Tales From The Drop Box 2018-17 (Episode 118)

Let us all take a moment to regain our composure. Things will get better. The playlist I have created for Tales From The Drop Box Episode 118 is calculated to brighten your day! Truly, this episode is mostly filled with sunshine. As you know, there is always a little darkness in these podcasts, but as I hope you will discover, this episode is filled primarily with sunny and bright indie pop and punk pop music. I should also probably note that Episode 118 is also mostly filled with a solid bunch of very new releases including the latest from Idles, Menace Beach and The Primals.

Now, I digress. Rather than weigh in on the clowns chasing their own tails in the current NYT Op-ed administration crisis ( which would be an easy target, unless you already had deduced that General Kelly was the primary author of what is a composite work), I thought this week, I would focus on an issue that may be significantly more consequential to America. The confirmation of Brett Kavanaugh as a justice of the U.S. Supreme Court.

In case you were not keeping track as to the happenings of the inquisition of the candidate for the Supreme Court, I  was particularly taken with one aspect of those hearings. Sure, there is a ton of posturing, and Kavanaugh has revealed little in not answering any questions as to cases that might come before him as a judge. However, one small bit of testimony gave me pause as to whether Judge Brett Kavanaugh is actually qualified to be a justice on the Supreme Court. I think Kavanaugh is willing to disregard facts in reaching decisions which he believes are against his value system. That is, I believe Kavanaugh’s bias interferes with his ability to serve. We all have biases. The problem with Kavanaugh’s bias is that he is willing to create “facts” in order to confirm his bias. i.e. recognize as statement as a fact when no evidence exists supporting that fact.

During his testimony Kavanaugh referred to some forms of birth control as “abortion-inducing drugs.” You might think this statement is relatively innocuous. Certainly not a statement that should disqualify a candidate for the Supreme Court. Regardless of your views on abortion – pro-life or pro-choice, the adoptive use of this phrase reveals a complete disregard for science and fact based inquiry and portends, perhaps, that as a Supreme Court Justice Kavanaugh will decide cases not on fact but on his beliefs. This is dangerous because it requires transforming his opinion as to what he believes to be true into a fact to be relied upon in reaching a decision. There is not one bit of scientific support for his statement that some forms of birth control induce abortions. None.

You can already find stories trying to limit the harm created by Kavanaugh’s use of the term. (See Contraception Confusion: Judge Kavanaugh and Priests for Life.) Although, various commentators are currently engaged in some debate about what precisely Kavanaugh was testifying to at that time he responded with abortion-inducing drugs, the use is consistent with Kavanaugh’s dissenting opinion in the case Priests for Life v. DEPT. OF HEALTH & HUMAN SERV’S, 808 F.3d 1 (2015). The reference was given in response to Ted Cruz’s questions about the case. My impression of his testimony was that he was not discussing it from the litigant’s viewpoint, but rather my impression was that Kavanaugh has adopted the litigation position of Priest’s For Life, a pro life advocacy group who, along with a number of other groups including Catholic hospitals, clinics, universities, schools, and social services, challenged the contraceptive mandate provision of the Affordable Care Act on religious liberty grounds.

Why do I believe my impression is valid? An examination of the case itself lends support that Kavanaugh adopted Priest’s For Life’s position. Kavanaugh, dissenting from the denial of rehearing en banc wrote:

In my respectful view, the panel opinion misapplies the Religious Freedom Restoration Act and contradicts the Supreme Court’s recent decisions in Burwell v. Hobby Lobby Stores, Inc., ___ U.S. ___, 134 S.Ct. 2751, 189 L.Ed.2d 675 (2014), Wheaton College v. Burwell, ___ U.S. ___, 134 S.Ct. 2806, 189 L.Ed.2d 856 (2014), and Little Sisters of the Poor Home for the Aged v. Sebelius, ___ U.S. ___, 134 S.Ct. 1022, 187 L.Ed.2d 867 (2014). I would grant rehearing en banc and rule for the plaintiff religious organizations. (Id. at 14. (emphasis added).)

Kavanagh’s dissent is lengthy and worth the read because his reading of the religious freedom cases cited above weighs very heavily in protecting religious freedom (I believe a good thing) but, if Kavanaugh’s opinion was the law of the land, it would alter the carefully constructed balance between individual rights and a religious organization’s ability to interfere with those individual rights. Further, Kavanaugh wrote that HHS mandate would “substantially burden the religious organizations’ exercise of religion” (i.e. filing a form) and that “requiring the religious organizations to submit this form is not the Government’s least restrictive means of furthering its interest in facilitating access to contraception for the organizations’ employees.” This is where the rubber meets the proverbial road. One way of altering the balance between individual rights and freedom of religion is to impose limits on an individual’s right of access. What has become obvious in the wake of Roe v. Wade, is that for anti-abortion advocates, the best way to limit access to abortions is to impose governmental restrictions making it more difficult to obtain access, such as requiring hallways in clinics to be 8 feet wide (about double the width of a traditional office hallway. See Whole Woman’s Health v. Hellerstedt, 136 S. Ct. 2292 (2016) (striking down primarily two portions of Texas HB-2 (1) the “admitting privileges requirement” provides that a “physician performing or inducing an abortion … must, on the date [of service], have active admitting privileges at a hospital … located not further than 30 miles from the” abortion facility and (2) the “surgical-center requirement” requires an “abortion facility” to meet the “minimum standards … for ambulatory surgical centers” under Texas law).

The erosion of various individual rights is perhaps is a discussion left best for another day. In the context of this post, Kavanaugh’s use of the phrase “abortion-inducing drugs” represents Kavanaugh’s shorthand for a position he has already adopted, i.e. a belief that there are forms of contraception that induce abortions. This is a reiteration of a pro-life belief that a fertilized egg is a person and that disrupting a fertilized egg’s ability to attach to the uterus is abortion which is “the moral equivalent of homicide.”

This “belief” has no scientific support. None. Kavanaugh’s adoption of the phrase is troubling because it represents an uniformed view of how birth control operates to prevent pregnancy and more distressingly is further stated as a “fact.” The law depends on actual facts and if a “belief” is declared a fact, then Kavanaugh should not be confirmed as a Supreme Court justice, because a holder of this lifetime appointment should not be able to create facts from his beliefs to decide cases and controversies.

Whether you are pro-life or pro-choice, America needs judges who rely on facts not on alternate facts. We have Trump to rely upon for those already.

Here is what you’ll find in Episode #118:

  1. Best Coast – “When I’m With You” (Best Kids)
  2. Big Mouthers – “Stupid War” (Wishes)
  3. Fourbanger – “Get Back Up” (Never Let Go)
  4. Me & Marie – “Sad Song To Dance” (Double Purpose)
  5. The Over Unders – “ One Fine Day” (One Fine Day)
  6. Vacationer – “Magnetism” (Mindset)
  7. Chistophe Deschamps – “This Is Time For Love” (Flower Power)
  8. Railway Gamblers – “Save Me” (Lover)
  9. Menace Beach – “Mutator” (Black Rainbow Sound)
  10. Idles – “I’m Scum” (Joy As An Act of Resistance)
  11. The Primals – “Dead Predators” (All Love Is True Love)
  12. Woolen Men – “Shadowline” (Post)
  13. Mowgli’s – “I Feel Good About This” (I Was Starting To Wonder)
  14. The Jags – “Back Of My Hand” ( Back of My Hand b/w Double Vision 7’’)
  15. Bad Moves – “One Thing” (Tell No One)

The world is lazy but you and me we’re just crazy so when I’m with you, I have fun … you’re not unreadable, you’re not unbeatable, I know just what you are, don’t push your luck too far you’re not untouchable, not just another girl

KFR

Tales From The Drop Box 2018-16 (Episode 117)

Hopefully you enjoyed your long weekend. I am just getting back from 5 days in Las Vegas attending a legal convention where I had a chance to ponder why I still practice law when I would rather produce episodes of this podcast. I selected the songs for Tales From The Drop Box Episode 117 while listening to a seminar on harassment cases. The topic itself was compelling and a rather serious subject concerning the introduction of #MeToo evidence, i.e. the introduction of other similar incidents as evidence of a pattern or practice of sexual harassment. However, the speaker left me cold and consequently, I looked for a diversion, and you – my faithful listeners – are the beneficiary of that diversion.

