Tales From The Drop Box 2018-16 (Episode 117)

Hopefully you enjoyed your long weekend. I am just getting back from 5 days in Las Vegas attending a legal convention where I had a chance to ponder why I still practice law when I would rather produce episodes of this podcast. I selected the songs for Tales From The Drop Box Episode 117 while listening to a seminar on harassment cases. The topic itself was compelling and a rather serious subject concerning the introduction of #MeToo evidence, i.e. the introduction of other similar incidents as evidence of a pattern or practice of sexual harassment. However, the speaker left me cold and consequently, I looked for a diversion, and you – my faithful listeners – are the beneficiary of that diversion.

Episode 117 is fifteen catchy tracks covering the gambit of the rock pantheon. Okay, not really. The episode is mostly a selection of catchy indie pop and rock, with some punk rock at the end.  And it has a Pavement classic track. That is just how it all worked out by the end of the seminar. A good analogy is that you are getting the sweetness of desert at the beginning, and the meat and potatoes at the end. In short, the perfect way to eat a meal.  I start with a few tracks that I have had kicking about (and playing repeatedly) from April and May of this year but add a couple of new tracks such as the latest from Interpol, Murder By Death, and Personality Cult. In short, your usual solid lineup of music from the fringe.

Here is what you’ll find in Episode #117:

  1. Say Sue Me – “Old Town (Radio Edit)” (Where We Were Together)
  2. Peace – “Power” (Kindness is the New Rock and Roll)
  3. Belly – “Stars Align” (Dove)
  4. The Lulu Raes – “Slow Ride” (Lulu)
  5. Lady Legs – “Bottomless Pit” (Holy Heatwave)
  6. X-Wife – “Monday Tuesday” (X-Wife)
  7. Personality Cult – Brazen” (Personality Cult)
  8. Murder By Death – “New Old City” (The Other Shore)
  9. Interpol – “Complication” (Marauder)
  10. Lydia – “Tourist” (Liquor)
  11. Exit – “See You Around” (Too Little, Too Late)
  12. Turnstile – “Generator” (Time & Space)
  13. The Longest Hall – “Punch A Nazi In The Face” (Don’t Panic!)
  14. Pavement – “Summer Babe (7” version)” (Slanted & Enchanted: Luxe & Redux)
  15. Black Lilys – “Dust of You” (Boxes)

And she’s eating her fingers like they’re just another meal and she waits there in the levee wash mixing cocktails with a plastic-tipped cigar . . . Hey, wake up and smell the lavender of my flower power, technicolor massacre just rolled into your ends dismembered all your friends…

KFR

Tales From The Drop Box 2018-15 (Episode 116)

Now that school is in session for another year, Tales From The Drop Box Episode 116 is also gearing up for fall with the latest trends and styles…. not likely. Here you will find a selection of music loved by your host, Mr. Belding, that have been released relatively recently and that you are unlikely to find on the radio or in some Spotify playlist. Someone asked me what the purpose of the show is. Purpose? WTF? I have an objective, not a purpose. The objective is to bring you the best new music while focused on the music and the musicians, not their social life, nor their Instagram worthiness. I do not care who they are dating. The only critical analysis in these podcasts is related to my enjoyment i.e. that a record connects with me on an emotional level i.e. joy, sadness, happy, anger, etc. Music is emotional and I believe that it is meant to be experienced on both physical and emotional levels. The best songs make you want to move, to sing-a-long, to think about the lyrics. That is, they connect with you on multiple levels. I know that some of these tracks may not make an instant connection. Some tracks you may never connect with because of mood, time, or the energy it takes to make that connection. Some tracks may leave you cold. I get it. However, I appreciate that you still follow along, looking for that diamond track – the one song that sparkles and shines and that you can’t help but smile when you hear it. I’m looking to bring you joy. These songs do that for me.  This podcast is simply my effort to share my experience with you. That’s it.

Also, for those of you who were not here at the beginning, sometimes these notes are a version of a public forum. That is, these notes are where I, on occasion, share my perspective on various matters. In general they concern current legal, political, or ethical issues and I and often explore their intersection looking for a fresh perspective on a topic or bringing attention to an important ( at least in my mind) issue. Sometimes these notes are simply Trump bashing. I also know that Trump is a truly easy target.The Trump bashing is simply my way of adding my voice to a permanent record of the shit show this President has created and the dangers of an uniformed electorate who vote for a pathologically and chronic lying sack of shit who is also morally bankrupt and corrupt. Feel free to fact check the last statement. The only portion that I believe, at this point in time, is purely opinion is that Trump is also corrupt. Everything else is fact. Don’t get hung up on the morally bankrupt contention – this fact is self-proving. Given this past week’s disclosure of the immunity deals for Trump’s inner circle of crooks, I’m feeling confident that the “corrupt” aspect of my statement will also prove to be a fact as well.

So, if you are sensitive, do not want to read my perspective, then skip these notes. I’m good with it if you are! I am positive that if you are listening to this podcast that you also have ideas, opinions, and thoughts of your own that are also interesting, intelligent and amusing (see how I did that?) and perhaps you can drop me a note expressing some of those thoughts.

If all you are interested in is the music, then be assured that Tales From The Drop Box is only about the music but the notes may not be about the music at all. Does it make sense now?

Here is what you’ll find in Episode #116:

  1. The Ballroom Thieves – “Almost Love” (Paper Crown EP)
  2. The Sufis – “All Knowing” (After Hours)
  3. The Shins – “Mildenhall (Flipped)” (The Worms Heart)
  4. Palace Winter – “The Ballroom” (Nowadays)
  5. Sweet Reaper – “Black Widow” (Sidekick)
  6. La Luz – “Don’t Leave Me On The Earth” (Floating Features)
  7. Poptone – “Mirror People” (Poptone)
  8. Dearist – “Shame” (Sonder)
  9. Middle Kids – “Bought It” (Lost Friends)
  10. Better Half – “Fixate” (Maybe I Was Wrong EP)
  11. Slapshot – “Make America Hate Again” (Make America Hate Again)
  12. The Coronas – “Not Sure How To Lie” (Reprise EP)
  13. Pet Symmetry – “Ends With Benefits” (Reflection)
  14. Plasmatics – “Butcher Baby” (Butcher Baby b/w Fast Food Service 7”)
  15. Gouge Away – “Only Friend” (Burnt Sugar)

Butcher baby dressed up in red, butcher baby messed in your head . . . the mirror people, know not how to cry so they scream, the mirror people scream inside

KFR

Tales From The Drop Box 2018-14 (Episode 115)

Tales From The Drop Box Episode 115 is a foreign affair. Lately I have been somewhat fascinated with this new-ish amalgam of J-Pop and hard rock/punk and/or metal. I discovered Babymetal a few years ago, and that band’s sound and visual presence were certainly compelling as there is nothing like it on the U.S. musical landscape. Skipping forward a few years, and now that combination of a pop-singer fronting a punk rock or metal band is more developed, and represents a unique and interesting development in the rock music landscape. So, today you get a taste of two of these bands – Band-Maid (whose visual gimmick is to all dress in maid outfits), and Dizzy Sunfist, a three piece band from Osaka who perform a ferocious punk variant of this sound.

