up being played on repeat in your iTunes. Try “Youth Is Wasted On The Young,” “Ash and Ember,” and “Remember Me.”

Ex-Cult - Midnight PassengerEntering the garage underground are Memphis’ Ex-Cult who on their latest, Midnight Passenger, sound like Ex-Cult i.e. Cramps infused punk rock with hints of new-psychedelia. However, what makes Midnight Passenger markedly different from Ex-Cult’s self-titled debut is the quality of the production. This album is so sonically superior to their self-titled debut that it reminds me of the sound quality difference between Husker Du’s Metal Circus and Zen Arcade – a million miles apart. The increased production makes sonic highlights stand out such as as the twin guitar attack which is given space amidst the furious drumming. The improved production also captures the aggressiveness of the band and the vocals being brought to the front of the mix instead of buried in the sound permits the listener to fully appreciate the dark lyrics of Chris Shaw e.g. “I am the voice from the sewer” ( from “Midnight Passenger”). This is a pleasantly bruising record. Shaw’s voice fits perfectly in the swirling frenzy. This would be an awesome live experience. Try “Midnight Passenger,” “Sid Visions,” and “Lights Out Club.”

Fear of Men - LoomJessica Weiss (guitars, vocals) and Daniel Falvey (guitar) comprise Fear of Men whose indie pop falls somewhere between Camera Obscura, The Chills and the Smiths, who on Loom, their proper debut, apparently find a creative connection (and a slightly ironic one at that) with the Smiths and androphobia ( the name of the disorder that causes an individual to actually fear men). If you think about the Morrissey, megalomaniac and vocalist/lyricist for the Smiths for say a half a second, then the irony should become apparent. What makes this Loom unique as a creative work is the laser-like focus of Fear Of Men in taking their dream pop to the edge of darkness. Loom deals with isolation, loneliness, and emotional disturbances in a compelling environment. Weiss’ voice is so sweet and in stark contrast to the dark undercurrent and themes present on Loom. A couple of these tracks were released on a collection called Early Fragments which made the dropbox last year. These tracks are improved and fit neatly into this collection. Try “Luna,” “Descent,” and “Inside.”

Euro Trash Girl - Floating Down Memory LaneFrom the missed it the first time around collection is Valencia Spain’s Euro Trash Girl, whom recorded Floating Down Memory Lane at Little Canyon and Rockaway Studios in the United States. Released in 2012 ( I know – I’ve discovered this gem really late), the jangle pop created by Euro Trash Girl is in the same vein as Let’s Active and 80’s alternative rock (think early Throwing Muses/ Bangles). Floating Down Memory Lane sonically is the perfect blend of Judit Casado impressive vocals and a wall of swirling ringing jangle guitar.

A note for the band: I was unable to find much about you – anywhere. As you have no US distribution, don’t belong to a label, and not much else on any of the usual websites – it will be difficult for anyone to follow you.

Euro Trash Girl looks to be a very regional band. However, if you like your alternative paisley pop with a husky throated female vocal, then give this a whirl and definitely seek them out if you stumble across anything online. Great videos though – click the links, eh? Try “City Skyline,” “Thirteen Miles,” and “Hurting Love.”

Born Ruffians - Birthmarks [Deluxe Edition]Toronto Ontario’s Born Ruffians (essentially songwriter/vocalist Luke LaLonde) on the limited (100 copies) deluxe edition of Birthmarks (adds four new songs and 5 acoustic versions from the album) shows a writer at a creative crossroads. Birthmarks is a commercial pop record i.e. designed for mainstream radio play and on that level Birthmarks succeeds remarkably well. In a more progressive world, calculated indie will find a place. However, with that compromise comes some challenges and Birthmarks presents a couple as the songwriting is a bit uneven and in places the album falls into the repetitive “feel” trap. But there is something else going on with Birthmarks as evidenced by the cohesiveness of the songs as a whole. The production has smoothed the rough edges of earlier releases, but the lyric approach is definitely more mature and the songs on Birthmarks are all characterized by crisp production, catchy punchy choruses, and an ear for melody that make this indie rock all the more compelling. Try “6-5000,” “Dancing On The Edge Of Our Graves,” and “Rage Flows.”

Bad Suns - Transpose EPReadymade for KROQ/Alt 98.7 is Los Angeles’ Bad Suns who on Transpose have mastered the sound that every corporate rock station has now decided to call alternative. I note that this term is constantly evolving, but with no baseline sound to compare it with, the word alternative really has no meaning today. In the past when the word alternative was utilized it meant alternative to metal, pop, disco, progressive rock and 60’s rock, and didn’t fall within the definition of punk. Now, apparently it means indie dance.Transpose is an EP of catchy melodic indie dance pop with soaring atmospheric melodies and extra bright guitars – you know, pretty much everything being played on those types of “alternative” radio stations. While that is not necessarily a bad thing, as evidenced by the inclusion in the drop box, I really had to think about what made this stick out from similar ilk. A description of the ilk I am referring to here is found below. It was these differences that were enough to get me to include Transpose in this month’s dropbox.

NOTE: Like sugar, Transpose can grow tiresome with repeated plays, so for @^^^#$^ sake when this actually is played on the radio, hopefully they won’t play it so much that I cringe.

I missed Bad Sun‘s debut album last year for some reason, which I cannot for ther life of me remember or explian right now. I’m sure it was okay, but it didn’t capture my attention or imagination given the sheer volume of releases in any given year, many of which are just better. As for what Bad Suns sound like? Well, this is Young The Giant/Vampire Weekend/Two Door Cinema Club territory and this would be awesome in the indie dance clubs if I actually knew what those were and what they played. I don’t have a clue. Catchy, danceable….hell. ( try to imagine me sort of dancing…not a pretty sight or image. Try “Transpose,” “Cardiac Arrest,” and the Vampire Weekend-ish “Twenty Years.”