Episode 117 is fifteen catchy tracks covering the gambit of the rock pantheon. Okay, not really. The episode is mostly a selection of catchy indie pop and rock, with some punk rock at the end.  And it has a Pavement classic track. That is just how it all worked out by the end of the seminar. A good analogy is that you are getting the sweetness of desert at the beginning, and the meat and potatoes at the end. In short, the perfect way to eat a meal.  I start with a few tracks that I have had kicking about (and playing repeatedly) from April and May of this year but add a couple of new tracks such as the latest from Interpol, Murder By Death, and Personality Cult. In short, your usual solid lineup of music from the fringe.

Here is what you’ll find in Episode #117:

  1. Say Sue Me – “Old Town (Radio Edit)” (Where We Were Together)
  2. Peace – “Power” (Kindness is the New Rock and Roll)
  3. Belly – “Stars Align” (Dove)
  4. The Lulu Raes – “Slow Ride” (Lulu)
  5. Lady Legs – “Bottomless Pit” (Holy Heatwave)
  6. X-Wife – “Monday Tuesday” (X-Wife)
  7. Personality Cult – Brazen” (Personality Cult)
  8. Murder By Death – “New Old City” (The Other Shore)
  9. Interpol – “Complication” (Marauder)
  10. Lydia – “Tourist” (Liquor)
  11. Exit – “See You Around” (Too Little, Too Late)
  12. Turnstile – “Generator” (Time & Space)
  13. The Longest Hall – “Punch A Nazi In The Face” (Don’t Panic!)
  14. Pavement – “Summer Babe (7” version)” (Slanted & Enchanted: Luxe & Redux)
  15. Black Lilys – “Dust of You” (Boxes)

And she’s eating her fingers like they’re just another meal and she waits there in the levee wash mixing cocktails with a plastic-tipped cigar . . . Hey, wake up and smell the lavender of my flower power, technicolor massacre just rolled into your ends dismembered all your friends…

KFR

Just For Fun Concerts EP 2018-09 (Episode 110)

I am back with a new episode after a short break as the regular day job is keeping my pretty busy. However, I have also spent some quality time listening to new music. This episode should satisfy both regular listeners and any new listeners who might stumble upon this episode at some point with about an hour to spare listening to some terrific tunes. This episode is pretty pastoral and as you can probably tell from the track list below there is nothing related to Trump-Stormy-Syria-Cohen or politics. There is also one track by Liam Gallagher, former singer from Oasis who put out surprisingly excellent album towards the end of last year. There is one song that has the F-word in the title and several uses in the song, but I believe at this point in our democracy, nothing is shocking (Jane’s Addiction reference!)

Tales From The Drop Box Episode 110 is a mellow but truly sweet and the tracks cover a broader musical range – collecting a few tracks from last year with some newish released tracks. Every once in a while, throwing a change-up to the lineup is good. A couple of gems in here for sure. I had never heard the Archive track before and it is from an album that originally came out in 2004. The throwback isn’t really from that far back either as Anti-Flag released “We’ve Got His Gun” on the first A-F Records LP back in 1998.

So, sit back, crank it up, and enjoy …. until we meet again.

Here is what you’ll find in Episode #110:

  1. Soccer Mommy – “Last Girl” (Clean)
  2. Splashh – “Closer” (Waiting A Lifetime)
  3. Pale Lights – “Mother Cries” (The Stars Seemed Brighter)
  4. Vundabar – “Acetone” (Smell Smoke)
  5. Young Statues – “Redmouth” (Amarillo)
  6. Lost Film – “I Forget” (Broken Spectre)
  7. Liam Gallagher – “I Never Wanna Be like You” (As You Were)
  8. Archive – “Fuck U” (Noise)
  9. Dirty Fences – “Blue Screen” (Goodbye Love)
  10. Hurry – “Read Between The Lines” (Every Little Thought)
  11. Frigs – “Chest” (Basic Behavior)
  12. Voidz – “Pyramid Of Bones” (Virtue)
  13. Stephen Clair And The Pushbacks – “Typing Tipsy” (Push Back)
  14. Anti-Flag – “We’ve Got His Gun” (The System Doesn’t Work For You)
  15. Blush – “Baby Don’t Blush” (Blush)

Dad keeps a gun in the drawer in his room my best friend is coming over to play
yeah yeah we’ve got his gun . . . There’s a look on your face I would like to knock out see the sin in your grin and the shape of your mouth all I want is to see you in terrible pain . . .

KFR

December 09 2012 Drop Box Notes

12.09.12

As the end of the year approaches, I have decided to clean up some things I missed along the way this past year. So, this month’s offerings include some albums from as early as January that were either missed, ignored, or re-discovered (Chairlift, Empires, Delorentos, and Django Django, all come to mind) as well as some new releases, and some that are still awaiting release (Yo La Tengo doesn’t come out until January 15, 2013). At the end of the month, I’ll drop into the box a playlist full of what I thought were the best songs of 2012 and my picks for best albums of the past year. If you’ve been keeping up with the drop box, you’ll find that you have most of the albums that will appear on a large number of best of the year lists including Pitchfork, Stereogum, and Consequence of Sound. If there is something you missed, feel free to drop me a note, and I’ll add it to the box.

First up is a reissue. Old 97s reissue Too Far To Care the band’s 3rd record after 15 years was not only their major label debut but demonstrated the band at the peak of its powers effortlessly blending country and rock into a potent mixture. Punks loved this band because the tempos were in synch with the punk ethos, and they were already familiar with other attempts to find the balance between punk and country in the form of Rank and File, Beat Farmers, and KD Lang and the Reclines. Check out “Timebomb” a masterpiece in the genre. This is a 2 CD effort with the first CD the original album plus a couple of rare outtakes and a promo. The second CD, They Made A Monster: The Too Far to Care Demos features 11 previously unissued demo recordings from the original album sessions. Try “Timebomb,” “Just like California” and “House That Used To Be.”

Freemantle, West Australia’s four piece indie pop-stars, San Cisco are huge in Australia, so they are not huge in the U.S. ( I have no idea about Canada J). They should be massive, but in the glut of new music, and the new regionalism that is developing, they have largely been ignored state side. I hope that will change, because these are catchy, enjoyable sing-a-long songs with some great hooks. This is their debut album, but the disc includes the EP with the killer song “Awkward” featuring the boy-girl vocals of lead singer Jordi Davieson and drummer Scarlett Stevens. (Check out the great old school video: http://www.youtube.com/watch?v=ukNOaKeUEQY ) This is quickly becoming one of my favorite albums of the year: Try also “Rocket Ship”, Wild Things” and “Stella.”

Los Angeles’ Allah-Las (get it?) play better than there weak ass name. On their self titled debut, Allah-Las is essentially a 60s California beach garage psychedelic sound played through a modern lens, and frankly, for a couple of record store clerks from LA’s best music store “Amoeba” the music is like the fabulous Fleshtones, balancing the two major influences. Think small smoky bar at the end of the 1960s with the Doors as the headliner. You’ll get the feel. Try “ Busman’s Holiday” (http://youtu.be/IpRh5bChBSM ), “Tell Me (What’s On Your Mind) (http://youtu.be/fiJYecS0vU0 ) and “No Voodoo.”

 As you might have guessed, Canadian music hold a special place in my heart (April Wine, Triumph, Moxy, Prism and Trooper – the 70’s were awesome!). What I find most interesting is the creativity of bands coming out of the great white north. A prime example is Toronto’s Crystal Castles who on III capture the feel of the city in the winter. Ethan Kath met Alice Glass are the perfect duo with Ethan producing the tracks and Alice’s creepy ethereal vocals laid over the top. This is video game melancholic music but rewarding when you are in the mood. There is really nothing like this out there commercially and Crystal Castles occupies a unique niche in the indie world. Well worth the exploration. Try “Plague” (http://youtu.be/JxVm2_ojQtk ), “Affection” (http://youtu.be/JCVPB6eMN4I ) and “Child I Will Hurt You.

In a similar vein Vancouver vocalist Claire Boucher who records under the name Grimes, has produced a record that will likely end up on a number of top 10 list this year. Visions is an electro-pop record for lack of a better description and is filled with a vast array of styles and influences and words do not adequately describe what is going on. This should make sense as she is much smarter than me, having studied Russian literature and neuroscience at McGill. This is a very satisfying record, full of very interesting song structures. Try” Genesis” (http://youtu.be/1FH-q0I1fJY ) “Oblivion” (http://vimeo.com/38987284 ) and “Visiting Statue.”