Episode 115 also catches up a bit on new music i.e. most of the tunes in this episode are from the past month or so. For those of you who are using this podcast as a buying guide for new tunes or to feed a vinyl habit, you should be able to find almost all of these albums for sale on either Bandcamp or Amazon, or at your favorite e-tailer. For those of you lucky enough to have a local record store, I recommend you go there to find new stuff. Record stores are my favorite place to spend a couple of hours searching for the next thing to listen to.  Remember, there is nothing like vinyl to make your heart sing and vinyl significantly enhances the sound as well as the listening experience. Further, with vinyl records you can’t have your security clearance revoked if you disagree with me!

Finally today, I couldn’t help note that we shouldn’t mock Rudy Giuliani with his “truth isn’t truth” remark from yesterday. This phrase has a rational meaning in only one context (also courtesy of the Trump administration) – the truth isn’t truth …. when it is based on alternate facts! I’m positive this is what Rudy meant to say before he was interrupted.

Makes sense now, doesn’t it?

Here is what you’ll find in Episode #115:

  1. Band-Maid – “I Can’t Live Without You” (World Domination)
  2. Charlion – “Disco For Losers” (Disco For Losers)
  3. The Black Delta Movement – “Hunting Ground” (Preservation)
  4. Davenports – “I Don’t Know What To Do” (Don’t Be Mad At Me)
  5. The Pretty Flowers – “Some Girls” (Why Trains Crash)
  6. Foxing – “Lich Prince” (Nearer My God)
  7. From Lambs To Lions – “All’s Well That Ends Well” (D\scord)
  8. Asylums – “When We Wake Up” (Alien human Emotions)
  9. Barely March – “Corduroy” (Marely Barch)
  10. The Hunna – “Summer” (Dare)
  11. 77:78 – “Love Said (Let’s Go)” (Jellies)
  12. Thin Lips – I Know That I’m The Asshole” (Chosen Family)
  13. New Threads – “Alcohol” (New Threads)
  14. Sad Lovers & Giants – “Alice Isn’t Playing” (Where The Light Shines Through:1981-2017)
  15. Dizzy Sunfist – “Summer Never Ends” (Dreams Never End)

In the light you can disappear without a trace in the night every shadow seems to burn your face . . . Nioi tatsu hodo no yokujo kurushiku naru hodo hoshii no? (Trans: For having such sense of lust do you painfully want it that much?)

 

KFR

Tales From The Drop Box 2018-12 (Episode 113)

I am trying to keep the momentum going, so here is Tales From The Drop Box Episode 113 in your inbox for another episode of music and talking about the music rather than the personal lives of the musicians making the music. There is nothing too deep, musically, lyrically, or spiritually this week in this episode. Rather, in trying to figure out what theme this week’s tracks pose I’m a little stumped. There are some lengthier tracks unlike recent episodes, but this week is essentially a hodgepodge of good stuff triggering the whole emotional spectrum. It is  a sound clash happening. i.e. a juxtaposition of diverse sounds. Perhaps this episode is indicative of undiscovered uncertainty and inner turmoil in your life. Certainly not in mine….. Whatever it is, I think you’ll find some tracks you can emotionally connect with and respond to and perhaps find that gem of a track that you’ll treasure for the rest of your life.Each week that is my goal.

If you want to leave a comment, respond to something I played, or complain about how exceptionally awesome this podcast is, then you know where to find me!

Here is what you’ll find in Episode #113:

  1. Colour Me Wednesday – “Boyfriend’s Car” (Counting Pennies In The After Life)
  2. Abductees – “Warning” (Dead Friends & Old Times)
  3. Public Access T.V. – “Ain’t No Friend of Mine” (Street Safari)
  4. The Growlers – “Problems III” (Casual Acquaintances)
  5. Angry Youth Elite – “Pissed” (Ready! Set! No!)
  6. Deecracks – “All Along” (Sonic Deliveries)
  7. Runaway Brother – “All Saints Day” (New Pocket)
  8. The Defects – “Action Junkie” (Feed The Good Dog)
  9. Lawn – “Rats” (Blood On The Tracks)
  10. Dog Fashion Disco – “Primate” (Experiments In Embryos)
  11. Abay – “Lemonade” ( Love & Distortion)
  12. Berry – “Civil Disobedience” (Everything, Compromised)
  13. Ash – “True Story” (Islands)
  14. Secret Affair – “Time For Action” (Glory Boys)
  15. Shilpa Ray – “Add Value Add Time” (Door Girl)

Standing in the shadows where the in-crowd meet we’re all dressed up for the evening we hate the punk elite . . . Did you see that crazy man who wore a tree on his head? Muttering obscenities under his breath Hell, I’d be pissed off if they broke my shell and built a Whole Foods on top of it instead

 

KFR

July 7, 2013 Dropbox Notes

Happy Canada Day and 4th of July to those on both sides of the 49th parallel. Well, this past month saw some interesting releases featuring some bands that you’ve likely heard of before as well as some newcomers of note.

Janet Devlin - Hide and SeekI dropped a late add into the box today as the debut album from Janet Devlin called Hide and Seek finally leaked, and it is frankly a really good pop album. Janet, you might remember was the startling contestant on the 8th series of England’s X Factor who rejected Simon Cowell’s recording contract offer after finishing 5th. If you have not seen here amazing cover of Elton John’s “Your Song” then check it out, because her voice is so unique, it seems as if she actually wrote the thing http://youtu.be/f4EE4bIFixQ . As for the new record, it captures the unique quality of her voice, and there are a couple of terrific tunes on the record. Should be a massive hit when it finally comes out in September, 2013. Try “Wonderful, ”“Working For The Man,” and “Things We Lost In The Fire.”

Beware of Darkness - OrthodoxFitting somewhere between Jet and the Black Keys, Los Angeles based Beware of Darkness plays gritty alt-rock and roll which on their debut Orthodox demonstrates a broad range of influences, but eventually you come out at the end finding that there is something more here than just their influences. Although the opener “Howl” is the public relations hit, having performed it live on Conan (here: http://dai.ly/xzxuxk ), the track that made me love this album was the slow burner “All Who Remain.” Solid throughout, given that there is still no place in the universe that consistently plays great music, you might as well expose everyone to this. The album falls off a little at the end as it diverges into new psychedelia, but overall is well worth the listen. Try “All Who Remain”, “Howl” and the stones influenced “Sweet Girl.”