Early Morning Rebel - Life BoatAnother Los Angeles entry to the dropbox is Early Morning Rebel. Comprised of Nathan Blumenfeld-James, Dustin Bath and Joshua Mervin, the band has created an electronic version of the National crossed with Augustana – a piano infused indie rock with a wall of sound behind crisp vocals – a winning combination. Although they self-describe as pop noir, Life Boat (which has been reissued by Baby Bird Records) is much more than homage to these bands and I was hooked by the time I reached standout track “Burn Us Down.” Try “Burn Us Down,” “War On Love,” and “Life Boat.”

Ought - More Than Any Other DayWell, there is no doubt that the world needs another intelligent punk band, and Montreal’s Ought may just fill the bill, as More Than Any Other Day, mines the same art-emo punk territory as Cap’ n Jazz, Slint, Naked Raygun etc.. In a world filled with contemporary pop leaning music, More Than Any Other Day is definitely on the edge of the indie punk underground, and from my framework of progress – a welcome breath of fresh air, essentially a palate cleanser, for smart awkward jazz influenced punk rock. On “Habit” vocalist and guitarist Tim Beeler comes off as a David Byrne devotee with the same stop start vocal intonation that was present on Talking Heads 77 and “Psycho Killer.” Captivating and compelling, I found myself hooked as I hope you will as well. Try “Habit,” “Gemini,” and “Around Again.”

Di-Rect - Daydreams In A BlackoutDutch pop rockers Di-Rect, on their seventh release, Daydreams In A Blackout, strike at the heart of the alternative pop genre, with an album full of melodic songs that have killer choruses that blast from your stereo. Di-Rect have, since 1999, consistently put forth interesting albums, usually with several radio friendly singles (perhaps only in the Netherlands) all sung in English. To demonstrate the popularity of the band as a chart act, when former lead vocalist and original member Tim Akkerman announced in 2009 that he was leaving the band, they held a nationally televised vocalist search. On November 8, 2009 in the live finale of a nationally televised BNN program Wie is Direct? (English: Who is Di-rect?), the band made a unanimous decision to have Marcel Veenendaal from Arnhem as their new lead vocalist and front man. Fast forward 5 years and Di-rect’s keyboard/synth laden melodic rock is interesting for the piano flourishes, but also for Marcel’s falsetto which creates tension in these atmospheric pop rockers. Try the two hits first “Invincible,” and “Paper Plane,” then have a go at “Out In The Wild.”

Satellite Stories - Pine TrailsStaying with the European side of the music world, Finnish indie rockers, Satellite Stories, released on November 1, 2013 their excellent sophomore album, Pine Trails, which is chock fully of instantly likeable indie electro-pop in the vein of Two Door Cinema Club and Bastille. Tremolo laden guitar work highlights the catchy choruses and synth heavy uptempo pop all played with a cool feel. I like this a little better than the Bad Suns record above, if only for the fact that this doesn’t appear to be written for commercial radio, bt rather the outgrowth of a process where Satellite Stories have attempted in part to emulate their more famous brethren without sacrificing their…soul. Try “Lights Go Low,” “December Theme,” and “Pinewood Parkways.”

Split Single - Fragmented WorldWhile you should probably never bury the lead, I’m going to do it this once. Split Single has released an excellent debut record full of indie rockers that echo some of the best sounds of the 80’s and 90’s power pop scene. As contemplated by vocalist/songwriter Jason Narducy (he of Verböten, and its offshoot Verbow) who for the past decade or so has been touring and playing with Bob Mould as bassist and background vocals, and recently touring with Superchunk filling in for bassist Laura Balance who was ill dealing with sound sensitivity, the influences of those experiences inform both the songwriting and music on Fragmented World. So, where is the lead? Well the rest of the band is Britt Daniel of Spoon who plays bass and Jon Wurster (Superchunk, Mountain Goats, and Bob Mould) on drums. So what does a Britt Daniel/ Narducy non-Spoon band sound like? Think gauzy power pop with some pretty intricate bass playing laying a solid foundation for Narducy’s solid vocals more in the Alex Chilton/Chris Stamey mold on the prettiest of these songs which are complex and beautiful power pop (Cheap Trick!) with restrained power. Click the links to see a couple of live versions that are excellent. Try “Searches,” “Fragmented World,” and “Never Look Back.”

Surfer Blood - Python DemosOn the Python Demos, Surfer Blood gives us a hint at the early process behind the songs that eventually wound up on the excellent but disconcerting Pythons album from 2013. This group of songs, written while John Paul Pitts was in the midst of a tumultuous relationship, channels the tension of that relationship, and the process of resolution. The results, as laid bare on Demos is happy sounding music (Weezer and Buddy Holly (not the song but the singer)) with much darker lyrics wrought with emotion and overlain with some pretty great guitar. According John Paul Pitts, “These tracks represent the initial essence of the songs that would later be recorded with Gil Norton. While they are rougher than the recordings that would come out on ‘Pythons’ more than a year later, I think they accurately represent the character and sentiment the songs were meant to deliver.” These demos, released in a limited edition of 1,000 copies worldwide on Record Store Day do something with the songs that the proper Pythons record does not accomplish – they highlight the diversity in Pitts’ songwriting approach only hinted at on the released versions, and in many ways, Python Demos, with several Pavement sounding stretches, captures on vinyl a moment of time that is both raw and naked. Listening to the Demos back to back with Pythons, you would swear these are two different records. Try “Gravity,” “Weird Shapes,” and “Prom Song.”

Black Keys - Turn BlueIf you are a Black Keys fan, then any review will probably not matter. If you are not, then what will it take to make you a fan? The question for those who were spoon fed Black Keys by so called alternative radio over the past five years, is whether the Black Keys fit within your sonic palate. Turn Blue is exactly what the title implies, the Black Keys, who were always a blues based garage rock band, have now dialed up the blues portion of the spectrum and hit the 70’s AM radio groove. Believe me when I say it is going to take a few spins before you will be amazed at the heaviness of what turns out to be an exceptional rock record. Turn Blue is the Black Keys’ 8th record and that experience is playing tremendous dividends as it is evident that the musical approach taken on Turn Blue is to create more of an atmosphere as compared with prior offerings and the songwriting is far more mature.  Like the hit monster Brothers from a couple of years back, Turn Blue will lend itself to some amazing live workouts that will add a new dimension to the already excellent live show. Auberbach called the album “headphone music” and that is an apt description – this album is best explored, like Pink Floyd, though headphones where you pick up nuances, emotions, and sounds that are missed when transmitted over great spaces. The single “Fever” will get well deserved attention, but for me, it was the darker moments that were captivating. Try “Weight Of Love,” “Fever,” and “Turn Blue.”