Brooklyn’s Chairlift is one of the albums I missed earlier this year. I’m not sure why, because this is the 80s synth-pop that I loved growing up when I was a kid. Recall New Musik or perhaps the Reels? Probably not. So check them both out. Here is New Musik’s “Straight Lines”: http://youtu.be/9Ysr0A14o24 ) ( I had no idea these guys looked like this!!!); and here is the Reels doing “Love Will Find A Way” (http://youtu.be/FTp0Cf2k_7E) (from 1979 – love these outfits!). Anyway, as synth-pop finds its way into the mainstream consciousness, Chairlift are on a roll. “Bruises” from 2008’s Does You Inspire You? launched the band as also launch the 4th generation iPod Nano to the world. Fast forward to 2012 and in January, Something is released with more of the extremely pleasant pop. Try “ Met Before” (http://youtu.be/atKuhrPnLq8 ), “Amanaemonesia” (http://youtu.be/98XRKr19jIE ) and “I Belong In Your Arms” (http://youtu.be/3e8Ql9qFA2o ).

Adelaide, South Australia’s Atlas Genius debut record was released in Australia in January, but didn’t find its way to these shores until June 2012 where Through The Glass was released as an EP. With a clean indie pop sound these songs should be a hit with the young hipster crowd. Try “Trojans” (http://youtu.be/Sd2yr12abg8 ), “Back Seat” (http://youtu.be/PeAUf-VeXbE ) and “Symptoms.” ( Really there are only 4 songs on the EP and one of them is the acoustic version of Trojans. You’ll like ‘em all J).

Sticking with the EP pattern, Birds of Tokyo released This Fire earlier this year and while I missed it the first time around, this is also a gem and also from Australia. From Perth, this EP was released domestically in October, but has been available in Australia for more than a year. They are recording their 4th album March Fires which is due out in March 2013. For now, this will have to do. The music is in the same vein as Carolina Liar and Augustana.  Try “This Fire”(http://youtu.be/sSpwcAvoo2o ), “Glowing in the Streets”, and “Boy”.

Sweden’s 1000 Gram are an enigma. Stepping away from the fervent rock n’ roll emanating from this part of the world, 1000 Gram occupy an entirely different niche possibly because the band (comprised of Germans and Swedes) have fought hard to find middle ground for their electro-acoustic indie music. This is a singer-songwriter type record with sweeping melodies and some Strokes influences, particularly on “Cut Me Some Slack.” Try: “Come Back To Me,” “That’s How We Love” and “We Ain’t Waiting.”

Since we are already talking about Europe (having moved on from Australia) it is just a short distance from Sweden to Denmark, where we find the Blue Van channeling 60s soul music through its hip filter. Would You Change Your Life?  is the 5th album from this band which has toured the U.S. continuously throughout their existence and have even played Austin City Limits. This album rocks and you will find yourself singing along at various points. This would be a great band to see live. Think Hives as a soul band.  (Just a note – the Blue Van is derived from “Den blå varevogn” which is what we would call the “short bus” in America). Try “Would You Change Your Life?” “Wake The Tiger” and “Tightrope.”

West Yorkshire’s Above Them, 2nd LP Are We A Danger To Ourselves hints at what is quickly becoming a resurgence of punk rock as a viable form of music. I put this in the drop box last month, but removed it to make space, so here you are again! In the past year there have been several spectacular punk rock records dropped into this box ( Mezingers, Static Jacks etc.), and this is the first of three such great punk records this month alone (including Hostage Calm and After The Fall reviewed below). For those who follow this genre and its various subgenres (of which there are a great many) the past couple of years have been a little flat, but things are starting to come around. This falls into the Rise Against type of punk rock. Straight forward lyrically, this is melodic punk rock without the political bent. Try “Temper Like A Hand Grenade,” “Giving Up On Sorrow” and “Something To Keep You Positive.”

Hostage Calm extend the pop-punk genre a little bit bringing a mixture of punk rock and hardcore to Please Remain Calm which is the Connecticut bands second full length. This is Ultimate Fakebook type territory: Melodic punk pop with the catchy bits in all the right places. Try” Brokenheartland”, “Don’t Die On Me Now” and the amazing “May Love Prevail” (with its throwback 60’s sound!).

After The Fall bring something different to the punk rock mix. Heading back to Australia, where the band is from, they have incorporated the rhythms of their forefathers, the Saints and Hoodoo Gurus, to capture the power of the fertile rock scene and update it for the second decade of the 2000’s. There is a hint of Nirvana in these tunes, and that possibly may be from the vocals of Ben Windsor which are forceful and energetic, particularly on “Nothing But Black.” Bittersweet is the band’s fourth album and the growth of the band is clearly evident particularly on “The Fire Is Gone” which should be a hit anywhere. So, in three albums this month, I’ve covered but a few of the punk genre’s range, so if you never thought to give punk rock a try, maybe now is the time. Try “The Fire Is Gone,” “Bittersweet,” and “Dirty Sheets.”

I’ve liked all the prior Classic Crime records, so it is not surprising that I would like the new LP, Phoenix. This Seattle based band formed in 2004 and released their first three records on Tooth and Nail, so there was no shortage of distribution. Phoenix is a Kickstarter financed record as the band left the label. Phoenix continues the Classic Crime sound falling somewhere between rock and hardcore. At its heart, the band’s sound is melodic rock with big choruses. Rather simple I’d say. Try” Beautiful Darkside”, “What I’d Give Up” and “You And Me Both.”

Titus Andronicus have appeared in the drop box recently as I dropped the new release, Local Business and the bands first record The Monitor last month. However, what I neglected to drop was a mix tape put out by the band in March of this year that streamed free for a week. Well, for those who missed it, here it is in all its glory. The Mix tape will give you some idea of the bands influence, which is in the alt-rock sweet spot: Thin Lizzy, Bobby Fuller, Weezer, Replacements etc. Full track list here: http://consequenceofsound.net/2012/03/download-titus-andronicus-llc-mixtape-vol-1/

  Try: “Treatment Bound (Replacements cover)”, Heroin (Velvet Underground cover”) and “Undone [The Sweater Song] (Weezer cover).”

 If Joy Division and T-Rex had a love child, Empires would be that band. On Garage Hymns you get just that – an LP full of garage rock hymns. Although this is only the second lp from Chicago’s Empires, the songs are fully realized traversing territory similar to the National, but this is definitely more up tempo and anthemic. From the opener “Can’t Steal Your Heart Away” to closer “Lord Have Mercy” this is a breathtaking and spectacular record that sounds amazing. You will not be disappointed. Try “Hell’s Heroes” “Shame” and “We Lost Magic.”

Until next time, here is this month’s list:

1000 GramKen Sent Me [2012]

Above ThemAre We A Danger To Ourselves [2012]

After The FallBittersweet [2012]

Allah-LasAllah-Las [2012]

Alt-J – An Awesome Wave [Deluxe Version] [2012]

Atlas GeniusThrough The Glass [2012]

Birds Of TokyoThis Fire EP [2012]

Blue Van Would You Change Your Life [2012]

Chairlift – Something [2012]

Classic Crime Phoenix [2012]

Concrete KnivesBe Your Own King [2012]

Crystal Castles(III) [2012]

Dash Rip Rock Black Liquor [2012]

Delorentos Little Sparks [2012]

Django DjangoDjango Django [2012]

EmpiresGarage Hymns [2012]

Evens – The Odds [2012]

Ex-CultEx-Cult [2012]

FoxygenIntroducing Foxygen (Promo) [2012]

Green DayTre! [2012]

GrimesVisions (Deluxe Bonus Edition) [3CD] [2012]

Grizzly Bear Shields [2012]

GuardsIn Guards We Trust (Advance) [2013]

Hope And Social – All Our Dancing Days [2012]

Hostage CalmPlease Remain Calm [2012]

Jellyfish Stack-A-Tracks [2012]

Kate NashDeath Proof EP [2012]

King TuffKing Tuff [2012]

Knife & ForkThe Higher You Get, the Rarer the Vegetation [2012]

Nations AfireThe Ghosts We Will Become [2012]

New Bruises – Chock Full Of Misery [2012]

Of Monsters and MenMy Head Is An Animal [2012]

Old 97’sToo Far to Care [15th Anniversary Edition] [2012]

Organ ThievesSomewhere Between Free Men And Slaves [2012]

PolicaGive You The Ghost [2012]

Retrospective Soundtrack PlayersThe Catcher In The Rye (Advance) [2012]

San CiscoSan Cisco [2012]

Sharon Van EttenTramp [2012]

TennisYoung & Old [2012]

The 1975Sex [2012]