Fox And The Law - Scarlet FeverI found a couple of older things lying around and figured as I had missed them, they should be brought to your full attention. Like Beware of Darkness, Fox and The Law plays garage blues rock at full speed. If you were going to go to a small club and wanted to see a straightforward rock n roll show – Fox and The Law is who I’d see.  Fox and the Law are essentially new generation pub rockers. Great energy throughout, the single “Treat Me Right” is catchy and the blues grunge feel of the record, suits those late night evenings. Try “Treat Me Right,” “Unbelievable,” and “Something Bad.”

Saint Alvia - Static PsalmsSaint Alvia blew me away. Another rock record, I love this record and have played it endlessly for the past couple of months. From Burlington Ontario, I had never heard of these guys before stumbling upon this record. Who knew they were nominated for a Juno award in 2008? Named after Ernest Alvia Smith, Canada’s last living recipient of the Victoria Cross for valor in WWII, they are a patchwork of influences from punk, grunge, blues, and pretty much everything in between. On Static Psalms, the band produces an amalgam of catchy punk influenced rock with some dance tracks stuffed in between. I ShXX you not.  Try “Define Me” (extra credit if you can name the sample, great video too: http://youtu.be/d2bMimAZtPw ( Is that snow?)), “Murder in a Motel,” and “The Pressure.”

Jonas & The Massive Attraction - Live Out LoudKeeping with our theme that Canada produces great rock bands (if you ignore Nickleback), and following the rock and roll theme established by this month’s dropbox, Jonas and the Massive Attraction are a hard rock band from Montreal led by another Juno award nominee Jonas Tomalty who is better known for his blues albums, but with this new project, is producing killer melodic hard rock. Not sure who produced the cover art, as it makes the band look more like the Jonas Brothers, and effectively disguises what is underneath. This is traditional Canadian hard rock – think April Wine, updated, and anthemic. I had a great time, and found myself singing along to some of the tracks. Try the blistering “Riot,” the catchy ballad “Bonnie & Clyde” (here is a great live version in Montreal at L’Astral 27-04-2013 http://youtu.be/waZnZ9ARjeA  ) and “Hope Your Happy.”

1975 - IVThe 1975, have appeared in the drop box previously. Although they’ve been playing around since 2002, they tested out a number of different names, before they finally settled on The 1975. The name was inspired by a note hand written inside a book vocalist Matthew Healy found, which, coupled with some other writings on the previous owner’s descent into insanity and desire to take their life, struck a chord with Healy. IV is the band’s fourth EP, and is the build up to the band’s first full length album, which is expected to be released in September. It is hard to go wrong with this band’s sound, exemplified by the opening track “The City” with its upbeat dance friendly repetitive chorus. The electronic under bed highlights the hauntingly beautiful “Haunt/Bed” (See how I did that… ). A great introduction to the band if you missed the earlier EPs, so stay tuned to see how this all comes together. Not quite electronic, not quite indie pop, falling somewhere in the sweet spot in the middle. Try …them all. It is an EP after all.

Bicycles - Stop Thinking So MuchSome more Canadians, but now of the twee pop variety, the Bicycles broke up in 2009 (their website says hiatus…but it was a long one). Now after 4 years, the Bicycles return with a gem of an indie pop record on Stop Thinking So Much. The album bounces seamlessly through indie folk to power pop and with a large amount of variety to keep the album from stumbling in its quieter moments. A great change of pace. Try the Beach Boys influenced “Congratulations,” “Break This Hold” and “The Sun Don’t Want To End.”

Blitzen Trapper - Blitzen Trapper [Deluxe Edition]Sub Pop describes them as experimental country folk, but Portland’s Blitzen Trapper is much more than the label would indicate. Blitzen Trapper is the reissue of the band’s debut record recorded in 2003 and remastered with 5 additional songs. The album as originally released was available in very limited quantities, so to have it re-released in all its sonic goodness is well worth the listen. As this was released on record store day, it was pressed on 180g black vinyl, but also a very limited edition of 200 LPs was available on Coke-Bottle Clear vinyl and mixed in at random with the standard pressing at participating Record Store Day stores only. Looking back on the album, Blitzen Trapper’s frontman Eric Earley stated, “I don’t remember much about making this first record, too long ago maybe. I guess I remember this Mexican dive bar we’d go to after sessions with GW (Gregg Williams) who was engineering the record. We’d drink tequila and play pool and watch Blazers games. Drew took the cover shot down at the coast at some junk shop off the highway. An Indian and a zebra.” There is quite a wide variety of sounds on this album which is essentially well-crafted indie rock. Try “All Girl Team” “Pink Padded Slippers” and “Cracker Went Down.”

Boxer Rebellion - PromisesBritish indie rockers Boxer Rebellion have taken a beating in the English music press, and on Promises, they will likely take some more abuse. For the uninitiated, Boxer Rebellion have poppier leanings than most bands in the new progressive rock genre, typified by Explosions in the Sky, but here the atmospherics of prior records are clearer and more reliant on Roxy Music than on any marriage to the new progressive sound. There are nods to the National with the buzz saw guitar sounds and emotive vocals, and other like-minded Indie rock explorers, but the Boxer Rebellion traverses their own road in finding the balance between synth rock and indie, so as to avoid Yes comparisons. Try “Diamonds”, “Dream” and “Keep Moving.”

State of Drama - FighterRule Number 1 in the record business – start your album off with a great song. Swedish pop rock band, State of Drama follows the rules with catchy opener “Can’t Find You Anywhere.”  Essentially a competition band, having performed in Sweden’s numerous music contests including participating in the Eurovision Song Contest, this self-titled debut includes their competition hits “Maybe” and the aforementioned “Can’t Find you Anywhere.” Hey it’s a pop rock record, so you should be able to find something you like. For me, it was “Fighter,” “Can’t Find You Anywhere” and “Rain.”

Rise Against - Revolutions Per Minute [10 Year Anniversary]I am an admitted Rise Against fan, and have been since their debut. Not to establish credibility, but rather to acknowledge that long before they were popular on radio (for once!) there was something different about this band. On RPM, their second album, the band found their sound, a mix of street punk and anarchism with a focus on the social political themes and relationships. Tim McIlrath said in an interview with Punknews.org “RPM was kind of sarcastic; so many bands just throwing the word “revolution” around and that kind of thing you were led to believe there was a revolution every minute and it was a word that I still didn’t take lightly and I was upset that it was being taken lightly.” Well, as their last release on Fat Wreck Chords, RPM was a game changer of sorts as this released propelled them to Geffen Records and essentially stardom. However, RPM is raw in many aspects and after ten years, the songs upon reflection have taken on a life of their own. Hard to beat, and still sounds fresh today. Try “Like The Angel, ” “Heaven Knows (Demo)” and “Broken English (Demo)”. Crunchy guitars rule!