Danko Jones - Garage RockFull disclosure – Danko Jones can do no wrong. I was captured by the punishing KISS derived ROCK ( Yes – all caps) of Danko Jones on their proper debut Born A Lion which was released in 2002. Danko Jones now does KISS better than KISS.

 

ASIDE: Whereas KISS lost the path (and really for any KISS fan who is reading this – any version of the band without Ace and Peter is inferior. KISS today is like the resulting copy of a color photograph put through a black & white photocopier a million times – faded, and barely recognizable as the original. KISS has now evolved into something so far removed from the sound that I dreamed about upon my mother bringing me Dressed To Kill back from a trip to Vancouver to the Yukon in 1975. KISS has filled the world with DRECK – with KISS freaking disco records, KISS acoustic etc.!!! , and all out just plain crap. Now that KISS are finally in the old dead band hall of fame and noting that Gene and Paul were nothing short of #$^$^ wipes to not play live with Ace and Peter, the version of the band that was actually inducted, hopefully we can put the KISS corpse to rest.

Danko Jones has remained true to the Kiss sonic blueprint – balls out rock n roll. Jones explained that since these recordings were made, he and his band mates have evolved beyond their garage rock origins ( I’ve left the Canadian spellings of the original):

If a band continues past the gesticulation stage, the term “garage rock” is usually rendered unusable. Back in the ’90s, the garage rock scene, as I knew it, was a warts-and-all approach that favoured low-fi recordings and rudimentary playing over any modicum of musical prowess in order to glean some rock’n’roll essence. However, once a band got better at their instruments, songwriting and stage performance, the inevitable crossroads would eventually appear.

Deliberately continuing to play against their growing skill would only evolve into a pose. There were a lot of bands who did exactly this in order to sustain scenester favour. We did the opposite.

What you hold in your hands is a document of what we were and where we came from. We didn’t know how to write songs and could barely play but we wanted to be near to the music we loved so badly. We ate, slept and drank this music. We still do. That’s why we have never had to reunite because we’ve never broken up. After 18 years, we’ve stayed the course, got tough when the going did and, above all else, we have never stopped. This album is the proof.

And it is fascinating. Warts and all, you’ll have a blast listening to this record, and perhaps like me, you’ll find some gems that will keep you wishing for more. Try “Rock and Roll Is Black and Blue,” “Best Good Looking Girl in Town,” and “She’s Got a Bomb.” No live versions exist, so try this live show from April 5, 1996 in Toronto (split parts) which was likely their second or third show ever. Note: Danko Jones looks like Lenny Kravitz wearing Jimi.

Jake Bugg - Messed Up Kids EPJake Bugg is on a roll. Messed Up Kids is the fifth single from his sophomore record, the excellent Shangri-la, and this EP features the single and three songs recorded from those same sessions but not included on the record: “A Change in the Air”, “Strange Creatures” and “The Odds”. The acoustic “Strange Creatures” with its finger-picking intro and backwoods acoustic feel is a highlight, but try them all.

Mando Diao - AelitaBorlange Sweden’s Mando Diao is also on my favorite list as I was captivated by their debut, 2002’s Bring ‘Em In and stunning follow up 2004’s Hurricane Bar. I played these records endlessly, and still find time to put them into the iTunes. Since then Mando Diao have had a few uneven releases since those two first records, both of which featured Strokes styled garage indie rock. For example, their last record, 2012’s Infruset was sung in Swedish and was written on the occasion of Swedish poet Gustaf Fröding’s (1860–1911) hundredth death year wherein Mando Diao‘s Gustaf Norén was asked to set one of Fröding’s poems to music. The beauty and honesty of Fröding’s poetry as well as his eccentric and anguished way of living was appealing to the band who decided a full length was necessary. The songs are slow and melancholic with the band taking a decidedly minimalist approach with sparse acoustic guitar and piano as the main focus highlighting the melancholy Fröding’s words transformed as lyrics. I put Infruset  in the dropbox in 2012, and now, how does Aelita fit within the Mando Diao song catalog? Well, a side step – now exploring 80’s electro-indie dance, these songs are more like Visage and Ultravox mixed with the entire New Romantic Movement e.g. Spandau Ballet and Classix Nouveau than, say, China Crisis. If you are old enough to remember those bands, then you will understand immediately where Mando Diao is taking thier music – Aelita is unabashedly influenced by 80’s electronic dance music as best exemplified by “Money Doesn’t Make You A Man,” which could easily have been on the Miami Vice soundtrack. All that said, I enjoyed the retro look back and found enough on Aelita to take a few spins. Try “Black Saturday,” the Morricone/ Georgio Moroder influenced “Sweet Wet Dreams,” and the Spandau Ballet sounding “Romeo.”

Pujol - KludgeNashville’s PUJOL aka Daniel Pujol on Kludge, their second album full of fuzzy glam pop takes a striking leap forward from the mostly excellent debut, 2012’s United States Of Being, by bringing a “dirtier’ guitar sound to the proceedings and toning down a little bit the power pop leanings of that first record.  The songs on Kludge fall somewhere between the MacDonald Brothers (Red Kross) and Sweet/Slade end on the glam rock spectrum. However, this glam rock sound is also shuffled throughout with new punk revival ( Jay Reatard and Frank Turner). Taken as a whole, Kludge is a varied and interesting take on a wide number of genres all filtered through PUJOL’s punk rock blender. Try “Pitch Black,” the Dylan-ish “Spooky Scary,” and “Small World.”