The Babies – Our House on the Hill [2012]

Titus AndronicusTitus Andronicus LLC Mixtape Vol. 1 [2012]

WalkmenHeaven [2012]

Yo La TengoFade [2013]

November 11 2012 List Update 1

11.11.12 Part 1

 Part 1 of a two part post. I know that most of you read these in blog order, i.e. reverse chronological, but for those who asked, here is a list of the albums that have appeared over the last couple of months, so if you missed them, you can check here. I get it – lists are quicker – so think of this list as an index to the year, and you can search the notes by name and get a quick idea of what the album is going to sound like and some background. Also, in case you haven’t noticed, a large number of these records show up on Consequences of Sound, Pitchfork and Stereogum, so you can always get information (and videos) from those sources as well. With those caveats, here are the lists by date posted:

11.11.12

Above ThemAre We A Danger To Ourselves [2012]

Alcoholic Faith Mission Ask Me This [2012]

American Aquarium Burn.Flicker.Die [2012]

Anberlin Vital (iTunes Bonus Track Version) [2012]

Benjamin GibbardFormer Lives [2012]

Beth Orton – Sugaring Season (Deluxe Edition) [2CD] [2012]

Blue VanWould You Change Your Life [2012]

Dirty ProjectorsAbout to Die EP  [2012]

EpiloguesCinematics [2012]

Further Seems Forever Penny Black (Repack) [2012]

Gaslight AnthemHere Comes My Man EP [2012]

Green Day ¡Dos! [2012]

Hooded FangTosta Mista [2012]

Ian MccullochLiverpool Cathedral Live [2012]

Jake BuggJake Bugg [2012]

Jets Overhead Boredom And Joy [2012]

Jungle Giants – She’s A Riot [2012]

Last Day Before HolidayThe Way Out [2012]

Life In FilmNeedles And Pins EP [2012]

Lilly Wood And The Prick The Fight [2012]

Lions Among UsThe Unfailing Answer EP [2012]

Mac Demarco 2 [2012]

Mazes Mazes Blazes [2012]

Modern SuperstitionsModern Superstitions [2012]

Murder By DeathBitter Drink Bitter Moon [2012]

MusgravesYou That Way I This Way (Advance) [2012]

Naomi PunkThe Feeling [2012]

Nations AfireThe Ghosts We Will Become [2012]

Nevermind the Name A Gaze into the Abyss [2011]

Nine Black AlpsSirens [2012]

Noonie BaoI Am Noonie Bao [2012]

Ringo DeathStarrMauve [2012]

Set It OffCinematics [2012]

So Many WizardsWarm Nothing [2012]

Soft Moon – Zeros [2012]

Something For KateLeave Your Soul To Science [Deluxe Edition] [2012]

SoundgardenKing Animal [Deluxe Edition] [2012]

State RadioRabbit Inn Rebellion [2012]

Sugar ArmySummertime Heavy [2012]

Tes Elations Tes Elations [2012]

The CadsLessons Illustrated [2012]

The Tragically HipNow For Plan A [2012]

Titus AndronicusThe Monitor [192][2010]

Trail Of The DeadLost Songs [2012]

Twang – 10-20 [2012]

Walking PapersWalking Papers [2012]

We Show Up On RadarSadness Defeated (Advance) [2012]

Wedding PresentLive 1991 [2012]

Whigs – Enjoy the Company [2012]

XXThe XX [2009]

10.16.12

AC NewmanShut Down The Streets [2012]

Bat For LashesThe Haunted Man [2012]

BlondsThe Bad Ones [2012]

CryptsCrypts [2012]

Cult of YouthLove Will Prevail [2012]

Danko JonesRock and Roll Is Black and Blue [2012]

Dark Dark DarkWho Needs Who [2012]

Dead Bunny The Truth is A Fucking Liar [2012]

Dead Rat OrchestraThe Guga Hunters of Ness [2012]

Die! Die! Die! Harmony [2012]

ErrorsNew Relics [2012]

Green Day – Uno! [2012]

I Was A Teenage Satan WorshipperThere [2012]

Joe Strummer & The MescalerosThe Hellcat Years [2012]

KissDestroyer (Resurrected) (2012, Web) [AAC] [2012]

Maine – Pioneer And Good Love (Deluxe Edition) [2012]

MetzMetz [2012]

New Electric Sound – The New Electric Sound [2012]

Patterson HoodHeat Lightning Rumbles In The Distance [2012]

Rival SonsHead Down [2012]

Sex PistolsThe Great Rock ‘n’ Roll Swindle (Remastered) [2012]

Sic Alps – Sic Alps [2012]

Soft Pack – Strapped [2012]

St. AugustineSoldiers [2012]

Stars The North [2012]

SwansThe Seer [2CD] [2012]

Tame ImpalaLonerism (Rough Trade Bonus Edition) [2CD][2012]

Teen Daze – The Inner Mansions [2012]

Title FightFloral Green [2012]

Titus AndronicusLocal Business [2012]

Ty SegallTwins [2012]

Walk The MoonWalk The Moon [2012]

White StripesLive at The Gold Dollar [2012]

WilcoRoadcase 008 [2012]

09.16.12

Alberta CrossSongs Of Patience [2012]

Amanda Palmer & The Grand Theft OrchestraTheatre is Evil (Deluxe Edition) [2CD][2012]

Animal CollectiveCentipede Hz [2012]

Ariel PinkMature Themes [2012]

Band of Horses Mirage Rock [Deluxe Edition] [2CD][2012]

Ben Folds FiveThe Sound of the Life of the Mind [2012]

Billy TalentDead Silence (iTunes Edition) [2012]

Blasters Fun on Saturday Night [2012]

Bob MouldSilver Age [2012]

CalexicoAlgiers [2012]

David Byrne & St. Vincent Love This Giant [2012]

Death By Unga BungaThe Kids Are Up To No Good [2012]

Divine FitsA Thing Called Divine Fits [2012]

Early November – In Currents [2012]

Elvis Costello – The Return Of The Spectacular Spinning Songbook [2012]

Flobots The Circle In The Square [2012]

Future Of The Left The Plot Against Common Sense [2012]

Gallon DrunkThe Road Gets Darker from Here [2012]

Gallows Gallows [2012]

Get Well Soon The Scarlet Beast O’Seven Heads [2012]

Get Well Soon The Scarlet Beast O’Seven Heads [Bonus Disc] [2012]

Gold MotelGold Motel [2012]

Grizzly BearShields [2012]

Hunting Grounds In Hindsight [2012]

KillersBattle Born [Deluxe Edition] (iTunes) [2012]

MastersonsBirds Fly South [2012]

NOFXSelf Entitled [2012]

NoisettesContact [2012]

Owl CityThe Midsummer Station [2012]

Patterson Hood Heat Lightning Rumbles In The Distance [2012]

Raconteurs – “Open Your Eyes”  bw “You Make a Fool Out of Me” [7 ”] [2012]

Raveonettes Observator [2012]

Saint MotelVoyeur [2012]

Script #3 [2012]

SharksNo Gods [2012]

Sugar Copper Blue – Beaster (Deluxe Edition) [3CD] [2012]

SugarFile Under Easy Listening (Deluxe Edition) [2CD] [2012]

Tender TrapTen Songs About Girls [2012]

08.18.12

Alabama ShakesBoys & Girls [iTunes Edition] [2012]

Alex WinstonKing Con [2012]

Audience Hearts [2012]

Berserk BastardsSailing Away [2012]

Bloc PartyFour [Deluxe Edition] [2012]

BlurParklive (iTunes) [2012]

Crookes Hold Fast [2012]

D.O.A.We Come in Peace [2012]

DarlingtonsDecades Dance [2012]

Dirty ProjectorsSwing Lo Magellan [2012]

DowsingIt’s Still Pretty Terrible [2012]

Dropkick Paper Trails [2012]

DustedTotal Dust [2012]

Family BandGrace & Lies [2012]

Gaslight AnthemHandwritten [Deluxe Edition] [2012]

Grace Potter And The NocturnalsThe Lion The Beast The Beat (Deluxe Edition) [2012]

Henry Clay PeopleTwenty-Five For The Rest Of Our Lives [2012]

Hot PandaGo Outside [2012]

HotlinesThe Hotlines [2012]

JEFF The Brotherhood – Hypnotic Nights [2012]

Jukebox The GhostSafe Travels [2012]

Lightships Fear And Doubt [2012]

Local Resident FailureA Breath Of Stale Air [2012]