Roshambo - Lonesome Men From The WoodsDid you like San Cisco from last year? If so, then Roshambo is for you. On Lonesome Men From The Woods, Karlskoga Sweden’s Roshambo traverse similar pop rock territory with such charm, that it is impossible not to like this record. Following our record rule Number 1, Roshambo start with the killer track “Babylon” which is impossible not to sing-a-long with. The trio is energetic and the songs well-crafted. I would love to see these guys live. A little like Capital Cities, but with Australia’s pop sensibilities, Roshambo is likely a Swedish anachronism. Available only on Bandcamp, give this a spin. Try “Babylon,” Koalas” and “We Gag.”

Puggy - To Win The WorldOn To Win The World, Puggy, ( a trio consisting of Matt Irons, bassist Romain Descampes, and Swedish drummer Egil “Ziggy” Franzén, continue their unique blend of melodic acoustic flavored rock with smooth vocal harmonies. There is a French rock feel to the music, likely caused by the influences absorbed from living and touring in Belgium where the band who is based and where all of the members met. Consequently, Puggy is massively popular in Belgium and France. There are a diverse array of influences and styles on this record which traverses both acoustic and dance rock territory. Try “To Win The World, “Goes Like This,” and the instantly likeable “Move On.”

Postelles - ...And It Shook MeNew York four piece, the Postelles, write power pop with an edge that will grab your heart immediately on their second LP, …And It Shook Me. The greatest aspect of this album are the well-crafted songs that are punchy and not given over to the saccharine pop that one often finds in records in this genre. There is a Brooklyn feel on the tunes, likely the influence of producer Albert Hammond (Strokes). However, this is not a Strokes copy band, but something else altogether, more in the vein of Saturday Looks Good To Me. The songs bounce along, and the melodies melt your heart. I found myself putting this on repeat in the office, the Knack (Remember them?) – like cover “Caught By Surprise” (http://youtu.be/VZi2CMZT3zc ) instantly hummable. Try “Caught By Surprise,” “And It Shook Me”, and “Running Red Lights” (http://youtu.be/ZeSgKrStQG0 ).

Portugal. The Man - Evil FriendsWho would have ever thought that I would hear Portland weirdoes, Portugal. The Man ( Yes, that period belongs there just to throw off the grammar check in word) on KROQ. However, just like KROQ to play one of the weaker songs on the record “Purple Yellow Red and Blue” rather than actually spend time listening to the LP before deciding on which track to expose to the mindless masses who blindly follow the formula espoused by the corporate radio dictator in an effort to exert mind control in the form of mass consumerism (sorry blanked out there……). Back to the point. Portugal. The Man’s latest record, their 7th LP, Evil Friends, does take a stab at the commercial entertainment but still largely retaining the charm and uniqueness that makes their earlier releases essential listening. This is indie rock blended with psychedelia, and lyrically progressive. The songs are instantly memorable and with each listen of the record, new discoveries are made. If “Creep in a T-Shirt” isn’t a hit record then nothing is. See for yourself: Portugal. The Man performing “Creep In A T-Shirt” Live on KCRW (http://youtu.be/TTgC6BszjQk ). Note to KROQ – stop playing the Red Hot Chili Peppers. I can’t take anymore….really….and play more like this. It’s okay to expose the masses to a variety of great records, popularity is not the demon. Try “Creep In a T-Shirt,” “Hip Hop Kids” and “Holy Roller (Hallelujah)”

Pigeon Detectives - We Met At SeaOn the Pigeon Detectives latest record We Met At Sea, their 4th, the band finds itself at a bit of a crossroads. This is particularly true when NME gave the record a score of 3/10 and accused the band of ripping itself off. Brutal. However, having listened to this record for the past couple of months, there is still enough life in the record to warrant inclusion. Gone are the rough edges of the brilliant first two albums Wait For Me (2007) and Emergency (2008) that brought instant fame to the band, and produced 5 top 5 singles. It is difficult to imagine the pressure of trying to follow up the massive fame explosion, and We Met At Sea is the bands second attempt to create something more lasting than the raw enthusiasm that propelled the band into the spotlight. The mod edges are still intact and like the Palma Violets and Miles Kane this record fits nicely in the mod-dance genre but shows the band trying to grow a bit. It is easy for NME to dismiss the record, particularly when the memory of those earlier records and constant exposure to the band (unlike here in the U.S. where absolutely no one has ever heard of them), is so fresh. Really, this is worth the effort, you won’t be disappointed. Try “I Won’t Come Back,” (http://youtu.be/tl4vg-de0n4  ) , “Light Me Up,” and “I Don’t Mind.”

Paper Aeroplanes - Little LettersIf She & Him were Welsh, and a little more folk oriented, they would likely be Paper Aeroplanes, comprised of Sarah Howells and Richard Llewellyn who on their third album, Little Letters, produce an album of delicate songs brimming with melody and carried by Sarah Howells distinctive voice  which reminds me a little of Janet Devlin mentioned earlier). These are lovingly crafted acoustic songs tell stories which are atmospheric, emotional, and compelling. Most striking is the production on this record, which provides depth and space with a warm tone uncommon in this digital age. Try “Multiple Love,” Little Letters, (http://youtu.be/wC29jfNE7PQ ) and “Palm of Your Hand.”

Oblivians - DesperationMemphis blues-garage band the Oblivions return after 17 years with a brand new release of swampy garage rock, picking up where the left off. Progenitors of the 90’s garage punk scene with the Gories, Supersuckers and New Fast Automatic Daffodils. the Oblivions are a sonic force even though they must be older than dirt (okay about my age). Unlike the current garage scene with its psychedelic underpinnings (Tame Impala, Ty Segal), the Oblivions have not changed their garage punk formula staying true to their roots, stepped in Memphis blues and the late 60’s garage bands like the Seeds, Kingsman, and the Shadows of Knight. Perhaps a little much for the uninitiated to play all the way through, but in small chunks, you’ll become a devotee. Try: “Woke Up in A Police Car,”, “Fire Detector,” and “I’ll be Gone.”

New Politics - A Bad Girl In Harlem

It must be difficult to be a band with a hit record on its first try. What goes unnoticed is that many bands have had essentially a lifetime to produce that first batch of songs, and when they see the light of day, and are loved and appreciated, the pressure to write more of the same must be oppressive, and as history has taught, that sophomore record is going to determine whether the band stays or breaks up in a raging heap of bitter disappointment. Look the odds are against survival. In the 2000s, the list of bands that are essentially one hit wonders is much larger than the list of bands with repeated hit records. This is not to mention the endless number of quality bands that are only discovered after their useful existence. So where does Copenhagen’s New Politics fit in this discussion? Well, in the realm of faceless Anglo bands, this record shows that the trio (David Boyd, Søren Hansen, and Louis Vecchio) who wrote the ubiquitous hit “Yeah Yeah Yeah”  (http://youtu.be/II0uqBUewD0 )has real staying power. The first single “Harlem” (http://youtu.be/NVOUTkFkMNU  )  is a catchy, throbby, dance pop track and the rest of the record contains other alterno-pop songs that will have the kids dancing in the aisles at their shows. Nothing deep here, but overall an enjoyable record. Try “Harlem”, “Tonight Your Perfect” and “Just Like Me.”