Sharon Van Etten - Are We ThereSharon Van Etten’s fourth album, Are We There, is the stunning masterwork of a woman who has finally worked through the emotion of her last outstanding album, 2012’s Tramp, to find herself in control of both her emotions and her instrument. Are We There Yet still finds Van Etten at the intersection of heartbreak and loneliness but more confident, vibrant, and the music adds rather than distracts from the powerful performances captured on this amazing slab of vinyl. The centerpiece of this album, the stunning, “Our Love” is juxtaposed against the breathtaking “Your Love Is Killing Me” and is as fine a 10 minutes of music as you will hear this year. I am positive you will find something that works for you here when your feeling a little bit blue. Try “I Love You But I’m Lost,” “Our Love,” and “Every Time the Sun Comes Up.

Fucked Up - Glass BoysToronto’s Fucked Up occupy a unique space in hardcore punk. A very unique space. Glass Boys, their fourth long player is a very dense, compact, and powerful hardcore experience. Although many will not see the parallel, Glass Boys is a much more conventional record than prior Fucked Up releases and as a statement of where the band is now sonically, Glass Boys is an extension of the ground trod 25 years previously by Husker Du and in some small way, the Minutemen, as Fucked Up rage and confront the listener with what is essentially a series of internal conversations all in some manner dealing with “value” – old versus new, experience vs youth, art vs commerce etc. The most important thing about Fucked Up as a band and Glass Boys as a record is that Fucked Up is taking the hardcore genre is an exciting new direction. Glass Boys adds Husker Du influences to modern rock and hardcore and is so doing is taking a huge risk both sonically and with the bands core fan base – with the result – an intense, melodic, and thoroughly enjoyable hardcore album which stands alone in Fucked Up’s catalog and as the next logical progression in the evolution of a band uncomfortable with the status quo. Having followed Fucked Up from the beginning, over their four LPs and a number of EPs it is fair to say that Fucked Up is an essential rock band, and I dare say, uniquely Canadian. Genius. Try “Touch Stone,” “The Great Divide,” and “Paper The House.”

Conor Oberst - Upside Down MountainAcceptance. If you were a fan of Bright Eyes the earnestly emo-indie rock “band” of Conor Oberst’s youth, then the time has come to accept that Conor is not the same guy or in the same place as Bright Eyes. This is not a new Bright Eyes record. Rather, it is the work of a more mature country–folk artist and the songs are lush, full sounding and melodic. Conor Oberst is now trading in the mature singer/songwriter brand of music, much like the way that Matt Pond has recently performed, with an electric guitar as an instrument of depth and not focus. As a consequence of this stylistic choice, the vocals on Upside Down Mountain are stellar as Conor finds his voice – his true voice – in exploring his traditional dark themes in songs brimming with melody and country edges.  Upside Down Mountain contains some very sweet songs where the electric guitar is vital to the overall sound but played with restraint and in such a manner that the guitar work exposes the heart of the song. Try “Zigzagging Toward the Light,” “Enola Gay,” and “Kick.”

Binz - How To Freak Out Responsibly About The Rise Of RobotsMuch like one of my favorites, Billy Talent, Vancouver’s The Binz on How To Freak Out Responsibly In The Age OF Robots is a fun romp with an album full of classic garage rock influenced post-punk rock. The album  was played on CITR in Vancouver and for good reason – it is a spectacularly fun record that should be played loud at parties everywhere. Short sharp blast of punk rock energy – most songs hovering around the 2 minute mark, How To Freak Out Responsibly In The Age OF Robots reminds me of the “sound” first made me start loving punk rock in the late 70’s as a new arrival to Vancouver in 1978. Without waxing nostalgic, the Subhumans, Modernettes, Pointed Sticks, and K-Tels all reside somewhere in the heart of this record. Try “Suffer,” “Radio,” and “Paranoid.” Here they are playing the Semi finals of CITR’s Shindig! 2013 at the Railway Club in Vancouver.

I’ve added a couple of other things this month worth mentioning briefly. You will find R.E.M. ‘s complete set of rarities al in all 181 Tracks from I.R.S. and Warners divided into two collections. Here’s Pitchfork’s story: R.E.M. Release Massive Rarities Collections.

Also don’t miss some of the releases at the bottom of the list including Oasis‘ Record Store Day offering of its debut single “Supersonic” which was pressed as a 12” for the first time ever and a new mix of the track with a couple of b-sides; the new Savages single, and a couple of great records such as those by Big September and Dirt Box Disco which I didn’t have time to get to tell you about. Oh well, perhaps later.

So until we meet again…

…. here is this month’s list:

  1. Cheap Girls – Famous Graves [2014]
  2. Buzzcocks – The Way [2014]
  3. Little Hurricane – Gold Fever [2014]
  4. VA – Punk 45 Kill the Hippies! Kill Yourself! The American Nation Destroys Its Young [2013]
  5. VA – Punk 45, Vol. 2 Underground Punk and Post Punk in the UK, 1977-1981 (2014)
  6. Old 97’s – Most Messed Up [2014]
  7. Augustana – Life Imitating Life [2014]
  8. Ex-Cult – Midnight Passenger [2014]
  9. Fear Of Men – Loom (RSD) [2014]
  10. Euro Trash Girl – Floating Down Memory Lane [2013]
  11. Born Ruffians – Birthmarks [Deluxe Edition] [2014]
  12. Bad Suns – Transpose EP [2014]
  13. Early Morning Rebel – Life Boat [2014]
  14. Ought – More Than Any Other Day [2014]
  15. Di-Rect – Daydreams In A Blackout [2014]
  16. Satellite Stories – Pine Trails [2013]
  17. Split Single – Fragmented World [2014]
  18. Surfer Blood – Pythons [Demos] [2014]
  19. Black Keys – Turn Blue [2014]
  20. Danko Jones – Garage Rock! A Collection of Lost Songs from 1996-1998 [2014]
  21. Jake Bugg – Messed Up Kids EP [2014]
  22. Mando Diao – Aelita [Deluxe Edition] [2014]
  23. Pujol – Kludge [2014]
  24. Sharon Van Etten – Are We There [2014]
  25. Fucked Up – Glass Boys [2014]
  26. Conor Oberst – Upside Down Mountain [2014]
  27. Binz – How To Freak Out Responsibly To The Rise Of The Robots [2014]
  28. Appletop – Brave Mountains [2014]
  29. Archie Bronson Outfit – Wild Crush [2014]
  30. Chain & The Gang – Minimum Rock N Roll [2014]
  31. Embrace – Embrace [2014]
  32. CRY! – Dangerous Game [2014]
  33. Dirt Box Disco – Bloonz [2014]
  34. Charlotte Sometimes – By Request [2014]
  35. Bloom – Quitting [2014]
  36. Black Lab – A Raven Has My Heart [2014]
  37. Big September – Ballroom Addicts [2014]
  38. Savages – Fuckers bw Dream Baby Dream {Suicide cover} [2014]
  39. Le Butcherettes – Cry Is for the Flies [Bonus Track Edition] [2014]
  40. Casualties of Cool – Casualties of Cool [2CD] [2014]
  41. Amen Dunes – Love [2014]
  42. Cairos – Dream of Reason [2014]
  43. Me First And The Gimme Gimmes – Are We Not Men We Are Diva! [2014]
  44. Oasis – Definitely Maybe 20th Anniversary Edition [3CD] [2014]
  45. R.E.M. – Complete Rarities I.R.S. 1982-1987 [2014]
  46. R.E.M. – Complete Rarities Warner Bros. 1988-2011 [2014]

January 11, 2014 Dropbox Notes

Welcome to another year of Dropbox Notes ! This month’s offerings are the best of last year, i.e. my favorite records from 2013.

In the past, I have posted my best albums of [insert year] list with little regard to the order on that list. That is, I just posted my favorite records of the previous year in an approximation of what I liked the best. This year, I struggled to try to get through at least the first 30 albums in order of how good I thought they were; how much I enjoyed listening to them, and how likely I would go back and play them after not listening to them for a year.

That qualifier – whether you would go back and listen to a record after a year of not playing the album – appears (at least to me) to be the real test of a list like this. In the past, most of the other lists I have reviewed (you can find some at rocklist.net) from some of my favorite magazines have not contemplated the long term impact of the records they claim are the best and greatest of the year. Some magazines do a better job of this (and I am confident it is completely unintentional) than others.

For example, looking back just 5 years to 2008, compare these two top 20 lists from Q Magazine and Spin:

Q Magazine 2008 Top 20

1. Kings of Leon – Only By The Night
2. Fleet Foxes – Fleet Foxes
3. Coldplay – Viva la Vida
4. Vampire Weekend – Vampire Weekend
5. Glasvegas – Glasvegas
6. Duffy – Rockferry
7. TV On the Radio – Dear, Science
8. Elbow – Seldom Seen Kid
9. Raconteurs – Consolers of the Lonely
10. Nick Cave & the Bad Seeds – Dig!!! Lazarus, Dig!!!
11. Sigur Rós – Með Suð í Eyrum Við Spilum Endalaust
12. Keane – Perfect Symmetry
13. MGMT – Oracular Spectacular
14. Kaiser Chiefs – Off With Their Heads
15. Lil Wayne – Tha Carter III
16. Hot Chip – Made In the Dark
17. Adele – 19
18. British Sea Power – Do You Like Rock Music?
19. Goldfrapp – Seventh Tree
20. Gaslight Anthem – ‘59 Sound

Spin 2008 Top 20

  1. TV On the Radio – Dear Science
  2. Lil Wayne – Tha Carter III
  3. Portishead – Third
  4. Fucked Up – Chemistry of Common Life
  5. Fleet Foxes – Fleet Foxes
  6. Santogold – Santogold
  7. Deerhunter – Microcastle
  8. Hot Chip – Made In the Dark
  9. Coldplay – Viva la Vida
  10. MGMT – Oracular Spectacular
  11. Elbow – Seldom Seen Kid
  12. Erykah Badu – New Amerykah Pt 1: 4th World War
  13. No Age – Nouns
  14. Vampire Weekend – Vampire Weekend
  15. Beck – Modern Guilt
  16. My Morning Jacket – Evil Urges
  17. Roots – Rising Down
  18. Nick Cave & the Bad Seeds – Dig!!! Lazarus, Dig!!!
  19. Okkervil River – Stand Ins
  20. Gnarls Barkley – Odd Couple

There is a little overlap on these two lists but on average from the Q Magazine list, I would listen to 5/20 (25%) and from the Spin list I would listen to 4/20 (20%). Can you guess which records I’d probably revisit?

With this personal observation i.e. that there are very few records that I would continue to play after a gap of a year, this list is prepared with that objective also in mind – looking forward 1 year from now.

And perhaps that is the goal of this “Best of 2013” list – to check back in a year and see how many of the 100 listed here you would go back and listen to in 2015.

With that said, here is my list of the BEST OF 2013 (all capitals because I am shouting):