Lost In the TreesA Church That Fits Our Needs [2012]

LumineersThe Lumineers [2012]

Make Do And MendEverything You Ever Loved [2012]

Marcy PlaygroundLunch, Recess and Detention [2012]

Margot & The Nuclear So And So’sRot Gut, Domestic [2012]

MixtapesEven On The Worst Nights [2012]

Newton FaulknerWrite It on Your Skin [2012]

Passion PitGossamer [2012]

Peggy SuePeggy Sue Play the Songs of Scorpio Rising [2012]

Purity RingShrines [2012]

Pussy RiotPussy Riot [2012]

Redd Kross – Researching the Blues [2012]

Rocket Summer Life Will Write The Words [2012]

Runner RunnerRunner Runner [Japanese Edition] [2012]

SebadohSecret EP [2012]

Secret ColoursEP3 [2012]

ShoesIgnition [2012]

SkydiggersNorthern Shore [2012]

Slug GutsPlayin’ in Time with the Deadbeat [2012]

St. AugustineSoldiers [2012]

Susanna HoffsSomeday [2012]

The SpitfiresSongs From The Debt Generation [2012]

ToadiesPlay Rock Music [2012]

TurboweekendFault Lines [2012]

Two Door Cinema ClubBeacon [2012]

VaccinesCome Of Age [2012]

VaccinesNo Hope EP [2012]

VaccinesPlease, Please Do Not Disturb EP [2012]

ViewCheeky for a Reason [2012]

White ArrowsDry Land Is Not A Myth [2012]

White WiresWWIII [2012]

Wild NothingNocturne [2012]

Work DrugsAbsolute Bearing [2012]

XXAngels (Single) [2012]

XX – Coexist [2012]

October 14 2012 Drop Box Notes

10.14.12

October. Oops, ROCKtober is going to be a great month. Every year, in case you are keeping track, labels release their biggest albums in advance of the Xmas rush. I am not sure exactly what this means in the musical landscape as it currently exists, but from my perspective, there is an amazing amount of terrific, and very diverse new music coming your way in the next couple of months. In case you are keeping track, each month there is approximately 1 DVDs worth of music, which I’m finding is about the right amount to keep track of ( since I play DVDs in my car).

Also, in case anyone is keeping track, a few of last month’s releases didn’t make the drop box so you will find them in the next couple of drops. Also, while I try to make a note of everything, I find I’m running out of the time I’ve allotted for this project, so, some of these you’ll have to discover on your own as I’ve not put in any notes for those releases. For example, I mention that it would be a tragedy if you didn’t take time to try out the Noisettes record, Contact from last month. (Eve, this was the one I was telling you about!). Contact is the band’s third album, and is another pop gem. I am not really sure why they are almost universally overlooked, even though their last record went gold, but perhaps they don’t look like a conventional band. For whatever reason, this is poppy, hook-laden shiny pop music, not too deep…but why care. Some music should be the stuff that makes you want to shake your hips and not too think too hard. Singer Shingai Shoniwa has a special voice and that is precisely why this is worth a listen. To be clear I am not comparing the Noisettes to the disposable pop acts out there today with overtly retarded lyrics – think Carly Rae Jepson, Call Me Maybe and this sample lyric: Before you came into my life I missed you so bad I missed you so bad I missed you so, so bad .. Are you serious, she missed him before she met him? You get the idea. The lyrics on some of the songs on Contact are sometimes “off” but this is an enjoyable record. If you are not hooked by “That Girl” then you have no pop soul. This is an early 60’s girl group homage updated for 2012. Amazing.

Anyway, on to this month’s releases:

Joe Strummer & The Mescalaros – The Hellcat Years. Joe Strummer, who as leader of the mighty Clash brought punk rock to the masses, and passed away on December 22, 2002 far too young, finally with the Mescalaros was able to achieve the balance he struggled with in the Clash to bring his passion for reggae music to a rock crowd. Post Clash, Joe was still following his muse mixing punk rock passion with reggae and dub sounds into a unique vision that will likely never be repeated. This box is a digital compilation consisting of all three of the Mescaleros-era albums, plus newly released live material and rare B-sides. So, if you missed the records the first time – no worries. Of the three records, I like Streetcore the best, but have over time come to love both  Global A Go-Go  and Rock Art and the X-Ray Style. Also included are some amazing b-sides and a very cool live show with Joe and the band playing the Clash’s greatest hits. I think you’ll find that these three albums fit somewhere in the middle of London Calling and Sandanista – a true blend by a man with a unique vision. Try “Redemption Song” ( Bob Marley cover), “Coma Girl” and “ White Man in Hammersmith Palais.”

Carl Newman ( who goes by the name AC Newman) was a member of Superconductor and Zumpano in the 1990s later reemerging as the leader of The New Pornographers in 2000 and finding commercial success. On Shut Down the Streets, his third solo release, Newman finally has arrived at the perfect balance between all of his prior bands. This is a beautifully wrought record which Newman describes as follows:

Here is my album, Shut Down The Streets. Maybe you know me from The New Pornographers, and you may recognize Neko Case’s voice in these songs, you may even think “This one sounds so much like a New Pornographers song” and you may ask yourself “Who the hell are the New Pornographers?” All that aside, this album is all about birth, death, happiness and sadness, chronicling a time in my life where all those things had to learn to coexist side by side. There was that and a sudden obsession with the song “Baker Street” by Gerry Rafferty. That led to an obsession with the psychedelic sounds of the late 70s singer songwriter. So my most personal songs ever somehow made the most sense when I played them in a mutated version of an outdated style from my childhood. That’s just how things go.

I was blown away by the power and warmth on this record. These are beautiful well written songs which will connect with you. Definitely a late night after the party record, sounds amazing in the car. Try “I’m Not Talking,” “They Should Have Shut Down the Streets, and “Encyclopedia of Classic Takedowns.”

On the Haunted Man, Bat For Lashes pick right up where they left off last time. Haunted Man is British singer, songwriter and multi-instrumentalist Natasha Khan’s third record and the ethereal quality to her voice and the songs contained here, are indeed “haunting.” If you listen carefully, you will hear elements of other distinctly British chanteuses who have traversed some of this ground ( Kate Bush & PJ Harvey instantly come to mind) but there is something special about Khan’s take on this gothic dream pop, something that captures you instantly and transports you instantly. Try” Laura,” “Lillies” and “The Haunted Man.”

Blonds, The Bad Ones is a retro take at the torch song ballad, and with the duo Jordy Asher and singer Cari Rae (from Brooklyn) capturing the balance between the early 60’s soul singer and 90s shoe gaze pop. For example “Heartstrings” has a “girl group” feel but there is something about Rae’s phrasing that takes this song into distinctly new territory. This is a unique pop record, with a great retro feel, plenty of well placed reverb. These are slow paced songs, more likely to be felt than merely experienced by listening. Think Torch Ballad with an indie pop feel. Try “Run”, “Mr. E” and “Locomotion.”

A new project from ex – These Arms are Snakes, front man Steve Snere, Crypts, sounds exactly what the Crypts name conjures: a cross between Revolting Cocks, Ministry, and the grave. While I don’t recommend this as a “play through the entire record type album” the music is strangely affecting with its mix of sci-fi electronica and filtered vocals. A strange and depressing record, but a worthwhile addition if you are interested in exploring new territory. Try “Territories,” “Completely Fucked” and “Bloods.”

Remember the Stranglers and their original vocalist Hugh Cornwell? I do. Why am I mentioning this connection with the new Cult of Youth record Love Will Prevail? Well, Sean Ragon, the former Love is Laughter bassist, sound strangely like Hugh and this record, touches some of the Stranglers less aggressive areas and caught me a bit off guard. These acoustic tinged folk-punk songs are aggressive and like a smoldering fire, build into something that is deeply affecting. Really, I was kind of blindsided by this record. “Try “Garden of Delights” New Old Ways” and “Golden Age.”

Never thought you’d see a folk band in the drop box list did you? I didn’t think so either, but there have been hints in the past that I’ve become more reflective over time. Remember First Aid Kit? Well, Dark Dark Dark is one of those folk bands worth a listen. On Who Needs Who that band effortlessly mixes a dizzying array of sounds into songs that highlight the pitch perfect vocals of Nona Marie Invie who breathes life into these captivating songs. Who would have thought something as unique as this would hail from Minneapolis, Minnesota? Well perhaps the home of Prince, Replacements and Husker Du has space for truly beautiful indie pop. Who knew? Try “Tell Me,” “Patsy Cline” and ‘It’s A Secret.”