Front Bottoms - Talon of the HawkReally, more thought should be put into band names. If you’ve spent some time in my office, we’ve spent numerous hours crafting a fine number of useful and memorable band names. So how does one decide that Front Bottoms should be a band name? Stuck with a terrible name, no one will be able to ask for this record at the local retailer, as it is impossible to recall. What is unusual however, is that the Front Bottoms songs are way better than there name. Maybe it’s the fact that they are from Jersey, Bergen County, NJ, to be precise. Essentially a two piece, on Tales From The Talon, the band’s fourth LP, the band produces finely crafted funny tales that are catchy pop-punk with a surprisingly huge sound. This is a light-hearted upbeat record, that will leave you wanting more.  Vocalist/Guitarist Brian Sella’s voice has a great tone and the talk-singing is very effective here. Try “Skeleton,” “Twin Size Mattress” (http://youtu.be/-1rzsT2t2YY ) and Funny You Should Ask.”

All-About - Suburban HeartOn the All-About ‘s debut, Suburban Heart, Zac Coe produces a superior pop-punk record, with a similar talk-singing vocal similar to the Front-Bottoms above, but whereas the focus for the Front Bottoms was semi-serious, even light-hearted lyrics, here The All-About’s cover a much broader lyrical palate, with songs about love and loss, carefully crafted into a mesmerizing, albeit brief, release. Sure, there are some songs that take a little work to get into, but the acoustic synth-pop is easy to digest, and like it or not, even on the most lyrically difficult songs, you find yourself wanting to sing-a-long. Essentially a well formed bedroom project, this is a terrific start. Try “Summer Sheets”, “Suburban Heart,” and “Nashville.”

There are lots of great albums at the bottom of the list this month, but little time to cover it all. Among my favorites are the mod revivalists Riots, the new Editors, and American Fangs. I’ve also upgraded the Miles Kane with the deluxe edition. Anyway, until next time, let’s be safe out there!

Here is this months List:

  1. Beware of Darkness – Orthodox [2013]
  2. Fox And The Law – Scarlet Fever [2012]
  3. Saint Alvia – Static Psalms [2012]
  4. Jonas & The Massive Attractions – Live Out Loud [2013]
  5. 1975 – IV [2013]
  6. Bicycles – Stop Thinking So Much [2013]
  7. Blitzen Trapper – Blitzen Trapper [Deluxe Edition] (RSD) [2013]
  8. Boxer Rebellion – Promises [2013]
  9. State of Drama – Fighter [2013]
  10. Rise Against – Revolutions Per Minute [10 Year Anniversary] [2013]
  11. Roshambo – Lonesome Men From The Woods [2013]
  12. Puggy – To Win The World [2013]
  13.  Postelles – …And It Shook Me [2013]
  14. Portugal. The Man – Evil Friends [2013]
  15. Pigeon Detectives – We Met At Sea [2013]
  16.  Paper Aeroplanes – Little Letters [2013]
  17. Oblivians – Desperation [2013]
  18. New Politics – A Bad Girl In Harlem [2013]
  19. Front Bottoms – Talon of the Hawk [2013]
  20. All-About – Suburban Heart [2013]
  21. Beady Eye – BE [Japanese Edition] [2013]
  22. Boards of Canada – Tomorrow’s Harvest [2013]
  23. Psychic Ills – One Track Mind [2013]
  24. Rhett Miller – The Dreamer Acoustic Version [2013]
  25. Smith Westerns – Soft Will [2013]
  26. These New Puritans – Field of Reeds [2013]
  27.  Olms – The Olms [2013]
  28. Miles Kane – Don’t Forget Who You Are (Deluxe Edition) [2013]
  29. Limousines – Hush [2013]
  30. Hooded Fang – Gravez [2013]
  31. Anarbor – Burnout [2013]
  32. Abandon Kansas – A Midwest Summer [2013]
  33. Gaslight Anthem – Singles Collection 2008-2011 [2013]
  34.  Jimmy Eat World – Damage [2013]
  35. Big Deal – June Gloom [2013]
  36. Capital Cities – In a Tidal Wave of Mystery [2013]
  37. American Fangs – American Fangs [2013]
  38. Kodaline – In a Perfect World [2013]
  39. Sir Sly – Gold [2013]
  40. Tijuana Panthers – Semi-Sweet [2013]
  41. Banquets – Banquets [2013]
  42. Builders and The Butchers – Western Medicine [2013]
  43. Captain, We’re Sinking – The Future Is Cancelled [2013]
  44. Editors – The Weight Of Your Love [Deluxe Edition] [2013]
  45. Middle Class Rut – Pick Up Your Head [Deluxe Edition] [2013]
  46. Mowgli’s – Waiting for the Dawn [2013]
  47. Riots – Time For Truth [2013]
  48.  Japanther – Eat Like Lisa Act Like Bart [2013]
  49. Electric Guest – Good America [2013]
  50.  Janet Devlin – Hide & Seek [2013]

June 22, 2013 Drop Box Notes

Well, I’m back after a busy graduation season with some notes for last months drop box offerings and a little preview of the July drop box. As always, these are in no particular order even though I now number the selections to make it easier for you to find.

Mikal-Cronin-MCIIFirst of all, you really should check out Mikal Cronin‘s latest release aptly titled MCII. Cronin is better known for his frequent associations with garage rocker Ty Segal ( a frequent drop in the box) as well as recording with another of other indie garage bands including the Okie Dokie, Epsilons, Party Fowl and Moonhearts. This is garage pop reminiscent of the early 80’s garage pop scene that included Lets Active and the dBs. I have know doubt that this record will end up on a number of trendy publication year end best of lists, but really, this record will belong there. These are well constructed sonic garage pop songs, with beautiful arrangements, catchy chorus and memorable melodies. You’ll find something comfortably familiar with these songs, but it is because the balance of power and pop is so perfect, this will end up as the soundtrack for your summer days. Try the amazing “Peace of Mind” for the softer side of the spectrum, “Change” for the rockier end, and “I’m Done Running From You” for that song that will have you singing along. Really, not a bad song on the record. Have at it.

Ty Segal - Ty Rex 2Speaking of Ty Segal, for Record Store Day, Ty releases Ty Rex 2, a 7″ with two Marc Bolan and T. Rex covers: the early track “Cat Black (The Wizard’s Hat)” b/w the Electric Warrior cut “The Motivator.” For those of us old enough to recall T.Rex ( most of you will have heard “Get It On ( Bang A Gong)” (See it here:http://youtu.be/19IqwU3itFk ) as well as the other updated hits “Children of the Revolution” and “20th Century Boy”), Ty brings some freshness to these songs, particular on “Motivator”, which crunches under Ty’s deft playing. Worth a listen.