Tales From The Dropbox Best Albums of 2013

  1. Savages – Silence Yourself
  2. FIDLAR – FIDLAR
  3. Pacific Air – Stop Talking
  4. Guards – In Guards We Trust
  5. The Men – New Moon
  6. Arctic Monkeys – A.M.
  7. Kurt Vile – Wakin’ on a Pretty Daze
  8. Paper Lions – My Friends
  9. Parquet Courts – Light Up Gold
  10. Palma Violets – 180
  11. Fuzz – Fuzz
  12. The National – Trouble Will Find Me
  13. Paper Aeroplanes – Little Letters
  14. Chvrches – The Bones of What You Believe
  15. Speedy Ortiz – Major Arcana
  16. Pure Love – Anthems
  17. California X – California X
  18. Foals – Holy Fire
  19. Future Of The Left – How To Stop Your Brain In An Accident
  20. Arcade Fire – Reflektor
  21. Mikal Cronin – MCII
  22. Vampire Weekend – Modern Vampires of The City
  23. Starflyer 59 – IAMACEO
  24. Miles Kane – Don’t Forget Who You Are
  25. Lydia – Devil
  26. London Grammar – If You Wait
  27. Royal Bangs – Brass
  28. Upset – She’s Gone
  29. Waaves – Afraid of Heights
  30. Deerhunter – Monomania
  31. The Julie Ruin – Run Fast
  32. Jagwar Ma – Howlin’
  33. Haim – Days are Gone
  34. Bad Sports – Bras
  35. Bastille – Bad Blood
  36. My Bloody Valentine – m b v
  37. Deap Valley – Sistrionics
  38. So So Glos – Blowout
  39. Wooden Shjips – Back To Land
  40. Drenge – Drenge
  41. Hookworms – Pearl Mystic
  42. These New Puritans – Field Of Reeds
  43. The Knife – Shaking The Habitual
  44. Julia Holter – Loud City Song
  45. Waxahatchee – Cerulean Salt
  46. Iceage – You’re Nothing
  47. Yo La Tengo – Fade
  48. Superchunk – I Hate Music
  49. Volcano Choir – Repave
  50. Phoenix – Bankrupt!
  51. Purling Hiss – Water on Mars
  52. Roshambo – Lonesome Men From The Woods
  53. Pissed Jeans – Honeys
  54. Queens of The Stoneage – Like Clockwork
  55. Phosphorescent – Muchacho
  56. Local Natives – Hummingbird
  57. Factory Floor – Factory Floor
  58. Foxygen – We Are The 21st Century Ambassadors of Peace & Magic
  59. Riots  – Time For Truth
  60. Wonder Years – The Greatest Generation
  61. Fall Out Boy – Save Rock And Roll
  62. Forest Swords – Engravings
  63. James Blake – Overgrown
  64. Thee Oh Sees – Floating Coffin
  65. Mutual Benefit – Loves Crushing Diamond
  66. Strypes – Snapshot
  67. Acres of Lions – Home(s)
  68. Daughter – If You Leave
  69. Grouper – The Man Who Died in His Boat
  70. Ballet – I Blame Society
  71. Tegan and Sara – Hearthrob
  72. Peace – In Love [Deluxe Edition
  73. Taymir – Phosphene
  74. Chastity Belt – Ne Regerts
  75. Auto Defiance – Running on The Edge
  76. Jimmy Eat World – Damage
  77. Courtney Barnett – The Double EP – A Sea Of Split Peas
  78. Dirtbombs – Consistency Is The Enemy
  79. Fitz & The Tantrums – More Than Just A Dream
  80. Hungary Kids of Hungary – You’re A Shadow
  81. Imperial State Electric – Reptile Brain Music
  82. Iron Chic – The Constant One
  83. Sky Ferreira – Night Time, My Time
  84. Matt Pond – The Lives Inside The Lines In Your Hand
  85. Jake Bugg – Shangri La
  86. Murder By Death – As You Wish Kickstarter Covers
  87. Cage the Elephant – Melophobia
  88. Teen Agers – I Hate It
  89. Beware of Darkness – Orthodox
  90. Super Happy Fun Club – All Funned Up
  91. Middle Class Rut – Pick Up Your Head
  92. Banquets – Banquets
  93. Cults – Static
  94. RVIVR – The Beauty Between
  95. Exxonvaldes – Lights
  96. Mama Kin – The Magician’s Daughter
  97. Swearin’ – Surfing Strange
  98. Dead Sons – The Hollers And The Hymns
  99. Growlers – Not. Psych!
  100. Guster – Live With The Redacted Symphony

I’ll add the covers if I get a chance, but otherwise enjoy the list. Part 1 of the list ( 1-50) dropped today. I’ll drop part 2 (51-100) around February 1, so a slightly shorter turnaround this month/

Let me know if you think I’ve missed something, or your thoughts on the list. If you have a list you’d like to share – post a comment or send me the list and I’ll post it.

Until later alligator! I wish you all a terrific and happy 2014. Peace out.

June 22, 2013 Drop Box Notes

Well, I’m back after a busy graduation season with some notes for last months drop box offerings and a little preview of the July drop box. As always, these are in no particular order even though I now number the selections to make it easier for you to find.

Mikal-Cronin-MCIIFirst of all, you really should check out Mikal Cronin‘s latest release aptly titled MCII. Cronin is better known for his frequent associations with garage rocker Ty Segal ( a frequent drop in the box) as well as recording with another of other indie garage bands including the Okie Dokie, Epsilons, Party Fowl and Moonhearts. This is garage pop reminiscent of the early 80’s garage pop scene that included Lets Active and the dBs. I have know doubt that this record will end up on a number of trendy publication year end best of lists, but really, this record will belong there. These are well constructed sonic garage pop songs, with beautiful arrangements, catchy chorus and memorable melodies. You’ll find something comfortably familiar with these songs, but it is because the balance of power and pop is so perfect, this will end up as the soundtrack for your summer days. Try the amazing “Peace of Mind” for the softer side of the spectrum, “Change” for the rockier end, and “I’m Done Running From You” for that song that will have you singing along. Really, not a bad song on the record. Have at it.

Ty Segal - Ty Rex 2Speaking of Ty Segal, for Record Store Day, Ty releases Ty Rex 2, a 7″ with two Marc Bolan and T. Rex covers: the early track “Cat Black (The Wizard’s Hat)” b/w the Electric Warrior cut “The Motivator.” For those of us old enough to recall T.Rex ( most of you will have heard “Get It On ( Bang A Gong)” (See it here:http://youtu.be/19IqwU3itFk ) as well as the other updated hits “Children of the Revolution” and “20th Century Boy”), Ty brings some freshness to these songs, particular on “Motivator”, which crunches under Ty’s deft playing. Worth a listen.