For me, Toronto’s Danko Jones is the model of consistency and over the span of 8 albums have established themselves as perhaps the greatest pop-metal bands in the world. Yup, I said it – the world. On Rock and Roll is Black and Blue, Danko Jones continues its tradition of straight-forward male team themed (See “Get Up”)  melodic punk infused metal with choruses so big and catchy that you can’t help but sing along. Lyrically every Danko Jones album, contains the same themes as found on Rock and Roll is Black and Blue – a laser focus on women and their various attributes ( See “Legs”), relationships ( You Wear Me Down”, and more songs about women ( “Don’t Do This” and “Type of Girl”). Pretty simple. No picks on this one. Just put it on, play loud and enjoy.

Try to forgive Green Day as they fight their slow decline into douchebagedness. See Billy Joe Armstrong appearing on the Voice- Season III; going into rehab for substance abuse issues, etc. What is unique about the Green Day experience, is that for a band that has been around as long as they have, the band has consistently taken chances and fought the good fight while attempting to remain relevant in a time where popular music has sucked the life out of the majority of alternative music. Uno! Isn’t going to bring them all the way back but is a valiant effort at straight ahead punk pop lyrically revisiting themes from at least one generation ago. Sure, there is a commercial gloss over the album and what is abundantly clear is that this album will sound much better live. Some of this is droll for guys in their 40’s (really “Stay The Night”?) but upon reflection and several spins, what you find is a band struggling to keep its passion, write simple pop songs, and have some fun. Perhaps the struggle here is that after so much time as a band the audience’s perception has colored how we listen to Green Day music. You can’t go back. This album assembles elements of Cheap Trick and The Cars as filtered by classic Green Day and consequently, upon reflection (my own) is worth a trip to the drop box. Not perfect, but satisfying in the long run. Try “Carpe Diem,” “Troublemaker” and “Oh Love.”

If you are going to give an album a tryout from this month’s offerings, then give Australia’s Tame Impala release Lonerism a spin. An amalgam of 60’s psychedelia, 90’s Brit Pop and modern indie, this is a fascinating record. You can hear the Sgt. Peppers era Beatles influences all over this record. You are unlikely to find a hit single on this record because this is nontraditional music. Sure, there is an emo quality to the songs, given Kevin Parker’s vocals and several songs dealing with the male/female love relationship. However, the songs stick inside your head and as a whole the album works well, but there are a few missteps – “Why Won’t They Talk To Me” being a good example. However, I was fascinated with Lonerism as it travels in a much different sonic space then most indie-rock records. Try “Music To Walk Home To” “Elephant” and “Apocalypse Dreams.”

I Was A Teenage Satan Worshiper. Well, I bet you thought I was going to admit that I was. Although, my mom thought that the music I was listening to certainly was the devil’s music. However, IWATSW, is the first Finnish band to make the drop box. More, My Bloody Valentine meets The Jesus and Mary Chain, the band originally was only My Lovin’ Martian (Pasi Viitanen) who recorded all instruments, but over the course of 4 albums, has evolved into a full fledged ensemble. The synths work on There, and I’m not usually the guy who jumps up and goes wow those synths @$##$ rock!. However, in context of this record, they work and positively accentuate some of the best tracks. Try “Lucid Dreaming,” “Higher Highs” and “Show Em’ Love.”

Metz is another change of pace in this month’s drop box and at the other end of the musical spectrum from IWATSW. Toronto’s Metz debut will leave you breathless. Brutal post-hardcore that is so melodic you will wonder why you don’t regularly listen to albums in this genre. Well, you can’t unless you are an eighteen year old male and are in the early stages of trying to destroy your hearing. Further, most of this genre is so concerned with making the heaviest record that they can with vocals that are more growl than sung, they fail to make a lasting impression. Metz is different. The music is still firmly in the genre, but they have actual melody and that is why this album will be on many best of lists at the end of the year. What do you get when you combine 90’s best punk rock bands and instead of them recording on major label they instead were incubated on the Amphetamine Reptile label (home of Tad, Boss Hog, Helios Creed and Lubricated Goat)? You get Metz and they should be big. Try “Wasted” “Sad Pricks” and “Negative Space.”

In a more conventional vein, is the Maine. Classic pop punk, this is well wrought catchy sing-a-long music made for the kids. Pioneer And Good Love is the bands third album and I swear you will be hooked on the candy on this record. Like the All American Rejects, it is obvious the goal is to write songs that leave you powerless to resist the melodic choruses. Go ahead…you can like this music. Sure there is no deep meaning, but if you were going to go out on a Friday night to a club to see a show, you could do much worse than the Maine. There are elements of early Tom Petty, the Refreshments, and the Rembrandts (remember the Friends TV show Theme?) From the opener “Identify” though track 19 “Good Love” you are taken on a diverse tour of this genre’s catchiest themes and hooks designed to make your brain explode. “Good love will find me”…and if you find the Maine, then you will find a measuring stick for other albums to compare against when you think of catchy music. I’ll bet this one will stay in the rotation on your music device for a long time. Try “Time”, “Misery” and “Jenny.”

In kind of the same vein, The New Electric Sound mines another corner of indie pop, and does it so convincingly. With a retro sounding pop rock, this Provo Utah based band led by former rapper/DJ Scott Vance writes catchy melodic pop rock that will have you singing along. Like the Maine above, New Electric Sound wear their influences on their sleeve and on their debut incorporate their Beatles influences into a sound that sounds like a cross between Neon Trees and Carolina Liar. So, sit back and enjoy as you listen to “Boston Shuffle”, “Heartbeat” and “Before I Fall Apart.” [ Note for John B: I still do not like the Beatles, but as you know, I love everyone who has ever ripped them off: See Marshall Crenshaw]

Okay, everyone knows the Sex Pistols. But, after 35 years, a record like this, which arguably was the fire starter for all forms of music in the punk/alternative universe after its release bears some reexamination. No, this is not the debut record, but The Great Rock And Roll Swindle –  the albeit soundtrack from the movie (mockumentary) which although released under the Sex Pistols moniker was released after the band had already broken up; which Johnny Rotten then called Lydon had disavowed any participation and from which he was largely excised; and which consisted largely of  tracks written by the band after the breakup and sung by the other members of the band – primarily Sid Vicious, Cook and Jones. BUT, this remixed version is a fascinating exploration, a complete mess, and portends the future of punk rock music. I particularly like the disco mix “Black Arabs” which is disco medley, including “Anarchy in the UK”, “God Save the Queen”, “Pretty Vacant” and “No One is Innocent” performed by a group called Black Arabs. Try “Substitute”, “Belsen Was a Gas” and obviously “Who killed Bambi.” Fascinating.

Los Angeles based blues rock band Rival Sons has finally arrived. You will get this record immediately upon listening to the first track, “Keep on Swinging.” This is pure revivalism. This is Led Zeppelin as if Robert Plant and Jimmy Page were just starting out again as young lads. Jay Buchanan updates Zep’s classic sound and sings in such an assured manner, you would swear this was 1978 and that you were playing “Stairway To Heaven” endlessly in a very smoke filled bedroom with a keg in the corner. It takes a lot of machismo to try to carry this type of record off without sounding like a parody. This record works amazingly well. So, get out your lighter, raise your arm in the air, and move your head up and down. Try “Wild Animal” “Until The Sun Comes” and “Three Fingers.”

Staying in California, San Francisco’s Sic Alps, also has a classic sound, but these garage rockers, traverse different territory labeled for lack of imagination “new garage.” However, these are sun drenched offerings of psychedelic garage. On the self titled Sic Alps, the bands fourth album, is still an exercise in disorientation (the opening track even has strings!) but something on this record is different. The songs have a laser focus compared to their last record and the production on this record is light years ahead of anything the band has ever done. It seems, the band has discovered some elements of the modern recording process were worth considering. It’s still lo-fi with plenty of reverb, but wow – the garage sound has at least caught up with the 90s and the slacker melodies now sound more like Pavement than the Seeds. A gem of a record, worth the time to investigate. Try “God Bless Her, I Miss Her,” “Drink Up!” and “Moviehead.”

The third California based band to make this month’s drop box list, San Diego’s The Soft Pack mines the same garage rock territory as Sic Alps but this is a distinctively modern sound that is full of energy. Where the Sic Alps play a rather laid back form of garage rock, the Soft Pack is twitchy and nervous and full of life. On Strapped, the band fixes some of the mistakes that were present on 2010’s debut, and now have focused on writing fully formed songs showing both range and diversity but preserving the carefree nature of their debut. In short, it works and is a much stronger and consistently excellent record. Try “ Tallboy” “Chinatown” and “Second Look.”