Ty Segal and Mikal Cronin - Reverse Shark AttackAnd finally, as it seems this is Mikal and Ty’s month, try Ty Segal and Mikal Cronin together on Reverse Shark Attack. This record was recorded in 2009 as a vinyl only release which quickly sold out and then re-released last year. This is Cramps styled garage-fuzz played at punk rock pace. Noisy best describes what is going on, and I loved every minute. Awesome!. Try” Ramona”, “I Wear Black” and “Doctor Doctor”. Furious, baby!.

Husker Du were one of my all time favorite bands along with the previously mentioned Replacements, dBs, The Jam, Stiff Little Fingers, The Clash, and XTC. There you have it – my all time best of list. Sure I have a number of other favorite bands and records, but none even approach the awe (great word), I have for the recordings by these bands. Over time, bands and artists that I thought might end up here have taken divergent paths that moved them down a few rungs on my mental list of all time greatest. I’m thinking Elvis Costello here. For the first 10 years of Elvis’ career I was on board, but his miss-steps after Almost Blue (his last great complete record) were too numerous to hang in the game and my interest waned. I guess that is the great mystery of the mystical connection that music plays in a life. I associate events in my life with music. “I’ve Been Waiting” by Matthew Sweet was played at my wedding and at various reflection points I associate these bands and their shows ( all of who I have seen live) with the onset of the great adventures and first steps into adulthood.

Husker Du - Amusement EPAnyway, back to Husker Du who for record store day earlier this year (April 20) released their first single from 1980, “Amusement”/“Statues” as a double 7-inch with “Writer’s Cramp” and “Let’s Go Die,” the other two songs recorded at the same time for what was initially planned to be a self-released 10-inch. But costs forced the band to opt for the two-song 7-inch that was eventually released. “Amusement,” “Writer’s Cramp,” and “Let’s Go Die” were remastered from “a first-generation sub-master,” because the originals are long gone. “Statues” was reworked from the original recording from the board at the old Minneapolis venue Duffy’s, where it was recorded. The double 7-inch was limited limited to 4,000 copies. This is an interesting artifact, because “Writer’s Cramp” and “Let’s Go Die” were recorded with the band at a crossroads and who were, at that time also vying for a recording contract with Twintone Records who eventually signed the Replacements over them. Here the Husker’s are experimenting with a poppier sound that Bob Mould would eventually find again after Husker Du disbanded and he started Sugar. Try – Them All!

Miles Kane - Don't Forget Who You AreFor those of you who forgot how good the mod scene actually was from a musical perspective, Miles Kane‘s newest record Don’t Forget Who You Are will remind you of the sweetness that was mod inspired. A little bit dangerous, but still making you want to dance, the mod bands balanced the rock and soul perfectly. Brief time trip here: The mod ( stands for modern!) scene in Britain evolved out of the late 60s with the Who, David Bowie (then called David Jones) and the Small Faces (who featured a very young Rod Stewart) which carried forth smart sounding modern music with a sharped dressed man (Think the Who’s “My Generation”) that clashed with the rockabilly/ traditional rock and roll found in artists like Gene Vincent, Jack Scott, Bill Haley, and Buddy Holly from the fifty’s. Hence, in the early 70’s this coalesced into a generational clash between the mods and rockers in the streets of London.

Mod Photo 2Skip forward several years later, and Quadrophenia based upon the Who’s sunning masterwork, as well as the Who bio-movie The Kids Are Alright are released in theaters in 1979. At the tale end of punk, these events coalesce into a massive mod revival with the Jam leading the charge. This is the primary reason that the Jam’s  singer/guitarist Paul Weller is acknowledged as the mod father for today’s generation of bands. Other band emerge during this time including Secret Affair and Merton Parkas, all of whom dress in parkas and drive Vespa scooters in sharp contrast to the rockers who drove Harleys and wore leathers.  This scene will eventually die as the 80’s arrive, only to emerge again in a slightly different form with Oasis, torchbearers for this unique sound. Jump forward to today and Oasis who have long since broken up only to find the brother’s Gallagher in two different bands ( High Flying Birds and Beady Eye) but still with an eye on the ball, both support their prodigy Mile Kane. To be clear, mod as a music form, I believe will always be around in England where kids arrive from the womb with the imprint of this particular sound. It is almost as if, mod, which is a uniquely British sound, comprises the genetic code of a nation.

So, with the brief history lesson over, on Don’t Forget Who You Are, Miles Kane hammers home the message on several levels. On one level, Kane reminds us of the importance of mod as a way of life and also on another level, like punk, a way of being. It is not so much about style anymore, but rather remaining true to a cultural identity.  The record is essentially about carrying forth the message of mod, see for e.g. “Taking Over” and “Bombshells”. This is a great example of where mod lives today, in a young generation, reinterpreting the lessons of the past but bringing it straight forward into the future. All round a great record. Try” Out of Control”, “Tonight” and “Don’t Forget Who You Are.”

Youngblood Hawke - Wake UpI’m always up for a good indie pop record as you might have noticed. (Recall Oh Mercy and Wolf Gang from last year?). LA based synth-pop band Youngbloode Hawke have found the sparkle on their debut with clean upbeat songs containing gang choruses and all the elements for songs that would find a place on most AM radio stations ( do these even exist anymore?). Sometimes the lyrics travel into the absurd, but these misses are few and far between, and overall most of the record works. Sure there are going to be comparisons to Phoenix who occupy this same sonic space, but it hard to not like the uptempo synth-pop put forth by Youngbloode Hawke. Try “Dannyboy”, “Rootless” and “We Come Running”.

Iron and Wine - Ghost on GhostFor those of you whom already like Iron and Wine ( the nom de plume of Samuel Beam), you will already have picked this album up. However, for those of you who are ambivalent about Sam’s prior releases which have been mostly hit and miss for me in the past, I think you will be pleasantly surprised by this latest record. On Ghost on Ghost, the 6th Iron and Wine record, Sam finally finds his groove. The record is an examination of where Sam is at this point in his artistic progression with both nods to his past “Winter’s Prayer” and where he is going, with the catchy “Grace For Saints and Ramblers”. Some will be put off by the varied experiments that make up this record, but for me it resonates with fine crafted songs encompassing more than the Postal Service inspired folk of Sam’s past and traversing new territories, including alt-country and jazz. Try” Grace For Saints and Ramblers”, “Joy” and “Sundown (Back In The Briars)”

Savages - Silence YourselfOn a completely different plane altogether, London’s Savages, (who are playing all the UK festivals this summer) merge Joy Division’s post rock with Siouxsie Sioux sound alike vocals of Jehnny Beth and the intelligence of Gang of Four. This album (like the Mikal Cronin record previously) will end up on a number of best of lists because frankly, there is absolutely no band out there with a sound so firmly rooted in the past but updating the sound for the future of post punk. The guitars shimmer and the lyrics which are heavily punk influenced are driving, urgent, and immediate. This is the next big thing. Silence Yourself is easily the best debut of the year and perhaps the album of the year. Really. Oh, and America will completely miss this. Try “She Will”, “I am Here” and “Hit Me.”