Ty Segal and Mikal Cronin - Reverse Shark AttackAnd finally, as it seems this is Mikal and Ty’s month, try Ty Segal and Mikal Cronin together on Reverse Shark Attack. This record was recorded in 2009 as a vinyl only release which quickly sold out and then re-released last year. This is Cramps styled garage-fuzz played at punk rock pace. Noisy best describes what is going on, and I loved every minute. Awesome!. Try” Ramona”, “I Wear Black” and “Doctor Doctor”. Furious, baby!.

Husker Du were one of my all time favorite bands along with the previously mentioned Replacements, dBs, The Jam, Stiff Little Fingers, The Clash, and XTC. There you have it – my all time best of list. Sure I have a number of other favorite bands and records, but none even approach the awe (great word), I have for the recordings by these bands. Over time, bands and artists that I thought might end up here have taken divergent paths that moved them down a few rungs on my mental list of all time greatest. I’m thinking Elvis Costello here. For the first 10 years of Elvis’ career I was on board, but his miss-steps after Almost Blue (his last great complete record) were too numerous to hang in the game and my interest waned. I guess that is the great mystery of the mystical connection that music plays in a life. I associate events in my life with music. “I’ve Been Waiting” by Matthew Sweet was played at my wedding and at various reflection points I associate these bands and their shows ( all of who I have seen live) with the onset of the great adventures and first steps into adulthood.

Husker Du - Amusement EPAnyway, back to Husker Du who for record store day earlier this year (April 20) released their first single from 1980, “Amusement”/“Statues” as a double 7-inch with “Writer’s Cramp” and “Let’s Go Die,” the other two songs recorded at the same time for what was initially planned to be a self-released 10-inch. But costs forced the band to opt for the two-song 7-inch that was eventually released. “Amusement,” “Writer’s Cramp,” and “Let’s Go Die” were remastered from “a first-generation sub-master,” because the originals are long gone. “Statues” was reworked from the original recording from the board at the old Minneapolis venue Duffy’s, where it was recorded. The double 7-inch was limited limited to 4,000 copies. This is an interesting artifact, because “Writer’s Cramp” and “Let’s Go Die” were recorded with the band at a crossroads and who were, at that time also vying for a recording contract with Twintone Records who eventually signed the Replacements over them. Here the Husker’s are experimenting with a poppier sound that Bob Mould would eventually find again after Husker Du disbanded and he started Sugar. Try – Them All!

Miles Kane - Don't Forget Who You AreFor those of you who forgot how good the mod scene actually was from a musical perspective, Miles Kane‘s newest record Don’t Forget Who You Are will remind you of the sweetness that was mod inspired. A little bit dangerous, but still making you want to dance, the mod bands balanced the rock and soul perfectly. Brief time trip here: The mod ( stands for modern!) scene in Britain evolved out of the late 60s with the Who, David Bowie (then called David Jones) and the Small Faces (who featured a very young Rod Stewart) which carried forth smart sounding modern music with a sharped dressed man (Think the Who’s “My Generation”) that clashed with the rockabilly/ traditional rock and roll found in artists like Gene Vincent, Jack Scott, Bill Haley, and Buddy Holly from the fifty’s. Hence, in the early 70’s this coalesced into a generational clash between the mods and rockers in the streets of London.

Mod Photo 2Skip forward several years later, and Quadrophenia based upon the Who’s sunning masterwork, as well as the Who bio-movie The Kids Are Alright are released in theaters in 1979. At the tale end of punk, these events coalesce into a massive mod revival with the Jam leading the charge. This is the primary reason that the Jam’s  singer/guitarist Paul Weller is acknowledged as the mod father for today’s generation of bands. Other band emerge during this time including Secret Affair and Merton Parkas, all of whom dress in parkas and drive Vespa scooters in sharp contrast to the rockers who drove Harleys and wore leathers.  This scene will eventually die as the 80’s arrive, only to emerge again in a slightly different form with Oasis, torchbearers for this unique sound. Jump forward to today and Oasis who have long since broken up only to find the brother’s Gallagher in two different bands ( High Flying Birds and Beady Eye) but still with an eye on the ball, both support their prodigy Mile Kane. To be clear, mod as a music form, I believe will always be around in England where kids arrive from the womb with the imprint of this particular sound. It is almost as if, mod, which is a uniquely British sound, comprises the genetic code of a nation.

So, with the brief history lesson over, on Don’t Forget Who You Are, Miles Kane hammers home the message on several levels. On one level, Kane reminds us of the importance of mod as a way of life and also on another level, like punk, a way of being. It is not so much about style anymore, but rather remaining true to a cultural identity.  The record is essentially about carrying forth the message of mod, see for e.g. “Taking Over” and “Bombshells”. This is a great example of where mod lives today, in a young generation, reinterpreting the lessons of the past but bringing it straight forward into the future. All round a great record. Try” Out of Control”, “Tonight” and “Don’t Forget Who You Are.”

Youngblood Hawke - Wake UpI’m always up for a good indie pop record as you might have noticed. (Recall Oh Mercy and Wolf Gang from last year?). LA based synth-pop band Youngbloode Hawke have found the sparkle on their debut with clean upbeat songs containing gang choruses and all the elements for songs that would find a place on most AM radio stations ( do these even exist anymore?). Sometimes the lyrics travel into the absurd, but these misses are few and far between, and overall most of the record works. Sure there are going to be comparisons to Phoenix who occupy this same sonic space, but it hard to not like the uptempo synth-pop put forth by Youngbloode Hawke. Try “Dannyboy”, “Rootless” and “We Come Running”.