September 29 2012 Drop Box Notes

09.29.12

So, here is this month’s first update of the notes. You might note that a few of the releases are not included. I tried to get to them, but just ran out of _______. However, the ones I left should tide everyone over until next month. (Right?).

As you might know…I am a huge Husker Du fan. Husker Du came out of the Minneapolis Scene at the same time as The Replacements and Prince. (not so much of a Prince fan…but The Replacements are in my top 5 of all time). Check out Husker Du here: “Makes No Sense At All” (http://youtu.be/J1sYN0PuRs4 ), “Don’t want To Know If You Are Lonely” (http://youtu.be/eoKeH7JYE48 ), and an amazing live version of “Pink Turns To Blue” (http://youtu.be/5kwRNXLjPS0 ).

Husker Du self destructed ( like many bands do) after several years of hard touring and intense personal strife between Bob Mould and Grant Hart who both formed bands in the wake of the Du’s destruction. Grant Hart formed Nova Mob (also awesome!) and Bob formed Sugar. Sugar was the perfect blend of Du’s punk rock and Bob’s knack for writing catchy pop songs. The result is two albums of melodic greatness that are somewhat overlooked but serve as the blueprint of where alternative rock took off into the mainstream. Start with Copper Blue which is the more accessible of these two records. From the opener “The Act We Act,” this record is a blistering pop assault with easily the catchiest rock songs you are likely to hear. I used to try to compare albums to this one, but as everything fell short…I gave up. Try “A Good Idea,” “Changes” “The Needle Hits E” … aw heck, try them all. I listed a couple of different in the earlier notes. Released in 1992, Copper Blue was NME’s album of the year (You can find “Helpless” here: http://youtu.be/oUf1sObmhr8).

Sugar’s FUEL (File Under Easy Listening) was according to Bob a difficult record to make (Read his book – fascinating!) as the struggles in his personal life were impacting his music. If you listen to the lyrics on these records they are quite personal. However, the music on FUEL is equally on par with Copper Blue. Truly – there are very few artists as creative as Bob. Be forewarned if you look for other records, particularly his solo records these are all over the map with forays into electronic and dance music. On FUEL, try “Gee Angel,” “Gift” and “Believe What You are Saying.”

Finally, on Silver Age, the latest release Bob comes full circle and returns (sort of) to his roots. The guitars are loud again and Bob’s writing reflects where he is today. Rarely do guys as old as Bob make records which are direct and in your face. Amazing. Try “Star Machine,” “The Descent” (http://youtu.be/8MdhsCeasBQ ), and “Angels Rearrange.”

Check out Bob live at the 9:30 Club on 09/15/12: http://youtu.be/Q-bbz2nVQzc .

Making a return after a long time away are the Blasters. If you were alive in the 80’s (and I suspect a couple of you were not) then the Blasters were one of the shows you had to see. This record is the first record from the band since 2005 and has all the original members except Dave Alvin (who is still pursuing his own brand of American music). This latest release is still a trip through time with a return to the Rock n Roll/R&B hybrid that gets your toes a tapping. Try “Fun on Saturday Night,” “Jackson” ( a duet with Exene Cervenka of X…this is a Johnny and June Cash Classic) and “Penny.”

The Killers are an enigma to me. Over the span of several albums they have written some sustainable classics songs with Brandon Flowers distinct vocals driving the harmonies, but the have also laid some piles of crap along the road ( “Human” comes to mind).  The new record, in my not so humble opinion, suffers in the same fashion, but there are some terrific songs …hence its inclusion. Sure…there is some revisiting of past glories but it is music – its supposed to move you, remind you of where you’ve been, and where you might go. The bombastic choruses are still here but like classic 70s rock you would be disappointed if they were not. So try not to be to harsh…there is still stuff worth listening to on this record. So why not start with these: “Runaways,” “The Way it Was” and “Heart of a Girl.”

What happens when you get a twisted old guy (David Byrne formerly of the Talking Heads) with a twisted young girl (Annie Clark aka St. Vincent)? You get a unique pairing of very different voices resulting in a challenging and really good record. As there is a nearly 30 year age difference, Byrne (60) and Clark (29) the time shift really helps explain the resulting weird anti-funk experimental record. What I loved about this record was that it is non-conventional but inspired and different than what is passing for mainstream music. Try “The One Who Broke Your Heart,” “Lightning” and “Dinner For Two.”

What originated in Baltimore, and is now a world wide collective, The Animal Collective follow up their critically applauded 8th album Merriweather Post Pavilion with Centipede Hz. This four piece unit probably owns the psychedelic indie/ experimental genre.  Animal Collective consists of Avey Tare (David Portner), Panda Bear (Noah Lennox), Deakin (Josh Dibb), and Geologist (Brian Weitz). Records released under the name Animal Collective may include contributions from any or all of these members; the lineup is not uniform – and possible explains why their records offer varying and unique perspectives. Centipede Hz picks up where Merriweather Post Pavilion left off in some ways with its variant of the Residents music sonically updated but most importantly, reaches new areas of the psychedelic range with melodic pop elements interspersed. That is, imagine if the Residents actually used conventional song structures and Andy Partridge of XTC was writing the melodies and you have Animal Collective present day. Try “Applesauce,” “New Town Burnout,” and “Today’s Supernatural.”

Amanda Palmer, like Animal Collective, occupies a different space in the rock music world. Aside from the controversial nature of her personality, the former Dresden Dolls singer is a freaking rock star. On Theater is Evil, her kickstarter funded project raising in excess of $1Million, Amada Fucking Palmer (her other nom de plume) shows why you can ignore the cult of personality surrounding her and concentrate on some great songwriting. The musicality of these songs is undeniable. Try “The Killing Type,” “Want it Back” and the very dark “Trout Heart Replica” ( A nod to Captain Beefheart’s classic third album Trout Mask Replica). This is easily one of the best albums of the year.

Toronto’s Billy Talent is a personal favorite. Playing Buzzcocks’ inspired melodic punk rock for almost twenty years, Dead Silence is their 5th record and for the life of me, I cannot explain they have not with more success on this side of the border ( for those in Canada, I’m talking about the U.S. side). Every record is consistently excellent and this record continues that trend. Catchy, melodic punk rock that sounds great turned up loud in the car. Ben Kowalewicz has a unique vocal sound that carries these well written songs into new territory for the band as they try to move their version of punk rock forward into new territories. Avoiding the temptation to move faster and harder, this collection of songs is the first of a planned trilogy (like Green Day – only better – Come to think of it, Ben’s voice does sound a little like Billie Joe’s) of albums in the upcoming year. I definitely am looking forward to more. Oh yeah…play loud! Try: “Love Was Still Around,” “Hanging By a Thread” and “Viking Death March.”

On The Scarlet Beast O’ Seven Heads, German composer Konstantin Gropper aka Get Well Soon has produced a classical music influenced pop record which easily could be the score to a film. The songs, all philosophical and somewhat oblique, are well thought out and the arrangements are definitely interesting. While this type of music usually gets little play on my iTunes, I was captured immediately and frankly I can’t explain why. Gropper’s voice is not compelling and I am not much for cello or other orchestral elements, but I listened to the entire record – straight through on my way to court one afternoon. So, judge for yourself. I was completely caught off guard. Try: “The Last Days of Rome,” “Courage, Tiger” and from the Bonus Disc “Lesson 1: You are Welcome.”