Art Brut - Top of The PopsFor those of you who missed Art Brut, a uniquely British indie invention that never made it across the pond, I’ve put in their latest greatest hits record, Top of The Pops, ( a television show they never appeared on as their highest chart single was Number 41) a 2CD collection with the second half devoted to B-sides and rarities. However, stick with the first disc, which will expose you to Art Brut‘s unique form of indie rock with crunchy guitars, oblique lyrics, and all the pieces that make for a fun time. Take this for what it is, a collection of catchy songs, with slightly wonky vocals sung with an English accent, and not really giving a crap about where they fit in the rock and roll pantheon. “My Little Brother” (Just Discovered Rock n’ Roll) aptly sums up Art Brut, a band happy with discovering rock and roll and playing it for laughs. Lead singer and spokesperson Eddie Argos is, like Pete Almquist of the Hives, an energetic personality,with one foot firmly rooted in the past writing for the odd ball in all of us. If you only listen to ” Formed a Band” then you will discover the genius of Art Brut. Try ” Formed a Band”, “St. Pauli” and “Summer Job.”

So So Glos - BlowoutBrooklyn punk rockers The So So Glos second album is a brief, quick paced Beach Boys version of punk rock, with the band falling on the poppier side of what was a dying genre, traveled by other great bands like Chixdiggit!, Homegrown, and Melincolin, that I remember from the 90’s. It may seem retro, but there is life in this record, which for those of you who grew up with sound, will really like the touches and nods to The So So Glos influences, which on this album are early MXPX and Operation Ivy. Brothers Alex and Ryan Levine, their step-brother and drummer Zach Staggers, and guitarist Matt Elkin are a sonic force and Blowout is a good time record. Try” Son of An American”, “Lost Weekend” and “Wrecking Ball.”

Here is the List:

  1. !!! (Chk Chk Chk) – Thr!!!Er [2013]
  2. Airborne Toxic Event – Such Hot Blood [2013
  3. Deerhunter – Monomania [2013]
  4. Iggy and the Stooges – Ready To Die [2013]
  5. Los Campesinos! – A Good Night For A Fistfight [2013]
  6. Mikal Cronin – MCII  [2013]
  7. Savages – Silence Yourself [2CD] [2013]
  8. Sloan – Hardcore [2013]
  9. Titus Andronicus – Record Store Day [2013]
  10. TUSQ – Hailuoto [2013]
  11. Ty Segall – Ty Rex 2 (RSD) [2013]
  12. Vaccines – NME Presents Home Is Where The Start Is Home Demos 2009-2012 [2013]
  13. Youngblood Hawke – Wake Up [2013]
  14. Fitz & The Tantrums – More Than Just a Dream (Deluxe Version) [2013]
  15. Hüsker Dü – Amusement EP (RSD) [2013]
  16. Allison Weiss – Say What You Mean [2013]
  17. Best Coast – Fear My Own Identity (RSD) [2013]
  18. Art Brut – Top of the Pops [2013]
  19. Miles Kane – Don’t Forget Who You Are (iTunes) [2013]
  20. So So Glos – Blowout [2013]
  21. Queens of the Stone Age – …Like Clockwork [2013]
  22. D.O.T. – Diary [2013]
  23. Killing Joke – The Singles Collection 1979-2012 [2013]
  24. Noah and the Whale – Heart of Nowhere [2013]
  25. A Fragile Tomorrow – Be Nice Be Careful [2013]
  26. Ty Segall & Mikal Cronin – Reverse Shark Attack [2013]
  27. Bicycle Thief – Fields [2013]
  28. City Reign – Another Step [2013]
  29. Guided by Voices – English Little League [2013]
  30. Iron & Wine – Ghost on Ghost [2013]
  31. Ladyfinger (ne) – Errant Forms (Promo) [2013]
  32. Ola Podrida – Ghosts Go Blind [2013]
  33. Plain White T’s – Should’ve Gone to Bed EP [2013]
  34. She & Him – Volume 3 [2013]
  35. Sulk – Graceless [2013]
  36. Titus Andronicus – Record Store Day [2013
  37. Weeks – Dear Bo Jackson [2013]
  38. Youngblood Hawke – Wake Up [2013]
  39. Bass Drum of Death – Bass Drum of Death [2013]
  40. Daft Punk – Random Access Memories [2013]
  41. Exsonvaldes – Lights [2013]
  42. Grandchildren – Golden Age [2013
  43. Kisses – Kids in L.A [2013]
  44. Northcote – Northcote [2013]
  45. Primal Scream – More Light [Japanese Deluxe Edition] [2013]
  46. These New Puritans – Field of Reeds [2013]
  47. Vampire Weekend – Modern Vampires Of The City [2013]
  48. Vår – No One Dances Quite Like My Brothers [2013]
  49. Wampire – Curiosity [2013]
  50. Airstrip – Willing [2013]
  51. Atlas Genius – When It Was Now [2013]
  52. Auto Defiance – Running On The Edge (Promo) [2013]

Drop Box Notes May 2, 2013

KurtVileWakinKurt Vile is on a roll. The former The War on Drugs vocalist has found the soft spot in the indie-rock niche where he thrives. What can best be described as “psych-stoner-indie”, Vile’s take, with his band The Violators, on the human condition is obliquely explored on Wakin’ On a Pretty Daze. Vile already was an indie darling as his last release, Smoke Ring for My Halo (2011), received huge critical acclaim and appeared on a number of year end, best of lists, but frankly, Wakin’ On A Pretty Daze is a much better record. It may be Vile’s unique vocals, but the guitar work, which is very reminiscent of early Pavement, shimmers and the meandering country rhythms on this record accentuate the uniqueness of the environment this record occupies in the indie rock world. From the title track, through the lengthy closer “Goldtone” coming at 17:24, this album works because enough space is given for these songs to find a direction without becoming repetitive or boring. You have to work a little bit to get into this one, but the effort will be wellworth the time investment. “Try “Shame Chamber”, “Never Run Away”, and “Snowflakes Are Dancing.”

AfraidOfHeightsalbumcoverOn Afraid of Heights, Nathan Williams who operates as Wavves , collects the best elements only hinted at from his previous three records (which tend to be more pop than rock) and finally puts the pieces together. As garage rock goes, this is superior because the songwriting is so solid. Sure, there are points where the songs are a wee bit lengthy, but it is hard to deny the likeability and power of this record. Some reviewers have taken issue with the Weezer similarities ( best example is found on the second track “Demon To Lean On”, but I like Weezer, so I was already primed and susceptible to the hooks found all over this record. It probably doesn’t help that Williams’ voice does sound a little like Rivers Cuomo, but this is a thoroughly enjoyable record. I sing the woooooos on title track “Afraid of Heights” which is where you should start. Think “Sweater Song (Undone). Try” “Afraid of Heights”, “Beat Me Up” and “Gimme A Knife.”