Iron and Wine - Ghost on GhostFor those of you whom already like Iron and Wine ( the nom de plume of Samuel Beam), you will already have picked this album up. However, for those of you who are ambivalent about Sam’s prior releases which have been mostly hit and miss for me in the past, I think you will be pleasantly surprised by this latest record. On Ghost on Ghost, the 6th Iron and Wine record, Sam finally finds his groove. The record is an examination of where Sam is at this point in his artistic progression with both nods to his past “Winter’s Prayer” and where he is going, with the catchy “Grace For Saints and Ramblers”. Some will be put off by the varied experiments that make up this record, but for me it resonates with fine crafted songs encompassing more than the Postal Service inspired folk of Sam’s past and traversing new territories, including alt-country and jazz. Try” Grace For Saints and Ramblers”, “Joy” and “Sundown (Back In The Briars)”

Savages - Silence YourselfOn a completely different plane altogether, London’s Savages, (who are playing all the UK festivals this summer) merge Joy Division’s post rock with Siouxsie Sioux sound alike vocals of Jehnny Beth and the intelligence of Gang of Four. This album (like the Mikal Cronin record previously) will end up on a number of best of lists because frankly, there is absolutely no band out there with a sound so firmly rooted in the past but updating the sound for the future of post punk. The guitars shimmer and the lyrics which are heavily punk influenced are driving, urgent, and immediate. This is the next big thing. Silence Yourself is easily the best debut of the year and perhaps the album of the year. Really. Oh, and America will completely miss this. Try “She Will”, “I am Here” and “Hit Me.”

Art Brut - Top of The PopsFor those of you who missed Art Brut, a uniquely British indie invention that never made it across the pond, I’ve put in their latest greatest hits record, Top of The Pops, ( a television show they never appeared on as their highest chart single was Number 41) a 2CD collection with the second half devoted to B-sides and rarities. However, stick with the first disc, which will expose you to Art Brut‘s unique form of indie rock with crunchy guitars, oblique lyrics, and all the pieces that make for a fun time. Take this for what it is, a collection of catchy songs, with slightly wonky vocals sung with an English accent, and not really giving a crap about where they fit in the rock and roll pantheon. “My Little Brother” (Just Discovered Rock n’ Roll) aptly sums up Art Brut, a band happy with discovering rock and roll and playing it for laughs. Lead singer and spokesperson Eddie Argos is, like Pete Almquist of the Hives, an energetic personality,with one foot firmly rooted in the past writing for the odd ball in all of us. If you only listen to ” Formed a Band” then you will discover the genius of Art Brut. Try ” Formed a Band”, “St. Pauli” and “Summer Job.”

So So Glos - BlowoutBrooklyn punk rockers The So So Glos second album is a brief, quick paced Beach Boys version of punk rock, with the band falling on the poppier side of what was a dying genre, traveled by other great bands like Chixdiggit!, Homegrown, and Melincolin, that I remember from the 90’s. It may seem retro, but there is life in this record, which for those of you who grew up with sound, will really like the touches and nods to The So So Glos influences, which on this album are early MXPX and Operation Ivy. Brothers Alex and Ryan Levine, their step-brother and drummer Zach Staggers, and guitarist Matt Elkin are a sonic force and Blowout is a good time record. Try” Son of An American”, “Lost Weekend” and “Wrecking Ball.”

Here is the List:

  1. !!! (Chk Chk Chk) – Thr!!!Er [2013]
  2. Airborne Toxic Event – Such Hot Blood [2013
  3. Deerhunter – Monomania [2013]
  4. Iggy and the Stooges – Ready To Die [2013]
  5. Los Campesinos! – A Good Night For A Fistfight [2013]
  6. Mikal Cronin – MCII  [2013]
  7. Savages – Silence Yourself [2CD] [2013]
  8. Sloan – Hardcore [2013]
  9. Titus Andronicus – Record Store Day [2013]
  10. TUSQ – Hailuoto [2013]
  11. Ty Segall – Ty Rex 2 (RSD) [2013]
  12. Vaccines – NME Presents Home Is Where The Start Is Home Demos 2009-2012 [2013]
  13. Youngblood Hawke – Wake Up [2013]
  14. Fitz & The Tantrums – More Than Just a Dream (Deluxe Version) [2013]
  15. Hüsker Dü – Amusement EP (RSD) [2013]
  16. Allison Weiss – Say What You Mean [2013]
  17. Best Coast – Fear My Own Identity (RSD) [2013]
  18. Art Brut – Top of the Pops [2013]
  19. Miles Kane – Don’t Forget Who You Are (iTunes) [2013]
  20. So So Glos – Blowout [2013]
  21. Queens of the Stone Age – …Like Clockwork [2013]
  22. D.O.T. – Diary [2013]
  23. Killing Joke – The Singles Collection 1979-2012 [2013]
  24. Noah and the Whale – Heart of Nowhere [2013]
  25. A Fragile Tomorrow – Be Nice Be Careful [2013]
  26. Ty Segall & Mikal Cronin – Reverse Shark Attack [2013]
  27. Bicycle Thief – Fields [2013]
  28. City Reign – Another Step [2013]
  29. Guided by Voices – English Little League [2013]
  30. Iron & Wine – Ghost on Ghost [2013]
  31. Ladyfinger (ne) – Errant Forms (Promo) [2013]
  32. Ola Podrida – Ghosts Go Blind [2013]
  33. Plain White T’s – Should’ve Gone to Bed EP [2013]
  34. She & Him – Volume 3 [2013]
  35. Sulk – Graceless [2013]
  36. Titus Andronicus – Record Store Day [2013
  37. Weeks – Dear Bo Jackson [2013]
  38. Youngblood Hawke – Wake Up [2013]
  39. Bass Drum of Death – Bass Drum of Death [2013]
  40. Daft Punk – Random Access Memories [2013]
  41. Exsonvaldes – Lights [2013]
  42. Grandchildren – Golden Age [2013
  43. Kisses – Kids in L.A [2013]
  44. Northcote – Northcote [2013]
  45. Primal Scream – More Light [Japanese Deluxe Edition] [2013]
  46. These New Puritans – Field of Reeds [2013]
  47. Vampire Weekend – Modern Vampires Of The City [2013]
  48. Vår – No One Dances Quite Like My Brothers [2013]
  49. Wampire – Curiosity [2013]
  50. Airstrip – Willing [2013]
  51. Atlas Genius – When It Was Now [2013]
  52. Auto Defiance – Running On The Edge (Promo) [2013]