 I’ll bet you were surprised to find I’d dropped a Kiss record this month? Right? Well, this is not any Kiss record. This is the record that likely changed a lot of soon to be punk rock kids lives. Certainly Kiss influenced the Replacements. ( Really, if you think about it, you could name dozens of bands that incorporate Kiss into their sound).  As a teenager, my mom bought me my first ever Kiss record Dressed to Kill. As I think about it, Kiss, Queen, The New York Dolls, and the fortuitous discovery of the Buzzcocks album Singles Going Steady  are largely responsible for the love of music I obviously still have. However, it was this record…..Destroyer… that opened my eyes to the magic of music. Johnny Rotten sang Alice Cooper’s “I’m Eighteen” at his audition for the Sex Pistols, and many a punk rock band will claim Kiss as their rock n roll saviors. It is undeniable that punk rock evolved from these 1970’s acts. For me, Destroyer indelibly marked a sharp right turn in rock n roll for me. In my hometown of Whitehorse, BC, this record at my high school created the great divide. It was us vs. them (@$#@ hippies!!!). There was no radio play as the only radio station was CBC – and they surely were not going to play Kiss! Destroyer was subversive – there was the sappy ballad “Beth” that was a hit (This was rock????) but in hindsight, this was genius. Here they were “popular” but what about the rest of the record? Well, you would be hard pressed to find three better songs to start a party in 1976 “Detroit Rock City,” “King of The Night Time World” and “God of Thunder.” I played these three songs so much, I didn’t know that “Beth” was even on the record. I was a junior in high school and every Friday and Saturday Night no matter what party I was at, this record was on repeat. This 2012 version, remixes this classic record, adding some elements and in some cases cleaning up some vocal issues. While it does lose in some cases the rawness of the original, this is still a great reason to give this record a listen. ( I just try to ignore all other aspects of what a bunch of sell-outs they later became. Disco Kiss? Really? After that they lost relevance….

Alberta Cross, Petter Ericson Stakee and Terry Wolfers met in a London pub several years ago, and that relationship evolved enough for them to manage to find their way to New York and become the greatest indie opening act in North America – Oasis, Portugal the Man, Bat for Lashes, Black Rebel Motorcycle Club, Shins, etc . On Songs of Patience, their fifth release and second LP, Alberta Cross opens up their sound a little bit, playing their British Indie influenced Americana with gusto. This is most obvious on “Bonfires” an acoustic ballad that reminds you of Wilco. Though don’t be mislead by this song, the rest of the record balances neatly the indie pop leanings, with other truly terrific catchy rock songs. I found something new with every listen and I’ll bet you’ll discover something you like. Try the pop gem “Wasteland,” “Wait,” and the aforementioned “Bonfires.”

Ariel Pink, who really sounds like early Beck, is already a critical favorite, and this record should make the band a popular favorite. That is, if there was any place to discover new music except in this freaking drop box and a couple of great websites like Consequence of Sound, Pitchfork, and NME. Mixing a wide variety of influences these are simply pop songs influenced by Los Angeles’ alternative music scene. Nine records into a career, Ariel Pink still hasn’t found popular success, but this record might change that – at least for those who like alternative, 90’s sounding, Alex Chilton/ They Might Be Giants influenced garage pop.  What is surprising is that this Beverly Hills High/ Cal Arts student collection of lush songs found on Mature Themes crosses a number of boundaries, with shimmering guitars, and catchy melodies and odd lyrical themes. There is something irresistible about these songs. Try: “Mature Themes” “Only in My Dreams” and “Pink Slime.”

Sometimes it works and sometimes it doesn’t. That is how I feel about Seattle’s Band of Horses. Some records the band just does not get their ideas off the ground and as a consequence, they become just another faceless alt-rock band. Kind of like Hootie & the Blowfish, Switchfoot, Papa Roach, Three Days Grace, 30 Seconds to Mars…well you get the idea…bands who are catchy enough but not distinctive such that you play the record once and then ask yourself a bunch of why questions…Why did I buy that? Why do I like that? Why do I not give the album away? Well, I think this time Band of Horses has found the answer. Playing a mixture of slow rockers and ballads, on Mirage Rock , the bands forth record, there is some magic. Sure, their mixture of Neil Young-ish countrified rock is an acquired taste, but the well performed harmonies on a much rawer sounding record than their massively overproduced last record (Infinite Arms). There is a little Rolling Stones edge to some of the tracks, particularly on “Electric Music” which may have something to do with having the 70 year old Glyn Johns producing this record. Try: “Slow Cruel Hands of Time,” “Knock Knock” and “Everything’s Gonna Be Undone.”

Remember “Brick” by Ben Folds Five (who are really a three piece?). Well Ben Folds Five after a lengthy lay off (last record was 1999!), and Ben Folds still has the knack for writing witty, thoughtful lyrics hung on fascinating characters. Characterized as “Alt-Rock” this description falls short, because these are rock songs with a jazz trio feel – intense, personal and mature I was captivated by this aggressive and diverse record. Particularly on “The Sound of the Life of the Mind” you get that the Ben Folds Five have figured it all out. Perched on the edge of greatness after 20 years, these songs are intelligent and remind you why you continue to listen to this type of music and not merely fall prey to the piles of dung that masquerade as popular music ( Justin, Xtina, Taylor Swift ( Yes her too, Eve!). Try: “Erase Me” “On Being Frank” and “Thank You For Breaking My Heart.”

Tucson Arizona’s Calexico has produced consistently interesting music for more than 20 years. Not surprising then is that Algiers, is consistently good with the duo, Joey Burns and John Convertino, finding new ways to keep their distinctive roots rock flavored with the chilies that make you want to keep snacking on this latest offering. Look underneath the songs and you find that their latest record recorded in New Orleans, captures the spirit of the city without any of the lingering depression of a city in turmoil following Hurricane Katrina. For those old enough, the music on Algiers is reminiscent of the Meat Puppets, and with each listen you discover more stuff to like. While not a complete success, this is a worthwhile listen, especially for a quiet evening at home. Try the lovely ballad “Hush”, “Black Heart” and “Para.”

I would have dropped a band called Death By Unga Bunga on you without evening listening to it because of the great name. However, ask yourself, with a name like that you know it is going to be awesome! Capturing the balance between 50’s British rock, garage rock, and the Slickee Boys, Death By Unga Bunga demonstrates why you should move to Norway!. Think the Hives are great? I do. Well on The Kids Are Up To No Good, the second offering from Death By Unga Bunga I think the late 60’s Rolling Stones/ Seeds crown has been taken. Try “I Wanna Go Wild” (http://youtu.be/Ky7MBCwBgOw ), “Jenny”( http://youtu.be/EH3E-6hDxVs ) and the “Violent Femmes.” (About violent femmes – not the band!).

Divine Fits is the moniker of indie superstars Britt Daniel (Spoon) Dan Boeckner ( Wolf Parade/Handsome Furs) who with New Bomb Turks drummer Sam Brow have created something that reminds you of both creator’s current bands. What is different is that for a “super group” type project, these songs really are good – they are catchy melodic and more often than not inspired. The lyrics could utilize some polishing, but like every great artist, they can sell that fucker, strong, when it doesn’t look like it will work. Try “What Gets You Alone”, the cover of the Boys Next Door’s classic “Shivers,” and “Flaggin a Ride.”

The Early November have been kicking around for a while. I thought they might end up dead after being plagued by the dreaded “emo” tag early in their career (bet you though I was going to say early in November, didn’t you? See Rooms Too Cold) but they recovered only to break up in early 2007. Well, they are back and In Currents is a very strong record, well written, with the songs that had them perched on the brink of popular success. That is, exactly where they left off. Ace Enders vocals are strong and interesting, which is why this record works so well. If you start with title track “In Currents” you immediately “get” why this band works. You just want to sing along, strap on your air guitar, and play along in your room. The vocals a crisp, the choruses big. So, have some fun, put this album on in your car, roll down the windows, and sing along. Go ahead. That feels good doesn’t it? Still emo, this record works pretty well for the genre. Try “ In Currents,” “ A Stain on the Carpet” and “Like A Kid.”

Elvis Costello. I could write the book. Really, I loved this guy at the peak of his greatness. See his first four records which stand among the best rock records of the last 50 years.  My Aim is True, check This Year’s Model, check. Armed Forces, check, Get Happy, check. Sometimes bordering on irrelevant, Elvis Costello’s muse has taken him every place he should be and some he shouldn’t. What is crazy is that Elvis is so productive that it is difficult keeping up. Also, for his early genius, and really it was genius, his record company has almost wrecked his recording career, because they have put out more worthless reissues and repackages of his work that any other band, other than the Who. So where do you begin? Well, on the The Return Of The Spectacular Spinning Songbook, Elvis from his last tour with the help of a wheel on stage where special guests get to spin to pick a song, helps you decide exactly why the genius still remains. This tour is kind of a greatest hits thing with Elvis digging out classic gems from early in his recording career such as the Nick Lowe penned classic “Heart of the City” “Radio Radio” and Mystery Dance” and including new takes on other classic tracks such as “Everyday I Write The Book.” If you missed Elvis before, or thought that the old dog was tired, The Return of The Spectacular Spinning Songbook reminds you of why Elvis is still the king. Try “Watching the Detectives” “Lipstick Vogue” and from his last album “National Ransom.” It’s good to see that Elvis is sometimes, still angry.