The_Veils_time_stays_we_go_packshot_800x800With the Veils, you get some pedigree. Finn Andrews, son of XTC/Shriekback keyboardist Barry Andrews, is the center of the band he started in New Zealand in 2002. Better known for Andrews’ captivating stage presence and live shows, this LP, like the Wavves record above, represents the Veils best effort to break into the main stream. Let’s face it, rock is in a tough place in America. This record, record in Laurel Canyon Studios in Los Angeles, is an effort to find a sound that will cross over in England and the colonies who are attuned to an “Americana” type sound. Hence, some of this record feels somewhat contrived lyrically to hone in on what is popular in England. The question really becomes then, does the record work independent of the influence and design? On balance it does. Sure, like a number of records in the drop box, you either like the record because of the particular sound or you don’t. This doesn’t have the feel of the numerous faceless anglo bands, probably because Andrews does have a touch of the Nick Cave in his voice as well as some Gordon Gano (Violent Femmes), which makes for an interesting contrast to some of the delicate songs on this record. Some songs do meander a bit, being more focused on atmospherics than forming a song, but others are aggressive and hi-light the reason why this LP is in the drop box. Try” The Pearl”, “Turn From The Rain” and “Another Night.”

Grapes of Wrath High RoadThe Grapes of Wrath were a band I saw several times when I lived in Vancouver and even in Los Angeles, opening for Guadalcanal Diary at the Roxy in Los Angeles and the Green Door in Montclair in 1988. Although described currently as “folk rock” this is what alternative college rock sounded like at the end of the eighties/early nineties with its jangle pop sound. Formed in Kelowna BC by Chris Hooper, Tom Hooper and Kevin Kane, the band broke up in 1992 but reformed in 2010. High Road represents the original Grapes’ first full length effort in more than 20 years, and it is a thoroughly enjoyable record. Sure, they are a little older and wiser, but the elements that made them great – smooth harmonies and crisp melodies with sing-a-long choruses – are still present.  Amazing! Try” Good To See You”, “Make It Okay” and “Picnic.”

Dawes-Stories-Dont-End-260x260Los Angeles based Dawes, like Grapes of Wrath, also is categorized as folk rock, but the similarities end there. This is the problem with genre assignment. There are bands who are lumped into a genre, but sound nothing alike. These guys sure are not Mumford and Sons, but there are some elements present which justify the categorization. They are certainly not metal. So, where does Dawes fit in the spectrum? I’d say left of something, but also right of something else. I think the first song I heard was the Steely Dan sounding “From A Window Seat” which was enjoyable, and while Steely Dan is generally off-putting to me, I felt there was something else going on, so that I could get around my Steely Dan prejudice (much like my admitted Beatles dislike). It may be that this is 70’s a.m. rock and brings back memories of driving in the car with my mom to school and hearing the Band, Neil Young, The Strawberries, Lighthouse, the Guess Who and Tony Orlando and Dawn on the car radio. Stories Don’t End evokes those same feelings. Try “Most People”, “Hey Lover” and “Bear Witness.”

2013FilthyBoy_SmileThatWontGoDown600G280313Filthy BoyFilthy Boy represents something completely different musically than Dawes. Really different. What makes Smile That Won’t Go Down such an enjoyable listen is that dance rock a la Franz Ferdinand and the first Arctic Monkeys record that has been missing from my life, and this record with its naughty intonation and innuendo (the band is, after all, called Filthy Boy) makes it hard not to be caught up in the overtly sexual overtones such as found on the Jazz Butcher sounding “Waiting On A Doorstep.” As noted by NME “[s]inger Paraic Morrissey has the knack of sounding like he’s casually sparking up a post-coital cigarette” but all in good fun. Morrissey (with his twin brother Tom) capture the genius of absurdity of it all. Great videos as well: http://youtu.be/z-XT6MTIh-E (“Waiting on a Doorstep”). Try also “Naughty Corner”, “Jimmy Jammies” and “Spiral Eyes.”

MBD Bitter Drink MBD Kickstarter CoversI’ve dropped the 6th Murder by Death record and the Kickstarter funded follow up of covers entitled As You Wish: Kickstarter Covers released by the band as a bonus to those who funded the recording of the amazing Bitter Drink, Bitter Moon. Bloomington Indiana’s Murder By Death occupy the same sonic space as the National (whose new record comes out later this month and I will drop it as soon as I get it). Formed in 2000, MBD released Bitter Drink in 2012. What is unusual is the distinct sound of cellist Sarah Ballie brings to the murder ballads which form the bulk of the songs on this record. Tails of greed, lust, frailty, and the struggle of good and evil inform this record. Johnny Cash is not dead as Adam Turla channels the distinctive sound. I loved this record. “Lost River” will move you with its haunting sound and Turla’s passionate vocal. Try” Straight At The Sun”, “Hard World” and the aforementioned “Lost River.”

As for the Kickstarter Covers, these are all songs submitted to the band who perform magic on these songs. Rarely does a band perform cover versions that match the originals but I think you will be surprised by MBD’s take on some very well known songs. Try: “Never Tear Us Apart” (INXS), “Some Kind of Hate” (Misfits), and “Hold On” (Wilson Phillips – You’re going to love This One!)

thethermals Desparate GroundWith Desperate Ground, Portland’s Thermals take only a very a slight deviation than past albums. Sonically, the Thermals are always going to be the Thermals. 10 slices of fast past political slogans jammed full force in your face and ending in 26 minutes. Short and sweet and to the point. The Thermals have never been apologists, and it is unlikely they will start now. The formula works, and if you are a fan of the other three releases More Parts Per Million, Fuckin A and The Body, The Blood, The Machine, then you are going to love this one. A recommendation – don’t give this short shrift. The songs will grow on you as will Hutch Harris’ voice which at first listen is somewhat abrasive. Like the Buzzcocks, the songs are short with the longest track coming in at 3:13. Try “I Go Alone,” “Where I Stand” and “Our Love Survives.”

Sticky Fingers - Caress Your Soul (Cover Art)Earlier this year or late last year, I noted that Australia produces better music than us. Sticky Fingers from Annandale Australia, plays a brand of reggae influenced rock (think Sublime) on their debut, Caress Your Soul. The title hints at what you will find within, with a mixture of rock steady beats and terrific melodies all touched by what can only be described as an Australian Indie sound. This is the sound of Long Beach – a sunny day record with a large amount of charm. I can smell the sensamilla now. Try” Clouds + Cream”, Australian Street” and title track “Caress Your Soul.”

Until, next time…have a blast!

KFR